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Joseph Beuys - für Fettecke! (For Fat Corner!), 1984, filing folder with silkscreen and handwritten addition, containing butter wrapper
Gregory Crewdson - The Disturbance, 2014, digital pigment print
Gregory Crewdson, 2014

The Disturbance

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, one lithograph on white wove in portfolio of nine
Joseph Beuys - Ölflasche (Oil Bottle), 1984, two bottles of olive oil, one with printed white label and one with printed gold label
Joseph Beuys, 1984

Ölflasche (Oil Bottle)

Mark Grotjahn - Face No. 1, 2004, oil on canvas
Mark Grotjahn, 2004

Face No. 1

Damien Hirst - Judgement Day, 2009, glass, gold plated stainless steel, steel, aluminium, nickel and cubic zirconia
Damien Hirst, 2009

Judgement Day

Joseph Beuys - Rückenstütze eines feingliederigen Menschen (Hasentypus) aus dem 20. Jahrhundert p. Chr. (Backrest for a Fine-Limbed Person (Hare-Type) of the 20th Century A.D.), 1972, iron casting
Doug Aitken - MAGIC, 2013, LED lit lightbox
Doug Aitken, 2013

MAGIC

Joseph Beuys - in interfunktionen 7, 1971, offset with handwritten text, stamped in blue (Bluecross) on page 29 of the publication; magazine
Joseph Beuys, 1971

in interfunktionen 7

Andreas Gursky - Amazon, 2016, C-print
Andreas Gursky, 2016

Amazon

Joseph Beuys - Mottenschaden (Moth Damage), 1978, felt letter, cut and mounted on cardboard
Joseph Beuys, 1978

Mottenschaden (Moth Damage)

Joseph Beuys - Kleve 1950-1961 (Cleve 1950-1961), 1981, thirty seven photographs and one original drawing in cloth-covered box, print with stamp in cloth-covered box
Meyer Vaisman - Still Life with Portraits, 1988, process inks and acrylic on canvas in two parts
Meyer Vaisman, 1988

Still Life with Portraits

Julie Mehretu - Invisible Sun (algorithm 8, fable form), 2015, ink and acrylic on canvas
On View
Katharina Fritsch - Hollow Mouse, 2009, plastic, paint
Katharina Fritsch, 2009

Hollow Mouse

Joseph Beuys - Suite Zirkulationszeit: Urschlitten 2 (Suite Circulation Time: Primeval Sleds 2), 1982, etching and drypoint on white wove
Damien Hirst - Chlorpropamide, 1996, household gloss on canvas
Damien Hirst, 1996

Chlorpropamide

Terry Winters - Schema (25), 1985-86, watercolor and graphite on paper
Terry Winters, 1985-86

Schema (25)

Takashi Murakami - The World of Sphere, 2003, wood, silk, acid dye, foil
Takashi Murakami, 2003

The World of Sphere

Joseph Beuys - 9 Postkarten: hiermit trete ich aus der Kunst aus (9 Postcards: I Hereby Resign from Art), 1985, offset on cardstock, stamps reproduced
David Salle - Lemons and Stars, 1997, acrylic, oil and photo-sensitized linen on two canvas panels
David Salle, 1997

Lemons and Stars

Tony Oursler - Underwater (Blue/Green), 1996, Citizen CPJ100 projector, Samsung VCR, videotape, tripod, acrylic on fiberglass sphere, performance by: Tony Oursler
Tony Oursler, 1996

Underwater (Blue/Green)

Joseph Beuys - Entfernter Schauplatz, 1980, 50 offset prints
Joseph Beuys, 1980

Entfernter Schauplatz

Jean‐Michel Basquiat - Deaf, 1984, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1984

Deaf

On View
Andy Warhol - Dance Diagram [3] ["The Lindy Tuck-In Turn-Man"], 1962, casein on linen
On View
Glenn Ligon - White #9, 1993, oil stick and gesso on linen
Glenn Ligon, 1993

White #9

Urs Fischer - Problem Painting, 2012, milled aluminum panel, acrylic primer, gesso, acrylic ink, spray enamel, acrylic silkscreen medium, and acrylic paint
Urs Fischer, 2012

Problem Painting

Jeff Koons - Balloon Dog (Blue), 1994-2000, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1994-2000

Balloon Dog (Blue)

On View
Joseph Beuys - Naturerfahrung in Afrika, 1980, 16 color photographs mounted on black cardstock
Joseph Beuys, 1980

Naturerfahrung in Afrika

Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962

Heavy Industry

On View