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Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
Cy Twombly - Ilium (One Morning Ten Years Later) [Part I], 1964, oil paint, lead pencil and wax crayon on canvas
Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Joseph Beuys - Suite Schwurhand: mit Fett gefüllte Skulptur (Suite Oath Hand: Fat-Filled Sculpture), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys - Piano Duet, 1981, fifty-two silkscreens on playing cards in cloth covered box
Joseph Beuys, 1981
Piano Duet
Joseph Beuys - Suite Schwurhand: Vogel (Suite Oath Hand: Bird), 1980, aquatint and lithograph on paper laid down on white Arches wove
Eric Fischl - Once Where We Looked to Put Down Our Dead, 1996, oil on linen
Ellsworth Kelly - Blue Curve V, 1972, oil on canvas
Ellsworth Kelly, 1972
Blue Curve V
Cindy Sherman - Untitled #371, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Untitled #371
Ed Ruscha - Honk (Cracker Jack), 1962, oil, black ink, and pencil on paper mounted on board
Ed Ruscha, 1962
Honk (Cracker Jack)
Joseph Beuys - gib mir Honig (Give Me Honey), 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973
gib mir Honig (Give Me Honey)
Sherrie Levine - Untitled (after Walker Evans: negative) #9, 1989, photograph and wood frame
Jasper Johns - Corpse and Mirror, 1976, silkscreen, 36 screens
Jasper Johns, 1976
Corpse and Mirror
Cindy Sherman - Murder Mystery, 1976, six gelatin silver print cutouts mounted on board
Cindy Sherman, 1976
Murder Mystery
Roy Lichtenstein - Femme d'Alger, 1963, oil on canvas
Roy Lichtenstein, 1963
Femme d'Alger
On View
Joseph Beuys - Klaus Staeck ist mein politischer Gegner (Klaus Staeck Is My Political Opponent), 1973, offset on cardstock, stamps reproduced
Richard Artschwager - Double Console, 1988, painted wood, rubberized hair and plated steel
Richard Artschwager, 1988
Double Console
Sherrie Levine - Untitled (after Walker Evans: negative) #8, 1989, photograph and wood frame
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Glenn Ligon - Untitled: Four Etchings, 1992, four softground etching, aquatint, spit bite and sugarlifts on paper
Glenn Ligon, 1992
Untitled: Four Etchings
Cindy Sherman - Untitled (Richard Prince and Cindy Sherman), 1980, two Ektacolor photographs
Keith Haring - Untitled, 1984, acrylic on canvas
Keith Haring, 1984
Untitled
Tom Otterness - Radical Rich, 1993-94, bronze
Tom Otterness, 1993-94
Radical Rich
Cindy Sherman - Untitled #199, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #199
John Ahearn and Rigoberto Torres - Jay with Bike, 1985, oil on fiberglass
John Ahearn and Rigoberto Torres, 1985
Jay with Bike
On View
Takashi Murakami - Flower Matango (b), 2001-2006, fiberglass, resin, oil paint, lacquer, acrylic plates, and iron
Takashi Murakami, 2001-2006
Flower Matango (b)
Joseph Beuys - Amerikanischer Hasenzucker (American Hare Sugar), 1974, color offset on cardstock, stamped; sugar cubes, stamped, in cardboard box with cotton wool
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Fat Shine on Iron
Timothy Greenfield‐Sanders - Portrait of John Baldessari, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987
Portrait of John Baldessari