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Alberto Giacometti - Annette VI, 1962, bronze
Alberto Giacometti, 1962
Annette VI
Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
John Baldessari - Seashells/Tridents/Frames, 1988, five black and white photographs with oil tint and vinyl paint
John Baldessari, 1988
Seashells/Tridents/Frames
Bryan Hunt - Untitled, 1975, gold leaf on silk paper, balsa and spruce wood
Bryan Hunt, 1975
Untitled
Leon Golub - Napalm II, 1969, acrylic on linen
Leon Golub, 1969
Napalm II
Annette Lemieux - Formal Wear, 1987, bronze cast
Annette Lemieux, 1987
Formal Wear
Jasper Johns - Voice 2, 1982, set of three lithographs; each: nine plates, printed with color
Jasper Johns, 1982
Voice 2
Cy Twombly - Untitled [Munich/Rome], 1972, oil paint, wax crayon and lead pencil on canvas
Cy Twombly, 1972
Untitled [Munich/Rome]
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - POUR, 1974, special annual issue of the journal POUR, stamped
Joseph Beuys, 1974
POUR
Doug Aitken - MAGIC, 2013, LED lit lightbox
Doug Aitken, 2013
MAGIC
On View
Hans Haacke - The Saatchi Collection (Simulations), 1987, mixed media installation
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Ed Ruscha - Rough Fireplace Study, 1977, pastel and graphite on paper
Ed Ruscha, 1977
Rough Fireplace Study
Richard Prince - Another Girl, 2008, collage and acrylic on canvas
Richard Prince, 2008
Another Girl
Joseph Beuys - Levitazione in Italia, 1978, color offset on cardstock
Joseph Beuys, 1978
Levitazione in Italia
Mark Tansey - Forward Retreat, 1986, oil on canvas
Mark Tansey, 1986
Forward Retreat
Jeff Koons - Art Magazine Ad, 1988-89, portfolio of four color lithographs
Jeff Koons, 1988-89
Art Magazine Ad
Imi Knoebel - Figur 52, 1987, acrylic and lacquer on wood
Imi Knoebel, 1987
Figur 52
Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Joseph Beuys - Holzschnitte: Wattenmeer (Woodcuts: Shallows), 1949/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Keith Haring - Untitled, 1982, baked enamel on metal
Keith Haring, 1982
Untitled
Timothy Greenfield‐Sanders - Portrait of Terry Winters, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990
Portrait of Terry Winters
Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Honigpumpe am Arbeitsplatz
Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Cindy Sherman - Untitled #367, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Untitled #367
Roy Lichtenstein - Non-Objective I, 1964, oil and Magna on canvas
Roy Lichtenstein, 1964
Non-Objective I
On View
Joseph Beuys - Suite Zirkulationszeit: Meerengel Robbe 1 (Suite Circulation Time: Sea Angel Seal 1), 1982, etching on white wove
Takashi Murakami - My arms and legs rot off and though my blood rushes forth, the tranquility of my heart shall be prized above all. (Red blood, black blood, blood that is not blood), 2007, acrylic and platinum leaf on canvas mounted on board, signage in platinum and gold leaf
Joseph Beuys - Mottenschaden (Moth Damage), 1978, felt letter, cut and mounted on cardboard
Joseph Beuys, 1978
Mottenschaden (Moth Damage)