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Thomas Struth - Audience 7 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Joseph Beuys - mit Schwefel überzogene Zinkkiste [tamponierte Ecke] (Sulphur-Covered Zinc Box (Plugged Corner)), 1970, sheet zinc, sulphur, gauze; stamped
Susan Rothenberg - Untitled #152, 1981, charcoal on paper
Susan Rothenberg, 1981
Untitled #152
Joseph Beuys - Pflasterstrand, 1984, magazine; signed and numbered in Roman numerals
Joseph Beuys, 1984
Pflasterstrand
Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989
Untitled
Cindy Sherman - Untitled #613, 2019, dye sublimation print
Cindy Sherman, 2019
Untitled #613
Timothy Greenfield‐Sanders - Portrait of Barbara Kruger, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990
Portrait of Barbara Kruger
Joseph Beuys - Sonnenscheibe, 1973, record matric (nickel-plated copper) with die-cut hole; two felt pads stamped with brown paint (Browncross); in box
Joseph Beuys, 1973
Sonnenscheibe
Shirin Neshat - Soliloquy Series, 2000, Cibachrome print
Shirin Neshat, 2000
Soliloquy Series
Robert Longo - Untitled (Marching Soldiers; (Party Foundation Day) Pyongyang, North Korea; October 10, 2015), 2019, charcoal on mounted paper
Joseph Beuys - in interfunktionen 6, 1971, seven sheets of printed, colored tissue paper, folded in various ways and inserted between various pages of the publication; magazine
Joseph Beuys, 1971
in interfunktionen 6
John Baldessari - Horizontal Men (With One Luxuriating), 1984, six gelatin silver prints mounted on board in artist's frame
Jeff Koons - Balloon Dog (Blue), 1994-2000, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1994-2000
Balloon Dog (Blue)
On View
Charles Ray - Firetruck, 1993, painted aluminum, fiberglass, and Plexiglas
Charles Ray, 1993
Firetruck
Chuck Close - Self Portrait / Scribble / Etching Portfolio, 2000, 25 soft-ground etchings
Robert Rauschenberg - Scripture II, 1974, acrylic, sand, graphite and collage on fabric laminated paper with grommets
Robert Rauschenberg, 1974
Scripture II
Sean Scully - Conversation, 1986, oil on four canvas panels
Sean Scully, 1986
Conversation
Catherine Opie - monument/monumental, 2020, pigment prints
Catherine Opie, 2020
monument/monumental
Ed Ruscha - Rough Fireplace Study, 1977, pastel and graphite on paper
Ed Ruscha, 1977
Rough Fireplace Study
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building), 1986, oil on acrylic on board
Cindy Sherman - Untitled #296, 1994, chromogenic color print
Cindy Sherman, 1994
Untitled #296
Joseph Beuys - Suite Zirkulationszeit: Urschlitten 2 (Suite Circulation Time: Primeval Sleds 2), 1982, etching and drypoint on white wove
Alex Israel - Over L.A., 2015, acrylic and UV inks on canvas
Alex Israel, 2015
Over L.A.
Joseph Beuys - So kann die Parteiendiktatur überwunden werden (How the Dictatorship of the Parties Can Be Overcome), 1971, printed polyethylene shopping bag with information sheets and felt object
Anselm Kiefer - Deutschlands Geisteshelden, 1973, oil and charcoal on burlap mounted on canvas
Anselm Kiefer, 1973
Deutschlands Geisteshelden
Joseph Beuys - Suite Schwurhand: Kalb mit Kinder, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Cy Twombly - Untitled [New York City], 1953, oil based house paint and wax crayon on canvas
Cy Twombly, 1953
Untitled [New York City]
On View
Brice Marden - Card Drawings (Counting), 1982, pen, black ink and gouache on three screenprinted paper panels
Brice Marden, 1982
Card Drawings (Counting)
Ed Ruscha - Bloated Empire, 1996 - 1997, acrylic on canvas
Ed Ruscha, 1996 - 1997
Bloated Empire
On View
Mike Kelley - Unlucky Clover (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk