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Joseph Beuys - Suite Zirkulationszeit: Meerengel Robbe 1 (Suite Circulation Time: Sea Angel Seal 1), 1982, etching on white wove
Richard Artschwager - Door, 1990, Formica on wood with chrome-plated brass
Richard Artschwager, 1990

Door

Cindy Sherman - Untitled #613, 2019, dye sublimation print
Cindy Sherman, 2019

Untitled #613

Takashi Murakami - Flower Matango (b), 2001-2006, fiberglass, resin, oil paint, lacquer, acrylic plates, and iron
Takashi Murakami, 2001-2006

Flower Matango (b)

Cy Twombly - Untitled [New York City], 1953, oil based house paint and wax crayon on canvas
Cy Twombly, 1953

Untitled [New York City]

On View
Elliott Hundley - the high house low!, 2011, wood, sound board, inkjet print on Kitakata, paper, pins, magnifying glass, photographs, plastic, metal
Elliott Hundley, 2011

the high house low!

David Salle - The Loneliness of Clothes, 1986, acrylic on canvas with two blue light bulbs
David Salle, 1986

The Loneliness of Clothes

Jean‐Michel Basquiat - Untitled, 1981, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1981

Untitled

Joseph Beuys - Iphigenie/Titus Andronicus (Iphigenia/Titus Andronicus), 1985, photopositive and negative on film, stamped with brown paint (Browncross); glass, iron frame
Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, offset on cardstock, stamps reproduced
Robert Therrien - No title (snowman tray), 1987, brass and enamel on aluminum
Robert Therrien, 1987

No title (snowman tray)

John Baldessari - The Spectator Is Compelled..., 1966 - 1968, photographic emulsion and acrylic on canvas
John Baldessari, 1966 - 1968

The Spectator Is Compelled...

Robert Therrien - No title (bent cone relief), 1983, lacquer and wax on wood
Robert Therrien, 1983

No title (bent cone relief)

Julian Schnabel - Anh in a Spanish Landscape, 1988, oil, plates and Bondo on three wood panels
Julian Schnabel, 1988

Anh in a Spanish Landscape

Tom Otterness - Radical Rich, 1993-94, bronze
Tom Otterness, 1993-94

Radical Rich

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Cindy Sherman - Untitled Film Still #27, 1979, gelatin silver print
Cindy Sherman, 1979

Untitled Film Still #27

Ed Ruscha - Psycho Spaghetti Western #3, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #3

On View
Barbara Kruger - Untitled (Hate like us), 1994, photographic silkscreen on Plexiglas
Barbara Kruger, 1994

Untitled (Hate like us)

Meyer Vaisman - Still Life with Portraits, 1988, process inks and acrylic on canvas in two parts
Meyer Vaisman, 1988

Still Life with Portraits

George Condo - White Eyes, 1985, oil on canvas
George Condo, 1985

White Eyes

Lari Pittman - With appreciation, I will have had understood the decorum of my mobility, 1999, acrylic, alkyd and aerosol on mahogany panel
Terry Winters - Kink Instability, 1995, graphite on paper
Terry Winters, 1995

Kink Instability

Gregory Crewdson - Untitled, Summer 2006, digital pigment print
Gregory Crewdson, Summer 2006

Untitled

Joseph Beuys - für Fettecke! (For Fat Corner!), 1984, filing folder with silkscreen and handwritten addition, containing butter wrapper
Timothy Greenfield‐Sanders - Portrait of Ashley Bickerton, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Ashley Bickerton

Gregory Crewdson - The Basement, 2014, digital pigment print
Gregory Crewdson, 2014

The Basement

Scott Burton - Semi-Circle Table, 1993, hot rolled steel
Scott Burton, 1993

Semi-Circle Table

Cy Twombly - Untitled [New York City], 1955, oil based house paint and lead pencil on canvas
Cy Twombly, 1955

Untitled [New York City]

John Baldessari - Noses & Ears, Etc.:The Gemini Series: Two Faces, One with Nose and Military Ribbons; One with (Blue) Nose and Tie, 2006, three-layer, 14-color screenprint; mounted to Sintra and framed