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Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, phototype on polyester sheet, with handwritten text; stamped
Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Joseph Beuys - Nimm Foggia ernst, 1985, color offset on both sides of cardstock
Joseph Beuys, 1985
Nimm Foggia ernst
Joseph Beuys - Beuys in Gewitter, 1983, color photocopy reworked by hand
Joseph Beuys, 1983
Beuys in Gewitter
Richard Bosman - The Harvest, 1981, oil on two canvas panels
Richard Bosman, 1981
The Harvest
Cindy Sherman - Untitled #514, 2010/2011, chromogenic color print
Cindy Sherman, 2010/2011
Untitled #514
Marlene Dumas - Wall Weeping, 2009, oil on linen
Marlene Dumas, 2009
Wall Weeping
David Salle - Clean Glasses, 1985, acrylic and oil on two canvas panels
David Salle, 1985
Clean Glasses
David Wojnarowicz - Late Afternoon in the Forest, 1986, acrylic, spraypaint and collage on muslin
David Wojnarowicz, 1986
Late Afternoon in the Forest
Joseph Beuys - Output, 1978, 40 black and white photographs by Werner Krüger, in box
Joseph Beuys, 1978
Output
Lari Pittman - Untitled #3, 2007, acrylic, cel vinyl, and spray lacquer over gessoed canvas over wood panel
Lari Pittman, 2007
Untitled #3
Joseph Beuys - Objekt zum Schmieren und Drehen (Object to Smear and Turn), 1972, tin can, lubrication grease, screwdriver, oil paint (Browncross)
Philip‐Lorca diCorcia - Tokyo, 1994, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1994
Tokyo
Joseph Beuys - 1a gebratene Fischgräte, 1972, paperbound book, offset
Joseph Beuys, 1972
1a gebratene Fischgräte
Jasper Johns - Untitled, 1994, lithograph, eight plates
Jasper Johns, 1994
Untitled
James Rosenquist - F-111, 1974, four lithographs with screenprint in colors on Arches
James Rosenquist, 1974
F-111
Robbie Conal - Freedom From Choice, 1992, offset lithographic poster
Robbie Conal, 1992
Freedom From Choice
Joseph Beuys - im Kopf und im Topf, 1978, silkscreen on cardstock with pencil
Joseph Beuys, 1978
im Kopf und im Topf
Joseph Beuys - Kehrblech (Dustpan), 1982, torn paper plate, inscribed
Joseph Beuys, 1982
Kehrblech (Dustpan)
Ed Ruscha - THEY COULDN'T DO NO BETTER, 2011, acrylic on vellum
Ed Ruscha, 2011
THEY COULDN'T DO NO BETTER
Gregory Crewdson - Untitled, 1998, digital chromogenic print
Gregory Crewdson, 1998
Untitled
Lari Pittman - Untitled #3, 2002, flat alkyd and spray paint on gessoed panel
Lari Pittman, 2002
Untitled #3
John Baldessari - Noses & Ears, Etc.: The Gemini Series: One Face (Three Versions) with Nose, Ear and Glasses, 2006, three-layer, 26-color screenprint; mounted to Sintra and framed
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Joseph Beuys - Hasenstein (Hare Stone), 1982, Basalt with gold spray paint
Joseph Beuys, 1982
Hasenstein (Hare Stone)
Joseph Beuys - Suite Zirkulationszeit: tote Hirsche (Suite Circulation Time: Dead Stags), 1982, etching on white wove
Eric Fischl - Fort Worth, 1985, oil on four canvas panels
Eric Fischl, 1985
Fort Worth
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984
Zeichen aus dem Braunraum
Joseph Beuys - sich selbst (Oneself), 1977, offset print on cardstock
Joseph Beuys, 1977
sich selbst (Oneself)