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Roy Lichtenstein - Brushstroke Chair and Ottoman, 1986-88, paint and varnish on laminated birch veneer
Roy Lichtenstein, 1986-88
Brushstroke Chair and Ottoman
Joseph Beuys - Heidelberg, 1970, proof sheet; offset on cardstock, with several stamps
Joseph Beuys, 1970
Heidelberg
Joseph Beuys - Joyce mit Schlitten, 1985, offset and silkscreen on cardstock
Joseph Beuys, 1985
Joyce mit Schlitten
Ed Ruscha - Atlas, 2002, acrylic on raw linen
Ed Ruscha, 2002
Atlas
Takashi Murakami - Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Moon Pine, Ueno, 2024-25, acrylic and glitter on canvas mounted on aluminum frame
On View
Cy Twombly - Untitled, 2009, bronze
Cy Twombly, 2009
Untitled
Christopher Wool - Untitled, 1988, enamel and flashe on aluminum and steel
Christopher Wool, 1988
Untitled
Leon Golub - Nelson Rockefeller (1970), 1976, acrylic on linen
Leon Golub, 1976
Nelson Rockefeller (1970)
George Condo - Double Heads on Red, 2014, acrylic, charcoal, pastel on linen
George Condo, 2014
Double Heads on Red
Joseph Beuys - Bitterfelder Telegramm (Bitterfeld Telegram), 1979, telegraph form, stamped
Robert Therrien - No title (keyhole), 1987, dye on wood
Robert Therrien, 1987
No title (keyhole)
On View
Cindy Sherman - Untitled #304, 1994, chromogenic color print
Cindy Sherman, 1994
Untitled #304
Peter Halley - Freudian Painting, 1981, acrylic and Roll-a-Tex on unprimed canvas
Peter Halley, 1981
Freudian Painting
Joseph Beuys - Kehrblech (Dustpan), 1982, torn paper plate, inscribed
Joseph Beuys, 1982
Kehrblech (Dustpan)
Ed Ruscha - IN THE BEGINNING, 2011, acrylic on vellum
Ed Ruscha, 2011
IN THE BEGINNING
Ed Ruscha - THOSE OTHER PEOPLE, 2011, acrylic on linen
Ed Ruscha, 2011
THOSE OTHER PEOPLE
On View
Joseph Beuys - Zwei Fräulein mit leuchtendem Brot (Two Fräuleins with Shining Bread), 1966, cardboard, paper, chocolate painted over in oil paint (Browncross)
Robbie Conal - Taken Out and Shot, 1991, offset lithographic poster
Robbie Conal, 1991
Taken Out and Shot
Robert Longo - Tongue to the Heart, 1984, acrylic and oil on wood, cast plaster, hammered lead on wood, durotran, acrylic on canvas
Robert Longo, 1984
Tongue to the Heart
Charles Ray - Plank Piece I-II, 1973, two black and white photographs mounted on rag board
Charles Ray, 1973
Plank Piece I-II
Andrew Lord - Jug, Vase, and Dish/Round to Angles/Grey, 1984-85, glazed earthenware, three pieces
Cindy Sherman - Untitled #332, 1999, gelatin silver print
Cindy Sherman, 1999
Untitled #332
Joseph Beuys - Steinhase (Stone Hare), 1982, color photograph
Joseph Beuys, 1982
Steinhase (Stone Hare)
Meyer Vaisman - The Labor Painting, 1987, process inks on four canvas panels
Meyer Vaisman, 1987
The Labor Painting
Cindy Sherman - Untitled #190, 1989, chromogenic color prints (two panels)
Cindy Sherman, 1989
Untitled #190
Joseph Beuys - Triptychon: Young Elk above the Old Miller's House, 1981, lithograph on cardstock
Sherrie Levine - Untitled (Mr. Austridge: 1), 1989, casein on wood
Sherrie Levine, 1989
Untitled (Mr. Austridge: 1)
Alexander Calder - Laocoön, 1947, painted sheet metal, rod, string and wire
Alexander Calder, 1947
Laocoön
Joseph Beuys - Aufruf zur Alternative (Appeal for an Alternative), 1979, silkscreen in gray and red on cardstock
Joseph Beuys - Brustwarze (Nipple), 1984-86, patinated bronze, and brass wire
Joseph Beuys, 1984-86
Brustwarze (Nipple)