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new on view the collection browse by artist
Mike Kelley - Twisted Shamrock (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Joseph Beuys - Frauentorso aus der Suite Tränen (Female Torso from Suite Tears), 1985, etching on thin paper laid down on gray wove
Sigmar Polke - Homme Chantant la Marseillaise, 1989, mixed media on fabric
Sigmar Polke, 1989

Homme Chantant la Marseillaise

Christopher Williams - Seychelles, 1990, gelatin silver print
Christopher Williams, 1990

Seychelles

Joseph Beuys - ohne die Rose tun wir's nicht (We Won't Do It without the Rose), 1972, color offset on cardstock, with handwritten text
Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996

Untitled

Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019

Pure Insecurity

Joseph Beuys - für Blinky (For Blinky), 1980, silkscreen on cardstock with handwritten addition
Joseph Beuys, 1980

für Blinky (For Blinky)

Mike Kelley - Emerald Eyehole (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Joseph Beuys - Suite Schwurhand: Lumen, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980

Suite Schwurhand: Lumen

Joseph Beuys - Kunst = Kapital (Art = Capital), 1980, silkscreen on blackboard in wooden frame
Joseph Beuys, 1980

Kunst = Kapital (Art = Capital)

Joseph Beuys - Noiseless Blackboard Eraser, 1974, felt blackboard eraser, stamped
Joseph Beuys, 1974

Noiseless Blackboard Eraser

Sharon Lockhart - Lunch Break Installation, "Duane Hanson: Sculptures of Life," 14 December 2002 -- 23 February 2003, Scottish National Gallery of Modern Art, 2003, four chromogenic prints
Mark Grotjahn - Untitled (Free Capri 50.40), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018

Untitled (Free Capri 50.40)

Tom Otterness - Cops Clean Up, 1994, bronze
Tom Otterness, 1994

Cops Clean Up

Joseph Beuys - Photo Edition, 1979, galvanized metal box with eight color photographs, mounted in folded mats
Joseph Beuys, 1979

Photo Edition

Julian Schnabel - Self-Portrait in Andy's Shadow, 1987, oil, plates and Bondo on two wood panels
Julian Schnabel, 1987

Self-Portrait in Andy's Shadow

Leon Golub - Four Blacks, 1985, acrylic on canvas
Leon Golub, 1985

Four Blacks

Cindy Sherman - Untitled #297, 1994, chromogenic color print
Cindy Sherman, 1994

Untitled #297

Tony Oursler - Flag, 2004, fiberglass sculpture, Sony VPL CS5 projector, DVD, DVD player
Tony Oursler, 2004

Flag

Andreas Gursky - F1 Boxenstopp III, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007

F1 Boxenstopp III

Ed Ruscha - SHE AIN'T OLD ENOUGH, 2011, acrylic on vellum
Ed Ruscha, 2011

SHE AIN'T OLD ENOUGH

Timothy Greenfield‐Sanders - Portrait of Julian Schnabel, 1979, black and white photograph
Timothy Greenfield‐Sanders, 1979

Portrait of Julian Schnabel

Julian Lethbridge - Alibi 2, 1993, oil on linen
Julian Lethbridge, 1993

Alibi 2

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Glenn Ligon - Remember The Revolution #1, 2004, oil and acrylic on canvas
Glenn Ligon, 2004

Remember The Revolution #1

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Hank Willis Thomas - We shall not be moved, 2022, screenprint on retroreflective vinyl, mounted on Dibond
Hank Willis Thomas, 2022

We shall not be moved