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Joseph Beuys - Blutaktion (Blood Action), 1982, color photocopy of photograph by Alfred Kerger
Joseph Beuys, 1982

Blutaktion (Blood Action)

Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
George Condo - His Green Ear, 1985, oil on canvas
George Condo, 1985

His Green Ear

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - besser heute aktiv (Better Active Today), 1972, flyer, with handwritten text, stamped
Cindy Sherman - Untitled #143, 1985, chromogenic color print
Cindy Sherman, 1985

Untitled #143

Robert Therrien - No title (hat / bowl panel), 1985, oil on canvas mounted on wood
Robert Therrien, 1985

No title (hat / bowl panel)

Cindy Sherman - Untitled #125, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #125

Lari Pittman - Where the Soul Intact Will Shed Its Scabs (8624 A.D.), 1987-88, acrylic on wood panel
Roy Lichtenstein - Cubist Still Life with Pipe, 1974, oil, Magna and sand on canvas
Roy Lichtenstein, 1974

Cubist Still Life with Pipe

Richard Artschwager - Northwest Passage, 1994, acrylic and Formica, Celotex and wood in artist's frame
Richard Artschwager, 1994

Northwest Passage

John Baldessari - Horizontal Women, 1987, photographs mounted on board
John Baldessari, 1987

Horizontal Women

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004

Tulips

Joseph Beuys - Heute ist jeder Mensch Sonnenkönig, 1970, publication
Sherrie Levine - Untitled (after Walker Evans: negative) #9, 1989, photograph and wood frame
Philip‐Lorca diCorcia - New York, 1996, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1996

New York

Damien Hirst - The Last Supper, 1999, 13 color screenprints on Somerset paper
Damien Hirst, 1999

The Last Supper

Cindy Sherman - Untitled #613, 2019, dye sublimation print
Cindy Sherman, 2019

Untitled #613

Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

Anselm Kiefer - Alarichs Grab [translation: Alaric's Grave], 1969-89, mixed media on treated lead mounted on original photograph in glazed steel frame
Joseph Beuys - Nordpol aus der Suite Tränen (North Pole from Suite Tears), 1985, etching on thin paper laid down on gray wove
Barbara Kruger - Twelve, 2004, four screen video projection
Barbara Kruger, 2004

Twelve

David Salle - Untitled (Watermelon), 1999, oil and acrylic on two linen panels
David Salle, 1999

Untitled (Watermelon)

Joseph Beuys - in interfunktionen 2, 1969, offset; stamped; on page 63 of magazine
Joseph Beuys, 1969

in interfunktionen 2

Chuck Close - John, 1971-72, acrylic on gessoed canvas
Chuck Close, 1971-72

John

Yayoi Kusama - Longing for Eternity, 2017, mirrored box and LED lights
Yayoi Kusama, 2017

Longing for Eternity

Thomas Struth - Neutral Buoyancy Lab, JSC, Houston, 2017, chromogenic print
On View
Sam Francis - Big Orange, 1954-55, oil on canvas
Sam Francis, 1954-55

Big Orange

Joseph Beuys - Edition Staeck liefert (Edition Staeck Delivers), 1974, offset on cardstock, stamps reproduced