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Thomas Houseago - Face Panel II (Landscape), 2012, bronze
Thomas Houseago, 2012

Face Panel II (Landscape)

David Hammons - African-American Flag, 1990, dyed cotton
David Hammons, 1990

African-American Flag

Joseph Beuys - Collezione di grafica: Untitled, 1982, photoetching and etching on wove
Joseph Beuys, 1982

Collezione di grafica: Untitled

Robert Rauschenberg - Scripture II, 1974, acrylic, sand, cardboard, paper bags, metal, fabric, and graphite on fabric-laminated paper
Robert Rauschenberg, 1974

Scripture II

Cy Twombly - Untitled, 1989, bronze, painted with white oil-based paint
Cy Twombly, 1989

Untitled

Cindy Sherman - Untitled #330, 1996, Cibachrome
Cindy Sherman, 1996

Untitled #330

Richard Artschwager - Bookends, 1990, Formica on wood
Richard Artschwager, 1990

Bookends

Pat York - Eli Broad, 2005, color photograph
Pat York, 2005

Eli Broad

Joseph Beuys - Cosmos und Damian 3-D (Cosmos and Damian 3-D), 1974, 3-D color postcard, inscribed
Jeff Koons - Hulk (Organ), 2004 - 2014, polychromed bronze and mixed media
Jeff Koons, 2004 - 2014

Hulk (Organ)

Ross Bleckner - Prayer (for a friend), 1993, oil on linen
Ross Bleckner, 1993

Prayer (for a friend)

Roy Lichtenstein - Black Flowers, 1961, oil on canvas
Roy Lichtenstein, 1961

Black Flowers

Joseph Beuys - zeige deine Wunde (Show Your Wound), 1977, six photographic negatives, brown paint, glass, white glass and iron frame
Henry Moore - Heads No. 2 (Interior and Exterior Forms), 1950, colored crayons, watercolor and wash on paper
Joseph Beuys - Sichel 2. Version (Sickle 2nd Version), 1985, sickle with magnet, with handwritten addition, stamped
Christopher Williams - Seychelles, 1990, gelatin silver print
Christopher Williams, 1990

Seychelles

Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

Joseph Beuys - Druck I and II, 1971, print 1: letterpress on coated heavy papaer; with handwritten text, stamped; print 2: letterpress with sulphur, on cardstock
Joseph Beuys, 1971

Druck I and II

Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Cindy Sherman - Untitled #196, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #196

Cy Twombly - Untitled [Lexington,Virginia], 2003, acrylic on canvas
Mark Bradford - Helter Skelter I, 2007, mixed media on canvas
Mark Bradford, 2007

Helter Skelter I

On View
Joseph Beuys - Fondazione per la rinascita dell'agricoltura (Foundation for the Rebirth of Agriculture), 1978, silkscreen on heavy cardboard, stamped
Terry Winters - Pitch Lake, 1985, oil on linen
Terry Winters, 1985

Pitch Lake

Damien Hirst - The Last Supper, 1999, 13 color screenprints on Somerset paper
Damien Hirst, 1999

The Last Supper

Katharina Fritsch - Hollow Mouse, 2009, plastic, paint
Katharina Fritsch, 2009

Hollow Mouse

Joseph Beuys - Suite Zirkulationszeit: Urschlitten 1 (Suite Circulation Time: Primeval Sleds 1), 1982, etching and drypoint on white wove
Thomas Struth - Audience 11 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Joseph Beuys - Schautafeln für den Unterricht I und II, 1971, two photographs mounted on cardboard; Board I with zinc plate, sulphur, and handwritten text
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph