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Ross Bleckner - Untitled, 1999, three-color lithograph screen print
Ross Bleckner, 1999

Untitled

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Ed Ruscha - ESPANA GRANDE, 1961, ink, oil, and collage on paper
Ed Ruscha, 1961

ESPANA GRANDE

Julian Lethbridge - Alibi 2, 1993, oil on linen
Julian Lethbridge, 1993

Alibi 2

Andreas Gursky - Sao Paulo, Sé, 2002, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2002

Sao Paulo, Sé

Ed Ruscha - CITY(#1), 1967, graphite on paper
Ed Ruscha, 1967

CITY(#1)

Joseph Beuys - Heidelberg, 1970, proof sheet; offset on cardstock, with several stamps
Joseph Beuys, 1970

Heidelberg

Meyer Vaisman - The Labor Painting, 1987, process inks on four canvas panels
Meyer Vaisman, 1987

The Labor Painting

Ragnar Kjartansson - The Visitors, 2012, nine channel HD video projection
Ragnar Kjartansson, 2012

The Visitors

Neo Rauch - Die Stickerin, 2008, oil on canvas
Neo Rauch, 2008

Die Stickerin

Joseph Beuys - Kunst = Kapital (Art = Capital), 1980, silkscreen on blackboard in wooden frame
Joseph Beuys, 1980

Kunst = Kapital (Art = Capital)

Henry Moore - Heads No. 2 (Interior and Exterior Forms), 1950, colored crayons, watercolor and wash on paper
Cindy Sherman - Untitled Film Still #54, 1980, gelatin silver print
Cindy Sherman, 1980

Untitled Film Still #54

George Condo - Untitled, 1985, oil on canvas
George Condo, 1985

Untitled

Cindy Sherman - Untitled #122, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #122

Timothy Greenfield‐Sanders - Portrait of Ashley Bickerton, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Ashley Bickerton

Cady Noland - MAKE A PICNIC OUT OF YOU, 1993, silkscreen ink on honeycomb aluminum
Cady Noland, 1993

MAKE A PICNIC OUT OF YOU

Joseph Beuys - Joseph Beuys and Nam June Paik, In Memoriam George Maciunas, 1984-84, Portfolio of felt sculpture (Filzwinkel [Felt Wedge]) (front), wood sculpture, two phonograph records, and screenprint in wood box
Cy Twombly - By the Ionian Sea, 1988, bronze and oil-based paint
Cy Twombly, 1988

By the Ionian Sea

On View
Joseph Beuys - Sonnenscheibe, 1973, record matric (nickel-plated copper) with die-cut hole; two felt pads stamped with brown paint (Browncross); in box
Joseph Beuys, 1973

Sonnenscheibe

Jonas Wood - Matisse Pot 5, 2016, acrylic, colored pencil and ink on paper
Jonas Wood, 2016

Matisse Pot 5

Cindy Sherman - Untitled #475, 2008, chromogenic color print
Cindy Sherman, 2008

Untitled #475

Tony Oursler - Let's Switch, 1996, Citizen 30PC Projector, *VCR, videotape, wooden shelf, two small figures, performance by: Tracy Leipold
Tony Oursler, 1996

Let's Switch

Tony Oursler - Phobic, 1993, mixed media with video
Tony Oursler, 1993

Phobic

John McLaughlin - #10 - 1965, 1965, oil on canvas
John McLaughlin, 1965

#10 - 1965

Joseph Beuys - Kitsch Postkarte Nr. 1 (Kitsch Postcard No. 1), 1980, offset on cardstock, stamps reproduced
Cindy Sherman - Untitled #514, 2010/2011, chromogenic color print
Cindy Sherman, 2010/2011

Untitled #514

Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Alexander Calder - Le Rouge de Saché, 1954, hanging mobile - painted sheet metal and wire
Alexander Calder, 1954

Le Rouge de Saché

Robbie Conal - Freedom From Choice, 1992, offset lithographic poster
Robbie Conal, 1992

Freedom From Choice