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Julie Mehretu - Six Bardos: Transmutation, 2018, 31 color aquatint
Julie Mehretu, 2018

Six Bardos: Transmutation

Joseph Beuys - 7000-Eichen-Tüte (7000 Oaks Bag), 1982, paper shopping bag, with several stamps
David Salle - Dusting Powders, 1986, acrylic and oil on two canvas panels with wooden chair
David Salle, 1986

Dusting Powders

Joseph Beuys - Difesa della natura (Defense of Nature ), 1984, color offset on heavy paper
Andreas Gursky - F1 Boxenstopp II, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007

F1 Boxenstopp II

George Condo - Nuntio, 1985, oil on canvas
George Condo, 1985

Nuntio

Frank Stella - Gobba Zoppa and Collotorto (3.75x), 1986, mixed media on etched magnesium, aluminum and fiberglass
Cindy Sherman - Untitled #136, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #136

Ed Ruscha - Sunset-Gardner Cross, 1998-99, acrylic on canvas
Ed Ruscha, 1998-99

Sunset-Gardner Cross

Cady Noland - MAKE A PICNIC OUT OF YOU, 1993, silkscreen ink on honeycomb aluminum
Cady Noland, 1993

MAKE A PICNIC OUT OF YOU

Jeff Koons - Inflatable Flower and Bunny (Tall White and Pink Bunny), 1979, vinyl, mirrors
Mark Grotjahn - Untitled (Dark Indigo Blue Rub Mask M11.h), 2011, painted bronze
Andy Warhol - Liz [Early Colored Liz], 1963, synthetic polymer and silkscreen ink on canvas
Andy Warhol, 1963

Liz [Early Colored Liz]

Joseph Beuys - Rückenstütze eines feingliederigen Menschen (Hasentypus) aus dem 20. Jahrhundert p. Chr. (Backrest for a Fine-Limbed Person (Hare-Type) of the 20th Century A.D.), 1972, iron casting
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Joseph Beuys - Postkarten (Postcards 1968-1974), 1974, box with 26 postcards and two postcard objects
Sayre Gomez - Diamonds and Pearls, 2022, acrylic on canvas, diptych
Sayre Gomez, 2022

Diamonds and Pearls

Cindy Sherman - Untitled #168, 1987, chromogenic color print
Cindy Sherman, 1987

Untitled #168

Joseph Beuys - Hasengrab I (Hare's Grave I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab I (Hare's Grave I)

David Salle - Savagery and Misrepresentation, 1981, acrylic on canvas
David Salle, 1981

Savagery and Misrepresentation

Mark Bradford - Journal Entry#1-4, 2013, mixed media on canvas
Mark Bradford, 2013

Journal Entry#1-4

Joseph Beuys - Telephon S-----------------E (Telephone T-----------------Я), 1974, two tin cans, one with brown paint (Browncross); string, label
Joseph Beuys - 3-Tonnen-Edition, 1973-85, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-85

3-Tonnen-Edition

Andreas Gursky - F1 Boxenstopp I, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007

F1 Boxenstopp I

Cindy Sherman - Untitled #278, 1993, chromogenic color print
Cindy Sherman, 1993

Untitled #278

Joan Miró - La Caresse d'un Oiseau, 1967, painted bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1967

La Caresse d'un Oiseau

Terry Winters - Schema (18), 1985-86, gouache and graphite on paper
Terry Winters, 1985-86

Schema (18)

Richard Artschwager - Tank, 1991, Formica and acrylic on fiber panel and wood with painted wood and formica artist's frame
Richard Artschwager, 1991

Tank

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Joseph Beuys - Suite Schwurhand: Wandernde Kiste 3, 1980, lithograph on paper laid down on gray Rives wove