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Andreas Gursky - Kuwait Stock Exchange II, 2008, chromogenic print
Andreas Gursky, 2008

Kuwait Stock Exchange II

On View
Joseph Beuys - Nehmt was ihr kriegen könnt! (“Take What You Can Get!”), 1972, paper with printed letterhead and handwritten text, stamped
Cindy Sherman - Untitled #135, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #135

Joseph Beuys - ART-RITE, 1981, magazine
Joseph Beuys, 1981

ART-RITE

Cindy Sherman - Untitled Film Still #43, 1979, gelatin silver print
Cindy Sherman, 1979

Untitled Film Still #43

Timothy Greenfield‐Sanders - Portrait of Barbara Kruger, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990

Portrait of Barbara Kruger

Joseph Beuys - aus from source to use, 1985, silkscreen on felt; silkscreen on plywood
Joseph Beuys, 1985

aus from source to use

Joseph Beuys - eine Partei für Tiere (A Party for Animals), 1969, offset and handwritten text on paper, stamped with oil paint (Browncross) and round stamp
Leon Golub - Threnody I, 1986, acrylic on canvas
Leon Golub, 1986

Threnody I

Alexander Calder - The Brass Gong, 1948, painted sheet metal and rod with brass disc
Alexander Calder, 1948

The Brass Gong

Jeff Koons - Couple (Dots) II, 2009, oil on canvas
Jeff Koons, 2009

Couple (Dots) II

Cy Twombly - Untitled [Bolsena], 1969, oil based house paint, wax crayon, lead pencil and colored pencil on canvas
Cy Twombly, 1969

Untitled [Bolsena]

Cindy Sherman - Untitled #116, 1982, chromogenic color print
Cindy Sherman, 1982

Untitled #116

Joseph Beuys - Schmerzraum (Chamber of Pain), 1984, silkscreen on paper
Joseph Beuys, 1984

Schmerzraum (Chamber of Pain)

Joseph Beuys - documenta 4, 1968, offset on cardstock, stamps reproduced
Joseph Beuys, 1968

documenta 4

Jeff Wall - The Giant, 1992, transparency in lightbox
Jeff Wall, 1992

The Giant

Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Joseph Beuys - Amerikanischer Hasenzucker (American Hare Sugar), 1974, color offset on cardstock, stamped; sugar cubes, stamped, in cardboard box with cotton wool
Joseph Beuys - in interfunktionen 7, 1971, offset with handwritten text, stamped in blue (Bluecross) on page 29 of the publication; magazine
Joseph Beuys, 1971

in interfunktionen 7

Joseph Beuys - Schamanentrommel aus der Suite Tränen (Shaman's Drum from Suite Tears), 1985, color etching and aquatint on thin paper laid down on gray wove
Peter Halley - A Perfect World, 1993, acrylic, Day-Glo acrylic and Roll-a-Tex on canvas
Peter Halley, 1993

A Perfect World

Cindy Sherman - Untitled #98, 1982, chromogenic color print
Cindy Sherman, 1982

Untitled #98

On View
Kara Walker - Testimony: Narrative of a Negress Burdened by Good Intentions, 2004, black and white video, no audio and framed cut paper sillhouette
Meyer Vaisman - Still Life with Portraits, 1988, process inks and acrylic on canvas in two parts
Meyer Vaisman, 1988

Still Life with Portraits

Cindy Sherman - Untitled #126, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #126

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Mark Tansey - Wake, 2003, oil on canvas
Mark Tansey, 2003

Wake

Joseph Beuys - A Political Party for Animals!, 1974, proof sheet for sugar envelopes, with handwritten addition, stamped
Joseph Beuys, 1974

A Political Party for Animals!

Julie Mehretu - Six Bardos: Transmigration, 2018, 32 color, 2 panel aquatint
Julie Mehretu, 2018

Six Bardos: Transmigration

Leon Golub - Mercenaries V, 1984, acrylic on linen
Leon Golub, 1984

Mercenaries V