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Catherine Opie - monument/monumental, 2020, pigment prints
Catherine Opie, 2020

monument/monumental

Julian Lethbridge - Penrose 1, 1992, oil on linen
Julian Lethbridge, 1992

Penrose 1

Joseph Beuys - Erhard Klein unkonzentriert (Erhard Klein Unconcentrated), 1984, invitation card, stamped
Charles Garabedian - Prehistoric Figure, 1978-80, acrylic on panel
Charles Garabedian, 1978-80

Prehistoric Figure

Lari Pittman - Like You, Hoping and Wanting But Not Liking, 1995, alkyd and metallic oil on mahogany panel
Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Leon Golub - Nelson Rockefeller (1970), 1976, acrylic on linen
Leon Golub, 1976

Nelson Rockefeller (1970)

Christopher Wool - She Smiles for the Camera IV, 2005, enamel on linen
Christopher Wool, 2005

She Smiles for the Camera IV

Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962

Heavy Industry

Joseph Beuys - Il pensiero della F.I.U. (The Thinking of the F.I.U.), 1978, silkscreen on cardstock
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Jasper Johns - Flags, 1968, color lithograph with stamps
Jasper Johns, 1968

Flags

Leon Golub - Napalm II, 1969, acrylic on linen
Leon Golub, 1969

Napalm II

Richard Artschwager - Triptych (With Nude) (Diptych IV), 1966, acrylic on Celotex and Formica on wood
Richard Artschwager, 1966

Triptych (With Nude) (Diptych IV)

Joseph Beuys - 7000 Querce (7000 Oaks), 1984, color offset printed on both sides of cardstock, in two parts
Joseph Beuys, 1984

7000 Querce (7000 Oaks)

Jeff Koons - Kiepenkerl, 1987, stainless steel
Jeff Koons, 1987

Kiepenkerl

Neo Rauch - Der Laden, 2005, oil on canvas
Neo Rauch, 2005

Der Laden

Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Imi Knoebel - Figur 30, 1986, oil on wood
Imi Knoebel, 1986

Figur 30

Joseph Beuys - Stempelplastik (Stamp Sculpture), 1982, vinyl postcards and Hauptstrom stamp
Ed Ruscha - THERE WASN'T NO PEARLY GATES, 2011, acrylic on vellum
Robbie Conal - Sex, Drugs, Rock and Roll, 1989, three offset lithographic posters
Robbie Conal, 1989

Sex, Drugs, Rock and Roll

Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, offset on cardstock, stamps reproduced
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Eric Fischl - Fort Worth, 1985, oil on four canvas panels
Eric Fischl, 1985

Fort Worth

Thomas Houseago - Untitled (Black Painting 12), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016

Untitled (Black Painting 12)

Jonas Wood - Matisse Pot 7, 2016, acrylic, colored pencil and ink on paper
Jonas Wood, 2016

Matisse Pot 7

Jasper Johns - Flag, 1967, encaustic and collage on canvas (three panels)
Jasper Johns, 1967

Flag

On View
Sherrie Levine - After Walker Evans, 1987, black and white photograph
Sherrie Levine, 1987

After Walker Evans