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Joseph Beuys - Suite Schwurhand: Foetus, 1980, etching, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980

Suite Schwurhand: Foetus

Kenneth Noland - Trans Light, 1968, acrylic on canvas
Kenneth Noland, 1968

Trans Light

Neil Jenney - Aggression and Reinforcement, 1969, oil on canvas
Neil Jenney, 1969

Aggression and Reinforcement

Cindy Sherman - Untitled #324, 1996, Cibachrome
Cindy Sherman, 1996

Untitled #324

Joseph Beuys - Capri-Batterie (Capri Battery), 1985, light bulb with plug socket, in wooden box; lemon
Joseph Beuys, 1985

Capri-Batterie (Capri Battery)

Urs Fischer - Untitled, 2012, cast aluminum, milled aluminum, screws, LED light bulb, glass, wires, electrical unit, wash primer, epoxy filler, component fill primer, waterborne base coat, polyurethane matte clear coat
Urs Fischer, 2012

Untitled

Frank Stella - The Chapel (C-30, 1X), 1990, mixed media on aluminum
Frank Stella, 1990

The Chapel (C-30, 1X)

Joseph Beuys - gib mir Honig (Give Me Honey), 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973

gib mir Honig (Give Me Honey)

Sue Coe - The Children are Going Insane, 1983, graphite and collage on paper mounted on canvas
Glenn Ligon - Narratives, 1993, suite of nine etchings with chine collé
Glenn Ligon, 1993

Narratives

Joseph Beuys - Abonnez-vous POUR, 1974, order form, stamped
Joseph Beuys, 1974

Abonnez-vous POUR

Robert Therrien - No title (trumpet), 1983, bronze
Robert Therrien, 1983

No title (trumpet)

Terry Winters - Viewing Transformations 4, 1993, acrylic on paper
Terry Winters, 1993

Viewing Transformations 4

Joseph Beuys - Joseph Beuys, 1974, offset on cardstock, stamps reproduced
Joseph Beuys, 1974

Joseph Beuys

Andreas Gursky - F1 Boxenstopp III, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007

F1 Boxenstopp III

Cindy Sherman - Untitled Film Still #07, 1978, gelatin silver print
Cindy Sherman, 1978

Untitled Film Still #07

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Cindy Sherman - Untitled #354, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #354

Jenny Holzer - Thorax, 2008, 12 double-sided, curved LED signs (lower two signs with two elements each): white diodes on front; red & blue diodes
Jenny Holzer, 2008

Thorax

Andy Warhol - Folding Screen (Piglet), 1955-57, ink, watercolor, and gold leaf on three wooden panels
Andy Warhol, 1955-57

Folding Screen (Piglet)

On View
Joseph Beuys - APOLLO mit Beuys (APOLLO with Beuys), 1977, handout with handwritten additions
Thomas Struth - Audience 4 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Joseph Beuys - Painting Version 1-90, 1976, oil paint and butter on wove with torn hole
Joseph Beuys, 1976

Painting Version 1-90

Cindy Sherman - Untitled #569, 2016, dye sublimation metal print
Cindy Sherman, 2016

Untitled #569

Gregory Crewdson - Untitled, 2004, digital chromogenic print
Gregory Crewdson, 2004

Untitled

Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab II (Hare's Grave II)

Robert Rauschenberg - Untitled, ca. 1954, combine: oil, fabric, newspaper, and charcoal collage with light bulb and two Crookes radiometers on wood structure
Robert Rauschenberg, ca. 1954

Untitled

Robert Rauschenberg - Gossip (Marrakitch), 2000, screenprint on paper
Robert Rauschenberg, 2000

Gossip (Marrakitch)

Ray Smith - Guernimex, 1990, oil and wax on nine wood panels
Ray Smith, 1990

Guernimex

Joseph Beuys - Telephon S-----------------E (Telephone T-----------------Я), 1974, two tin cans, one with brown paint (Browncross); string, label