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Joseph Beuys - Zwei weibliche Torsi (Two Female Torsos), 1975, color lithograph on wove
Robert Therrien - No title (bent cone relief), 1983, lacquer and wax on wood
Robert Therrien, 1983

No title (bent cone relief)

Joseph Beuys - C'est la fin de la fin des Latins, 1982, metal sign with baked enamel
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Donald Baechler - Untitled [Camouflage Sandwich (Cross Examination)], 2000, silkscreen
Joseph Beuys - nicht von Joyce (Not by Joyce), 1984, metal sign with handwritten addition
Joseph Beuys, 1984

nicht von Joyce (Not by Joyce)

Cy Twombly - Untitled, 1989, bronze, painted with white oil-based paint
Cy Twombly, 1989

Untitled

Jenny Holzer - Laments: I do not want to be human..., 1987, Electronic LED sign: red & green diodes
Joseph Beuys - ehemalige Klasse Beuys (“former” Beuys Class), 1975, folded handout, stamped
Joseph Beuys - Sonne statt Reagan (Sun instead of Reagan), 1982, phonograph record, in sleeve with red oil paint
Cindy Sherman - Untitled #365, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #365

Eric Fischl - The Travel of Romance: Scene I, 1994, oil on linen
Eric Fischl, 1994

The Travel of Romance: Scene I

Doug Aitken - new skin, 2002, four-channel, four-projection video installation on an elliptical "X" screen (aluminum, PVC)
Doug Aitken, 2002

new skin

Richard Prince - Untitled (Cowboy), 2012, inkjet and acrylic on canvas
Richard Prince, 2012

Untitled (Cowboy)

Cindy Sherman - Untitled #70, 1980, chromogenic color print
Cindy Sherman, 1980

Untitled #70

Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989

Untitled

Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

Sue Coe - The Children are Going Insane, 1983, graphite and collage on paper mounted on canvas
Roy Lichtenstein - River Valley, 1985, oil and Magna on canvas
Roy Lichtenstein, 1985

River Valley

On View
Julian Lethbridge - Untitled, 2012, oil and pigment stick on linen
Julian Lethbridge, 2012

Untitled

Robert Rauschenberg - Quattro Mani Marrakech II, 2000, screenprint on paper
Robert Rauschenberg, 2000

Quattro Mani Marrakech II

Mickalene Thomas - November 1971, 2024, Rhinestones and acrylic on canvas mounted on wood panel with ebony mahogany frame  
Mickalene Thomas, 2024

November 1971

On View
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Christopher Wool - Untitled, 1988, enamel and flashe on aluminum and steel
Christopher Wool, 1988

Untitled

Julian Schnabel - Anh in a Spanish Landscape, 1988, oil, plates and Bondo on three wood panels
Julian Schnabel, 1988

Anh in a Spanish Landscape

James Rosenquist - F-111, 1974, four lithographs with screenprint in colors on Arches
James Rosenquist, 1974

F-111

Takashi Murakami - End of Line, 2011, acrylic on canvas mounted on board
Takashi Murakami, 2011

End of Line

Kara Walker - The White Power 'Gin/Machine to Harvest the Nativist Instinct for Beneficial Uses to Border Crossers Everywhere, 2019, soft pastel, charcoal, and oil sticks on paper; graphite and ink on paper
Joseph Beuys - Zeichnungen II 1946-1971, 1973, paperbound catalogue with 153 full-page reproductions, offset on newsprint
Joseph Beuys, 1973

Zeichnungen II 1946-1971

Robert Therrien - No title (five snails), 1990-2011, cast bronze
Robert Therrien, 1990-2011

No title (five snails)