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Jasper Johns - Flags II, 1973, silkscreen, 30 screens
Jasper Johns, 1973

Flags II

Joseph Beuys - Ölkanne F.I.U. (Oil Can F.I.U.), 1980, metal can containing a small amount of olive oil, stamped
Ed Ruscha - Psycho Spaghetti Western #5, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #5

On View
Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971

Hasenblut (Hare's Blood)

Chuck Close - Self-Portrait, 1999, four color digital ink jet prints mounted on aluminum panel
Chuck Close, 1999

Self-Portrait

Jonas Wood - 10 Pigeon Hill Road, 2024, oil and acrylic on canvas
Jonas Wood, 2024

10 Pigeon Hill Road

On View
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Tony Oursler - Dust, 2006, fiberglass sculpture, Haron Kardon HS100 5.1 sound system, Sony XGA VPL-PX41 projector, 2 Sanyo PLC-XU48 projectors, 3 dvd players, 6 dvds, 3 master tapes
Tony Oursler, 2006

Dust

Joseph Beuys - Kitsch Postkarte Nr. 2 (Kitsch Postcard No. 2), 1980, offset on cardstock, stamps reproduced
Richard Artschwager - Triptych V, 1972, Liquitex on Celotex with metal frames
Richard Artschwager, 1972

Triptych V

Cindy Sherman - Untitled #97, 1982, chromogenic color print
Cindy Sherman, 1982

Untitled #97

On View
Gregory Crewdson - Untitled (41), 2009, digital pigment print
Gregory Crewdson, 2009

Untitled (41)

Joseph Beuys - 7000 Eichen (7000 Oaks), 1983, four color-offset prints on cardstock
Joseph Beuys, 1983

7000 Eichen (7000 Oaks)

Thomas Struth - Audience 11 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Terry Winters - Branching Structures, 1996, oil, alkyd resin, mica, graphite on linen
Terry Winters, 1996

Branching Structures

Philip Taaffe - Processional Totem, 1995, mixed media on canvas
Philip Taaffe, 1995

Processional Totem

Joseph Beuys - Schlitten (Sled), 1969, wooden sled, felt, belts, flashlight, fat and rope; sled stamped with oil paint (Browncross)
Joseph Beuys, 1969

Schlitten (Sled)

Cindy Sherman - Untitled #200, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #200

Joseph Beuys - Schautafeln für den Unterricht I und II, 1971, two photographs mounted on cardboard; Board I with zinc plate, sulphur, and handwritten text
Charles Garabedian - Scammon's Lagoon (Diptych), 1984-87, acrylic on two canvas panels
Charles Garabedian, 1984-87

Scammon's Lagoon (Diptych)

Cindy Sherman - Untitled #129, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #129

Terry Winters - Untitled #2, 1984, charcoal, chalk and crayon on paper
Terry Winters, 1984

Untitled #2

Joseph Beuys - Suite Zirkulationszeit: junger Hase (Suite Circulation Time: Young Hare), 1982, etching and lithograph on white wove
Neil Jenney - Tools and Task, 1969-70, acrylic and pencil on canvas
Neil Jenney, 1969-70

Tools and Task

Joseph Beuys - DDR-Hase (GDR Hare), 1979, color postcard with handwritten addition
Joseph Beuys, 1979

DDR-Hase (GDR Hare)

Cindy Sherman - Untitled #321, 1996, Cibachrome
Cindy Sherman, 1996

Untitled #321

George Segal - Girl in White Wicker Chair, 1980, plaster and wicker
George Segal, 1980

Girl in White Wicker Chair

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Richard Prince - Eat, Sleep and Drink, 1989, acrylic and silkscreen on canvas
Richard Prince, 1989

Eat, Sleep and Drink

Sharon Lockhart - Enrique Nava Enedina: Oaxaca Exhibit Hall, National Museum of Anthropology, Mexico City, 1999, three framed chromogenic prints