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Robert Rauschenberg - Quattro Mani Marrakech II, 2000, screenprint on paper
Robert Rauschenberg, 2000

Quattro Mani Marrakech II

Jonas Wood - Blackwelder Self Portrait, 2017, oil and acrylic on canvas
Jonas Wood, 2017

Blackwelder Self Portrait

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - Wirtschaftswert Speisekuchen (Economic Value Speisekuchen), 1977, packaged instant gravy in cake form with handwritten addition, stamped in cardboard box
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Jasper Johns - Between the Clock and the Bed, 1989, lithograph, ten aluminum plates
Jasper Johns, 1989

Between the Clock and the Bed

David Wojnarowicz - The Newspaper as National Voodoo: A Brief History of the U.S.A., 1986, acrylic, spray paint, and collage on wood
Joseph Beuys - Rückenstütze eines feingliederigen Menschen (Hasentypus) aus dem 20. Jahrhundert p. Chr. (Backrest for a Fine-Limbed Person (Hare-Type) of the 20th Century A.D.), 1972, iron casting
Joseph Beuys - Kleve 1950-1961 (Cleve 1950-1961), 1981, thirty seven photographs and one original drawing in cloth-covered box, print with stamp in cloth-covered box
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Mark Tansey - Matrix, 1993, oil on canvas
Mark Tansey, 1993

Matrix

Joseph Beuys - Ich hab' ein Kraftwerk im Rucksack (I Have a Power Station in my Rucksack), 1981, newspaper page, stamped
Cindy Sherman - Untitled #364, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #364

David Salle - Savagery and Misrepresentation, 1981, acrylic on canvas
David Salle, 1981

Savagery and Misrepresentation

Jack Goldstein - Untitled, 1988, acrylic on canvas
Jack Goldstein, 1988

Untitled

Andreas Gursky - Los Angeles, 1998, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1998

Los Angeles

Joseph Beuys - Der Mann am Haupthebel (The Man at the Main Lever), 1985, offset on cardstock, stamps reproduced
Tony Oursler - Flag, 2004, fiberglass sculpture, Sony VPL CS5 projector, DVD, DVD player
Tony Oursler, 2004

Flag

Tom Friedman - Care Package (Manipulated), 2008, ink jet photos
Tom Friedman, 2008

Care Package (Manipulated)

Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

Ed Ruscha - Index, 2002, acrylic and India ink on raw linen
Ed Ruscha, 2002

Index

Cindy Sherman - Untitled #570, 2016, dye sublimation metal print
Cindy Sherman, 2016

Untitled #570

Joseph Beuys - Holzschnitte: Hirschkuh (Woodcuts:Hind), 1948/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1948/1973-74

Holzschnitte: Hirschkuh (Woodcuts:Hind)

Frank Stella - First Night Watch (B-4, 2x), 1988, mixed media on aluminum
Frank Stella, 1988

First Night Watch (B-4, 2x)

Charles Garabedian - Ulysses, 1984, acrylic on canvas
Charles Garabedian, 1984

Ulysses

Julian Lethbridge - Untitled, 2012, oil and pigment stick on linen
Julian Lethbridge, 2012

Untitled

Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972

Water Towers

Ellen Gallagher - eXelento, 2004, ink, paper, Plasticine and resin on canvas
Ellen Gallagher, 2004

eXelento

On View
Tony Oursler - Underwater (Blue/Green), 1996, Citizen CPJ100 projector, Samsung VCR, videotape, tripod, acrylic on fiberglass sphere, performance by: Tony Oursler
Tony Oursler, 1996

Underwater (Blue/Green)

Patrick Martinez - Migration is Natural, 2021, neon
Patrick Martinez, 2021

Migration is Natural