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Ed Ruscha - Norm's, La Cienega, on Fire, 1964, oil and pencil on canvas
Ed Ruscha, 1964

Norm's, La Cienega, on Fire

Alex Israel - Lens (Orange), 2015, UV protective plastic lens
Alex Israel, 2015

Lens (Orange)

Thomas Ruff - jpeg ny05, 2004, C-print with Diasec
Thomas Ruff, 2004

jpeg ny05

Robbie Conal - Pete Wilson, 1993, offset lithographic poster
Robbie Conal, 1993

Pete Wilson

George Segal - Girl in White Wicker Chair, 1980, plaster and wicker
George Segal, 1980

Girl in White Wicker Chair

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Richard Bosman - The Harvest, 1981, oil on two canvas panels
Richard Bosman, 1981

The Harvest

Cindy Sherman - Untitled #131, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #131

Roy Lichtenstein - Still Life with Green Vase, 1972, oil and Magna on canvas
Roy Lichtenstein, 1972

Still Life with Green Vase

Joseph Beuys - Kitsch Postkarte Nr. 1 (Kitsch Postcard No. 1), 1980, offset on cardstock, stamps reproduced
Joseph Beuys - 9 Postkarten: die Axt von meiner Mutter (My Mother's Axe), 1985, offset on cardstock, stamps reproduced
Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab II (Hare's Grave II)

Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, offset on cardstock, stamps reproduced
Joseph Beuys - Kunst = Kapital (Art = Capital), 1984, Cibachrome on aluminum, glass jar with paint
Joseph Beuys, 1984

Kunst = Kapital (Art = Capital)

Joseph Beuys - Holzschnitte: Gletscher (Woodcuts: Glacier), 1950/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1950/1973-74

Holzschnitte: Gletscher (Woodcuts: Glacier)

Gregory Crewdson - Untitled (01), 2009, digital pigment print
Gregory Crewdson, 2009

Untitled (01)

Joseph Beuys - Suite Zirkulationszeit: Honigtopf (Suite Circulation Time: Honey Pot), 1982, etching and aquatint on white wove
John Currin - Anna, 2004, oil on canvas
John Currin, 2004

Anna

Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Joseph Beuys - Hirsch auf Urschlitten (Stag on Primeval Sled), 1985, silkscreen on cardstock
Julie Mehretu - Cairo, 2013, ink and acrylic on canvas
Julie Mehretu, 2013

Cairo

On View
Eric Fischl - Untitled, 1982, oil on canvas
Eric Fischl, 1982

Untitled

Joseph Beuys - Wirtschaftswert Mineralwasser (Economic Value Mineral Water), 1982, bottle of soda water, stamped, with handwritten addition; in wooden box
David Salle - Tragedy, 1995, oil and acrylic on two canvas panels
David Salle, 1995

Tragedy

Bryan Hunt - Empire State with Graf, 1975-2000, spruce and balsa woods, synthetic fiber and silk paper
Bryan Hunt, 1975-2000

Empire State with Graf

Robert Mapplethorpe - Portrait of Eli Broad, 1987, black and white photograph
Robert Mapplethorpe, 1987

Portrait of Eli Broad

David Wojnarowicz - The Newspaper as National Voodoo: A Brief History of the U.S.A., 1986, acrylic, spray paint, and collage on wood
Joseph Beuys - Der Mann am Haupthebel (The Man at the Main Lever), 1985, offset on cardstock, stamps reproduced
Timothy Greenfield‐Sanders - Portrait of Jonathan Lasker, 1989, black and white photograph
Timothy Greenfield‐Sanders, 1989

Portrait of Jonathan Lasker

Cindy Sherman - Untitled #368, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #368