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Ellsworth Kelly - Blue Red, 1968, oil on canvas, two joined panels
Ellsworth Kelly, 1968

Blue Red

Imi Knoebel - Figur 52, 1987, acrylic and lacquer on wood
Imi Knoebel, 1987

Figur 52

Joseph Beuys - Evervess II 1, 1968, two soda-water bottles, one with felt; in wooden box with text printed on lid
Joseph Beuys, 1968

Evervess II 1

Jasper Johns - Untitled, 1994, lithograph, eight plates
Jasper Johns, 1994

Untitled

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Robert Therrien - No title (hat / bowl panel), 1985, oil on canvas mounted on wood
Robert Therrien, 1985

No title (hat / bowl panel)

Cindy Sherman - Untitled #357, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #357

Joseph Beuys - aus Hommage à Arthur Köpcke (from Hommage à Arthur Köpcke), 1980, color offset on art paper, stamped
Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets
Joseph Beuys - History, 1985, offset on paper, with handwritten additions
Joseph Beuys, 1985

History

Tom Otterness - Death on Lamppost, 1990, bronze
Tom Otterness, 1990

Death on Lamppost

Robert Rauschenberg - On Hold (Arcadian Retreat), 1996, fresco
Robert Rauschenberg, 1996

On Hold (Arcadian Retreat)

Roy Lichtenstein - La Nouvelle Chute De L'Amérique by Allen Ginsberg, Paris, Édition du Solstice, 1992, ten acquatints; one printed in black, nine printed in color
Joseph Beuys - Die Leute sind ganz prima in Foggia, 1974, book with 75 silkscreens on brown cardstock
Gregory Crewdson - Untitled, 1998, digital chromogenic print
Gregory Crewdson, 1998

Untitled

Philip Taaffe - Polis, 1996, mixed media on canvas
Philip Taaffe, 1996

Polis

Gregory Crewdson - Untitled (41), 2009, digital pigment print
Gregory Crewdson, 2009

Untitled (41)

Ed Ruscha - Gilded, Marbled, and Foibled, 2011 - 2012, acrylic on canvas
Ed Ruscha, 2011 - 2012

Gilded, Marbled, and Foibled

On View
Mike Kelley - Twisted Shamrock (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Sherrie Levine - Double Checks #6, 1988, oil on lead
Sherrie Levine, 1988

Double Checks #6

Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Joseph Beuys - Cuprum 0.3% unguentum metallicum praeparatum, 1978-86, cast beeswax with finely distributed copper
Jonas Wood - Matisse Pot 7, 2016, acrylic, colored pencil and ink on paper
Jonas Wood, 2016

Matisse Pot 7

Cindy Sherman - Untitled #373, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #373

Terry Winters - Set Diagram 29, 2000, oil on linen
Terry Winters, 2000

Set Diagram 29

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Profile with Ear and Nose (Color), 2006, two-layer, seven-color screenprint; mounted on Sintra and framed
Andy Warhol - Folding Screen (Piglet), 1955-57, ink, watercolor, and gold leaf on three wooden panels
Andy Warhol, 1955-57

Folding Screen (Piglet)

On View
Takashi Murakami - Of Chinese Lions, Peonies, Skulls, And Fountains, 2011, acrylic on canvas stretched on wooden panel
On View
Joseph Beuys - Dillinger, 1974, videotape (VHS) in cloth-covered box
Joseph Beuys, 1974

Dillinger

Elliott Hundley - the high house low!, 2011, wood, sound board, inkjet print on Kitakata, paper, pins, magnifying glass, photographs, plastic, metal
Elliott Hundley, 2011

the high house low!