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Cindy Sherman - Untitled #396, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #396

Andy Warhol - Most Wanted Men No. 6, Thomas Francis C., 1964, silkscreen ink on linen
On View
Ed Ruscha - Psycho Spaghetti Western #5, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #5

On View
Tony Oursler - Go Boom, 2003, fiberglass sculpture, Sony VPL CS5 projector, DVD, DVD player
Tony Oursler, 2003

Go Boom

Thomas Houseago - Untitled (Black Painting 11), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016

Untitled (Black Painting 11)

Timothy Greenfield‐Sanders - Portrait of Gerhard Richter, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Gerhard Richter

Leon Golub - Interrogation I, 1980-81, acrylic on linen
Leon Golub, 1980-81

Interrogation I

Scott Burton - Bench and Table, 1989-90, polished granite
Scott Burton, 1989-90

Bench and Table

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Cindy Sherman - Untitled #180, 1987, chromogenic color print (two panels)
Cindy Sherman, 1987

Untitled #180

Leon Golub - Nelson Rockefeller (1960), 1976, acrylic on linen
Leon Golub, 1976

Nelson Rockefeller (1960)

Mike Kelley - Master Dik (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
John Ahearn and Rigoberto Torres - Homage to the People of the Bronx: Double Dutch at Kelly Street - La Freeda, Jevette, Towana, Staice, 1981-82, oil on fiberglass
Jonas Wood - Matisse Pot 7, 2016, acrylic, colored pencil and ink on paper
Jonas Wood, 2016

Matisse Pot 7

Urs Fischer - Untitled, 2012, cast aluminum, milled aluminum, screws, LED light bulb, glass, wires, electrical unit, wash primer, epoxy filler, component fill primer, waterborne base coat, polyurethane matte clear coat
Urs Fischer, 2012

Untitled

Jean‐Michel Basquiat - Gold Griot, 1984, acrylic and oilstick on wood
Jean‐Michel Basquiat, 1984

Gold Griot

On View
John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Joseph Beuys - 3-Tonnen-Edition (3 Ton Edition), 1973-85, vinyl sheets silkscreened on both sides, reworked by hand
Joseph Beuys, 1973-85

3-Tonnen-Edition (3 Ton Edition)

Joseph Beuys - Collezione di grafica: Untitled (Graphics Collection: Untitled), 1982, etching on wove, stamped
Joseph Beuys - Sonne statt Reagan (Sun instead of Reagan), 1982, phonograph record, in sleeve with red oil paint
Ed Ruscha - WILL 100 ARTISTS PLEASE DRAW A 1950 FORD FROM MEMORY?, 1977, pastel on paper
Joseph Beuys - Suite Zirkulationszeit: Meerengel Sperm-Wal (Suite Circulation Time: Sea Angel Sperm Whale), 1982, etching and aquatint on white wove
Joseph Beuys - Suite Schwurhand: Schwurhand (Suite Oath Hand: Oath Hand), 1980, aquatint and lithograph on paper laid down on gray Arches wove
Joseph Beuys - Stempelplastik (Stamp Sculpture), 1982, vinyl postcards and Hauptstrom stamp
Joseph Beuys - Apri bene la bocca! (Open Your Mouth Wide), 1978, Flyer by Jörg Frank; printed in red on paper
Joseph Beuys - Phosphor-Kreuzschlitten (Phosphorus-Cross Sled), 1972, phosphorus between vinyl sheets
Timothy Greenfield‐Sanders - Portrait of Robert Longo, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986

Portrait of Robert Longo

Joseph Beuys - Wirtschaftswert Signiertusche (Economic Value Signature Ink), 1983, block of signature ink in wrapper, with handwritten addition, and glass pen; in wooden box
Cindy Sherman - Untitled #371, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #371

Peter Halley - Initial Sequence, 1987, acrylic, fluorescent acrylic and Roll-A-Tex on canvas
Peter Halley, 1987

Initial Sequence