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Cindy Sherman - Untitled #136, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #136

Chuck Close - John, 1971-72, acrylic on gessoed canvas
Chuck Close, 1971-72

John

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002

Untitled

David Salle - Untitled (Watermelon), 1999, oil and acrylic on two linen panels
David Salle, 1999

Untitled (Watermelon)

Jeff Wall - The Giant, 1992, transparency in lightbox
Jeff Wall, 1992

The Giant

Mark Bradford - Corner of Desire and Piety, 2008, 72 collages: mixed media on board
Mark Bradford, 2008

Corner of Desire and Piety

Mickalene Thomas - Portrait of Maya No. 10, 2017, rhinestones and acrylic on canvas mounted on wood panel
Mickalene Thomas, 2017

Portrait of Maya No. 10

On View
Joseph Beuys - MANRESA, 1967, offset on cardstock
Joseph Beuys, 1967

MANRESA

Jasper Johns - White Flag, 1960, oil and newspaper collage over lithograph
Jasper Johns, 1960

White Flag

Joseph Beuys - was birgt die Wolke?, 1981, color offset on wove
Joseph Beuys, 1981

was birgt die Wolke?

Ed Ruscha - Strong, Healthy, 1987, acrylic on canvas
Ed Ruscha, 1987

Strong, Healthy

Joseph Beuys - doppelt doppelt, 1973, offset on paper, with handwritten supplement, stamped
Joseph Beuys, 1973

doppelt doppelt

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose and Turban (B&W); One with Ear (Color) and Hat, 2006, two-layer, 12-color screenprint; mounted to Sintra and framed
Piotr Uklanski - The Nazis, 1998, chromogenic black and white and color photographs mounted on panels, in 164 parts
Piotr Uklanski, 1998

The Nazis

Joseph Beuys - Aufruf zur Alternative (Appeal for an Alternative), 1980, page of Frankfurter Rundschau newspaper, stamped; bronze object; and branch with beeswax, in cardboard box
Joseph Beuys - zeige deine Wunde (Show Your Wound), 1977, six photographic negatives, brown paint, glass, white glass and iron frame
Imi Knoebel - vivitis, 1987, acrylic on plywood and fiberboard in three parts
Imi Knoebel, 1987

vivitis

Andreas Gursky - F1 Boxenstopp II, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007

F1 Boxenstopp II

Chuck Close - Jasper Johns, 1997, four color digital ink jet prints mounted on aluminum panel
Chuck Close, 1997

Jasper Johns

John Baldessari - The Intersection Series: Children Eating Watermelon/High Rise Building, 2001, digital photographic prints with acrylic on Sintra board
Hank Willis Thomas - We shall not be moved, 2022, screenprint on retroreflective vinyl, mounted on
Hank Willis Thomas, 2022

We shall not be moved

On View
Mike Kelley - Flower of Architecture, 1986, acrylic on paper mounted on canvas
Mike Kelley, 1986

Flower of Architecture

Terry Winters - Source Wave Reference, 1999, oil on linen
Terry Winters, 1999

Source Wave Reference

Jasper Johns - Untitled, 1990, lithograph, three plates
Jasper Johns, 1990

Untitled

Jasper Johns - The Critic Smiles, 1969, lead relief with tin relief and cast gold
Jasper Johns, 1969

The Critic Smiles

Andreas Gursky - Bangkok II, 2011, inkjet print
Andreas Gursky, 2011

Bangkok II

Goshka Macuga - A meeting of the St. Petersburg Union for the Liberation of the Working Class, 2013, collage on hand-printed silver gelatin print
Lari Pittman - Like You, Hoping and Wanting But Not Liking, 1995, alkyd and metallic oil on mahogany panel
Joe Ray - Daisy Lee, 2023, acrylic and aerosol on canvas with steel artist-made frame
Joe Ray, 2023

Daisy Lee