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Joseph Beuys - Enterprise 18.11.72; 18:5:16 Uhr (Enterprise 11/18/72, 18:5:16 hours), 1973, zinc box with lid, photograph, camera, felt
Neo Rauch - Warten auf die Barbaren, 2007, oil on canvas
Neo Rauch, 2007

Warten auf die Barbaren

Joseph Beuys - Suite Schwurhand: Schwurhand (Suite Oath Hand: Oath Hand), 1980, aquatint and lithograph on paper laid down on gray Arches wove
Amani Lewis - When all is lost, who do you run to?, 2022
On View
Christopher Wool - I Smell a Rat, 1989-94, enamel and acrylic on aluminum
Christopher Wool, 1989-94

I Smell a Rat

Cindy Sherman - Untitled #356, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #356

Ed Ruscha - Blue Collar Tech-Chem, 1992, acrylic on canvas
Ed Ruscha, 1992

Blue Collar Tech-Chem

On View
Joseph Beuys - Collezione di grafica: Untitled, 1982, photoetching and etching on wove
Joseph Beuys, 1982

Collezione di grafica: Untitled

Julian Schnabel - The Goddess of Reason, 1987, oil, gesso, banner on tarpaulin
Julian Schnabel, 1987

The Goddess of Reason

Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Mark Grotjahn - Untitled (Free Capri 50.41), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018

Untitled (Free Capri 50.41)

Jasper Johns - Savarin 4 (Oval), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79

Savarin 4 (Oval)

Sean Scully - Conversation, 1986, oil on four canvas panels
Sean Scully, 1986

Conversation

Joseph Beuys - Die Wärmezeitmaschine (The Warmth-Time Machine), 1975, proof sheet for postcards
David Salle - Before No Walk, 1982, acrylic and oil on two canvas panels
David Salle, 1982

Before No Walk

Joseph Beuys - Zeichnungen II 1946-1971, 1973, paperbound catalogue with 153 full-page reproductions, offset on newsprint
Joseph Beuys, 1973

Zeichnungen II 1946-1971

Joseph Beuys - Celtic + ~~~~, 1971, film (Super 8); ten photographs, bottle with gelatin, beeswax in cloth covered box, stamped with brown paint (Browncross)
Joseph Beuys, 1971

Celtic + ~~~~

Anselm Kiefer - Laßt tausend Blumen blühen, 1998, mixed media on canvas
Anselm Kiefer, 1998

Laßt tausend Blumen blühen

Joseph Beuys - Die beste Stadt für Blinde, 1981, book by Jürg Federspiel, with inscriptions and copper wire added by Beuys
Joseph Beuys, 1981

Die beste Stadt für Blinde

Cindy Sherman - Untitled #296, 1994, chromogenic color print
Cindy Sherman, 1994

Untitled #296

Joseph Beuys - aus Revolutions Per Minute (from Revolutions Per Minute), 1982, offset on cardstock
Joseph Beuys - Erdtelephon (Earth Telephone), 1973, silkscreen on felt board
Joseph Beuys, 1973

Erdtelephon (Earth Telephone)

Julie Mehretu - Six Bardos: Last Breath, 2018, 4 color aquatint
Julie Mehretu, 2018

Six Bardos: Last Breath

Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Jean‐Michel Basquiat - Untitled, 1981, acrylic, oilstick, paper collage and spray paint on canvas
Jean‐Michel Basquiat, 1981

Untitled

On View
Kiki Smith - Ice Man, 1995, phospherous bronze
Kiki Smith, 1995

Ice Man

John Baldessari - Seashells/Tridents/Frames, 1988, five black and white photographs with oil tint and vinyl paint
John Baldessari, 1988

Seashells/Tridents/Frames

Joseph Beuys - Dillinger, 1974, videotape (VHS) in cloth-covered box
Joseph Beuys, 1974

Dillinger

Keith Haring - Red Room, 1988, acrylic on canvas
Keith Haring, 1988

Red Room

Joseph Beuys - Das Warhol-Beuys-Ereignis (The Warhol-Beuys Event), 1979, publication reworked on pp. 16-17 with oil paint (Browncross) and pencil