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Joseph Beuys - in interfunktionen 3, 1969, offset; on page 83 of publication; magazine
Joseph Beuys, 1969

in interfunktionen 3

Hans Haacke - The Saatchi Collection (Simulations), 1987, mixed media installation
Takashi Murakami - Tan Tan Bo a.k.a Gerotan: Scorched by the Blaze in the Purgatory of Knowledge, 2018, acrylic on canvas mounted on board
On View
Roy Lichtenstein - Two Paintings: Radiator and Folded Sheets, 1983, oil and Magna on canvas
Andreas Gursky - Tote Hosen, 2000, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2000

Tote Hosen

Joseph Beuys - chinesischer Hasenzucker (Chinese Hare Sugar), 1979, color silkscreen on filing card, stamped
Jonas Wood - Matisse Pot 5, 2016, acrylic, colored pencil and ink on paper
Jonas Wood, 2016

Matisse Pot 5

Joseph Beuys - Schamanentrommel aus der Suite Tränen (Shaman's Drum from Suite Tears), 1985, color etching and aquatint on thin paper laid down on gray wove
Cindy Sherman - Untitled #135, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #135

Richard Artschwager - Door, 1990, Formica on wood with chrome-plated brass
Richard Artschwager, 1990

Door

Peter Halley - Initial Sequence, 1987, acrylic, fluorescent acrylic and Roll-A-Tex on canvas
Peter Halley, 1987

Initial Sequence

Joseph Beuys - Suite Schwurhand: Frau rennt weg mit Gehirn, 1980, etching on white Arches wove
Joseph Beuys - Suite Zirkulationszeit: Raumecke Filz und Fett (Suite Circulation Time: Room Corner Felt and Fat), 1982, etching à la poupée on gray wove
Joseph Beuys - Suite Schwurhand: Goldskulptur, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980

Suite Schwurhand: Goldskulptur

Robert Longo - Untitled (Black Pussy Hat in Women's March), 2017, charcoal on mounted paper
Julian Schnabel - Bob and Joe, 1984, oil and modeling paste on velvet
Julian Schnabel, 1984

Bob and Joe

Joseph Beuys - Suite Schwurhand: Foetus, 1980, etching, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980

Suite Schwurhand: Foetus

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Imi Knoebel - Figur 49, 1987, acrylic on wood
Imi Knoebel, 1987

Figur 49

Sharon Lockhart - PINE FLAT, 2005, 16mm film
Sharon Lockhart, 2005

PINE FLAT

Timothy Greenfield‐Sanders - Portrait of Christopher Wool, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Christopher Wool

Joseph Beuys - Gespräch (Conversation), 1974, drawing in watercolor, ink and stamps on page 5 of the book JOSEPH BEUYS - Zeichnungen I, 1947-1959
Joseph Beuys, 1974

Gespräch (Conversation)

Joseph Beuys - Sprachlos (Speechless), 1982, exhibition catalogue, Sprachlos cigarillo package, and matches, all with handwritten addition; in printed transparent plastic envelope
Joseph Beuys, 1982

Sprachlos (Speechless)

Mark Grotjahn - Untitled (Free Capri 50.41), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018

Untitled (Free Capri 50.41)

Sherrie Levine - Untitled (Double Lead Checks: 2), 1988, casein on lead
Sherrie Levine, 1988

Untitled (Double Lead Checks: 2)

Joseph Beuys - Neue Anschrift (New Address), 1973, letterpress on cardboard
Joseph Beuys, 1973

Neue Anschrift (New Address)

Terry Winters - Viewing Transformations 4, 1993, acrylic on paper
Terry Winters, 1993

Viewing Transformations 4

Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002

Untitled

Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

Roy Lichtenstein - La Nouvelle Chute De L'Amérique by Allen Ginsberg, Paris, Édition du Solstice, 1992, ten acquatints; one printed in black, nine printed in color