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Joseph Beuys - Auguren (Augurs), 1982, color offset on cardstock
Joseph Beuys, 1982

Auguren (Augurs)

Alex Israel - Untitled (Tiled Flat Triptych), 2014-2015, acrylic and stucco on aluminum, with painted ceramic tiles
Alex Israel, 2014-2015

Untitled (Tiled Flat Triptych)

Joseph Beuys - Wirtschaftswert Signiertusche (Economic Value Signature Ink), 1983, block of signature ink in wrapper, with handwritten addition, and glass pen; in wooden box
Roy Lichtenstein - Coup de Chapeau II, 1996, painted and patinated bronze
Roy Lichtenstein, 1996

Coup de Chapeau II

On View
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Cindy Sherman - Untitled #367, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #367

Cindy Sherman - Untitled #139, 1984, chromogenic color print
Cindy Sherman, 1984

Untitled #139

Damien Hirst - No Arts; No Letters; No Society., 2006, glass, Formica, MDF aluminum, steel, metal supports, surgical equipement, broken mirror, rosary beads, anatomical skulls, duct tape and pharmaceutical packaging
Roy Lichtenstein - Goldfish Bowl, 1977, painted and patinated bronze
Roy Lichtenstein, 1977

Goldfish Bowl

Roy Lichtenstein - La Nouvelle Chute De L'Amérique by Allen Ginsberg, Paris, Édition du Solstice, 1992, ten acquatints; one printed in black, nine printed in color
William Kentridge - The Refusal of Time, 2012, five-channel video installation with sound; four steel megaphones; breathing machine
William Kentridge, 2012

The Refusal of Time

Cindy Sherman - Untitled #225, 1990, chromogenic color print
Cindy Sherman, 1990

Untitled #225

Jean‐Michel Basquiat - Eyes and Eggs, 1983, acrylic, oilstick and paper collage on cotton drop cloth with metal hinges
Jean‐Michel Basquiat, 1983

Eyes and Eggs

On View
Lari Pittman - Like You, Hoping and Wanting But Not Liking, 1995, alkyd and metallic oil on mahogany panel
Joseph Beuys - Mottenschaden (Moth Damage), 1978, felt letter, cut and mounted on cardboard
Joseph Beuys, 1978

Mottenschaden (Moth Damage)

Joseph Beuys - aus Eurasienstab (from Eurasia Staff), 1973, silkscreen on newsprint
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Joseph Beuys - MANRESA, 1967, offset on cardstock
Joseph Beuys, 1967

MANRESA

Shirin Neshat - Untitled (from "Women of Allah" series), 1995, LE silver gelatin print
Timothy Greenfield‐Sanders - Portrait of Chuck Close, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Chuck Close

Joseph Beuys - Kettenglied, 1975, letterpress on paper
Joseph Beuys, 1975

Kettenglied

Roy Lichtenstein - Black Flowers, 1961, oil on canvas
Roy Lichtenstein, 1961

Black Flowers

Joseph Beuys - Suite Schwurhand: mit Fett gefüllte Skulptur (Suite Oath Hand: Fat-Filled Sculpture), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Ed Ruscha - Psycho Spaghetti Western #5, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #5

On View
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Mike Kelley - Flower of Architecture, 1986, acrylic on paper mounted on canvas
Mike Kelley, 1986

Flower of Architecture

Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989

Untitled

Joseph Beuys - Fahne (Flag), 1974, model train, locomotive without casing, red flag in cardboard box
Joseph Beuys, 1974

Fahne (Flag)

Cindy Sherman - Untitled #278, 1993, chromogenic color print
Cindy Sherman, 1993

Untitled #278