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Andreas Gursky - 99 Cent, 1999, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1999

99 Cent

Timothy Greenfield‐Sanders - Portrait of Robert Longo, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986

Portrait of Robert Longo

Andy Warhol - Single Elvis [Ferus Type], 1963, silkscreen ink and spray paint on linen
Andy Warhol, 1963

Single Elvis [Ferus Type]

On View
Cindy Sherman - Cover Girl (Mademoiselle), 1975/2011, three gelatin silver prints
Cindy Sherman, 1975/2011

Cover Girl (Mademoiselle)

Joseph Beuys - Belfast, 1975, offset on cardstock
Joseph Beuys, 1975

Belfast

Joseph Beuys - Holzschnitte: Gletscher (Woodcuts: Glacier), 1950/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1950/1973-74

Holzschnitte: Gletscher (Woodcuts: Glacier)

Ed Ruscha - Psycho Spaghetti Western #5, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #5

On View
Joseph Beuys - Köln (Cologne), 1968-69, offset on cardstock, stamps reproduced
Joseph Beuys, 1968-69

Köln (Cologne)

Robert Rauschenberg - Vamp (Marrakitch), 2000, screenprint on paper
Robert Rauschenberg, 2000

Vamp (Marrakitch)

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on white Rives Couronne paper
Joseph Beuys - Sonnenscheibe, 1973, record matric (nickel-plated copper) with die-cut hole; two felt pads stamped with brown paint (Browncross); in box
Joseph Beuys, 1973

Sonnenscheibe

Leon Golub - Mao Tse Tung (1968), 1978, acrylic on linen
Leon Golub, 1978

Mao Tse Tung (1968)

Joseph Beuys - Magnetische Postkarte (Magnetic Postcard), 1975, sheet iron with raised, impressed lettering, magnet, stamped
Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002

Untitled

Lari Pittman - Where the Soul Intact Will Shed Its Scabs (8624 A.D.), 1987-88, acrylic on wood panel
Cindy Sherman - Untitled #418, 2004, chromogenic color print
Cindy Sherman, 2004

Untitled #418

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on white Rives Couronne paper
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
David McDermott and Peter McGough - Rub-a-Dub-Dub...Three Boys and One Tub 1937, 1986, oil on linen and wood
David McDermott and Peter McGough, 1986

Rub-a-Dub-Dub...Three Boys and One Tub 1937

Joseph Beuys - Countdown 2000, 1981, offset on machine-made wove
Joseph Beuys, 1981

Countdown 2000

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Joseph Beuys - Nylon-Geld (Nylon Money), 1979, 40 black and white photographs by Werner Krüger, in box
Joseph Beuys, 1979

Nylon-Geld (Nylon Money)

William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011

Drawing for 'Other Faces'

Joseph Beuys - Order, 1973, order form, stamped
Joseph Beuys, 1973

Order

Sharon Lockhart - Ola, “TODAY IN POLITICS,” Our Review no. 167 (8863), June 16, 1939, National Library of Poland, Warsaw, February 3, 2017, 2017, framed chromogenic print
Joseph Beuys - Iphigenie/Titus Andronicus (Iphigenia/Titus Andronicus), 1985, photopositive and negative on film, stamped with brown paint (Browncross); glass, iron frame
Robert Rauschenberg - Untitled, 1963, oil and silkscreen inks on canvas
Robert Rauschenberg, 1963

Untitled

On View
Susan Rothenberg - Double Masked Heads, 1974, acrylic and tempera on canvas
Susan Rothenberg, 1974

Double Masked Heads

Joseph Beuys - ...bis die Maus im Haus ist, 1981, wooden box with glass cover, containing stamped photograph, shards of mirror and felt
Joseph Beuys, 1981

...bis die Maus im Haus ist