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Richard Serra - No Problem, 1995, four conical shaped weatherproof steel plates
Richard Serra, 1995

No Problem

Terry Winters - The Psychological Corporation, 1990, oil on linen
Terry Winters, 1990

The Psychological Corporation

Tom Otterness - Double Foot, 1991, bronze
Tom Otterness, 1991

Double Foot

Keith Haring - Untitled, 1982, baked enamel on metal
Keith Haring, 1982

Untitled

Ed Ruscha - Boss, 1961, oil on canvas
Ed Ruscha, 1961

Boss

Jonas Wood - Matisse Pot 8, 2016, acrylic, colored pencil and ink on paper
Jonas Wood, 2016

Matisse Pot 8

Peter Halley - A Perfect World, 1993, acrylic, Day-Glo acrylic and Roll-a-Tex on canvas
Peter Halley, 1993

A Perfect World

Damien Hirst - The Collector, 2003-2005, glass, painted steel, silicone rubber, aluminium, nylon netting, Formica, MDF, chair, animatronic man in laboratory wear, microscope, radiators, humidifiers, potted plants, flowers, live butterflies, butterfly specimens, cardboard and polystyrene specimen
Damien Hirst, 2003-2005

The Collector

Joseph Beuys - Seiltänzerin aus der Suite Tränen (Tightrope Dancer from Suite Tears), 1985, color etching on thin paper laid down on gray wove
Mark Grotjahn - Untitled (Free Capri 50.41), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018

Untitled (Free Capri 50.41)

Cindy Sherman - Untitled #364, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #364

Joseph Beuys - Ölflasche (Oil Bottle), 1984, two bottles of olive oil, one with printed white label and one with printed gold label
Joseph Beuys, 1984

Ölflasche (Oil Bottle)

Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Cady Noland - SHAM DEATH, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994

SHAM DEATH

On View
Carl Andre - Aluminum-Copper Alloy Square, 1969, 50 aluminum plates and 50 copper plates
Carl Andre, 1969

Aluminum-Copper Alloy Square

Roy Lichtenstein - Imperfect Painting, 1986, oil and Magna on two canvas panels
Roy Lichtenstein, 1986

Imperfect Painting

On View
Joseph Beuys - für Fettecke! (For Fat Corner!), 1984, filing folder with silkscreen and handwritten addition, containing butter wrapper
George Condo - White Eyes, 1985, oil on canvas
George Condo, 1985

White Eyes

Joseph Beuys - Suite Zirkulationszeit: Taucherin (Suite Circulation Time: Diving Girl), 1982, etching on white wove
Joseph Beuys - Noiseless Blackboard Eraser, 1974, felt blackboard eraser, stamped
Joseph Beuys, 1974

Noiseless Blackboard Eraser

Sharon Lockhart - Enrique Nava Enedina: Oaxaca Exhibit Hall, National Museum of Anthropology, Mexico City, 1999, three framed chromogenic prints
Cindy Sherman - Untitled #128, 1983, chromogenic color print
Cindy Sherman, 1983

Untitled #128

Andreas Gursky - Bangkok II, 2011, inkjet print
Andreas Gursky, 2011

Bangkok II

Sue Coe - Crystal Night, 1984, mixed media and collage on paper
Sue Coe, 1984

Crystal Night

Glenn Ligon - Screen, 1996, silkscreen on canvas
Glenn Ligon, 1996

Screen

Peter Halley - Red Cell, 1988, acrylic, fluorescent acrylic and Roll-a-Tex on canvas
Peter Halley, 1988

Red Cell

Mark Bradford - Across 110th Street, 2008, mixed media on canvas
Mark Bradford, 2008

Across 110th Street

Joseph Beuys - Aufbau (Installation), 1977, offset on gray cardstock, stamped
Joseph Beuys, 1977

Aufbau (Installation)

Jeff Koons - Hulk (Organ), 2004 - 2014, polychromed bronze and mixed media
Jeff Koons, 2004 - 2014

Hulk (Organ)

Ed Ruscha - ESPANA GRANDE, 1961, ink, oil, and collage on paper
Ed Ruscha, 1961

ESPANA GRANDE