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Julian Lethbridge - Untitled, 1991-93, oil on linen
Julian Lethbridge, 1991-93

Untitled

Andy Warhol - One-Dollar Bill, 1962, pencil, crayon and gouache on paper
Andy Warhol, 1962

One-Dollar Bill

Albert Oehlen - Kaleidoscope, 1994, oil, enamel and silkscreen ink on canvas
Albert Oehlen, 1994

Kaleidoscope

Malcolm Morley - At a First Aid Center in Vietnam, 1971, oil on canvas
Malcolm Morley, 1971

At a First Aid Center in Vietnam

Piotr Uklanski - The Nazis, 1998, chromogenic black and white and color photographs mounted on panels, in 164 parts
Piotr Uklanski, 1998

The Nazis

Robbie Conal - Sex, Drugs, Rock and Roll, 1989, three offset lithographic posters
Robbie Conal, 1989

Sex, Drugs, Rock and Roll

Joseph Beuys - Suite Schwurhand: Schwan (Suite Oath Hand: Swan), 1980, etching, aquatint and lithograph on paper laid down on gray Rives wove
Sharon Lockhart - Pine Flat Portrait Studio, Matthew, Matthew, 2005, two framed chromogenic prints
Amani Lewis - When all is lost, who do you run to?, 2022
On View
Mark Bradford - Across 110th Street, 2008, mixed media on canvas
Mark Bradford, 2008

Across 110th Street

Frank Stella - Polar Coordinates for Ronnie Peterson, 1980, offset lithograph and screenprint on 320 gram Arches Cover paper
Robert Rauschenberg - Untitled, 1963, oil and silkscreen inks on canvas
Robert Rauschenberg, 1963

Untitled

On View
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on grayish-green Zerkall paper
Joseph Beuys - A One Hour Drama, 1984, videotape (Betamax)
Joseph Beuys, 1984

A One Hour Drama

Gregory Crewdson - Untitled, Summer 2006, digital pigment print
Gregory Crewdson, Summer 2006

Untitled

John Baldessari - Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog), 1985, black-and-white and color photographs with vinyl paint and oil tint, mounted on five panels
Jasper Johns - Decoy, 1971, lithograph with die cut
Jasper Johns, 1971

Decoy

Ed Ruscha - No End to the Things Made Out of Human Talk, 1977, oil on canvas
On View
Joseph Beuys - Evervess II 1, 1968, two soda-water bottles, one with felt; in wooden box with text printed on lid
Joseph Beuys, 1968

Evervess II 1

Kara Walker - The Palmetto Libretto (part two of a multi part work. This one's a sketch for an American comic opera with shipwreck and cargo), 2012, pastel and graphite on paper
On View
Mike Kelley - Infinite Expansion, 1983, six parts superimposed; acrylic on paper
Mike Kelley, 1983

Infinite Expansion

Joseph Beuys - Gespräch, 1974, pencil drawing on page 5 of the book JOSEPH BEUYS - Zeichnungen I, 1947-1959
Joseph Beuys, 1974

Gespräch

Cy Twombly - Ilium (One Morning Ten Years Later) [Part I], 1964, oil paint, lead pencil and wax crayon on canvas
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building), 1986, oil on acrylic on board
Cindy Sherman - Untitled #366, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #366

Takashi Murakami - Hiroshige’s 100 Famous Views of Edo: Japonisme Reconsidered—Moon Pine, Ueno, 2024-25, acrylic and glitter on canvas mounted on aluminum frame
Sherrie Levine - Double Checks #6, 1988, oil on lead
Sherrie Levine, 1988

Double Checks #6

Roy Lichtenstein - Wallpaper with Blue Floor Interior, 1992, 36-color screenprint on five panels
Roy Lichtenstein, 1992

Wallpaper with Blue Floor Interior

Cindy Sherman - Untitled #321, 1996, Cibachrome
Cindy Sherman, 1996

Untitled #321

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph