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Anselm Kiefer - Alarichs Grab [translation: Alaric's Grave], 1969-89, mixed media on treated lead mounted on original photograph in glazed steel frame
Kenneth Noland - Trans Light, 1968, acrylic on canvas
Kenneth Noland, 1968

Trans Light

Frank Stella - Playskool Gym, 1983, patinated cast bronze, fabricated aluminum, wood, steel and plastic screenprint, hand colored
Frank Stella, 1983

Playskool Gym

Frank Stella - The Chapel (C-30, 1X), 1990, mixed media on aluminum
Frank Stella, 1990

The Chapel (C-30, 1X)

Joseph Beuys - Fondazione per la rinascita dell'agricoltura (Foundation for the Rebirth of Agriculture), 1978, silkscreen on heavy cardboard, stamped
Alexander Calder - Le Rouge de Saché, 1954, hanging mobile - painted sheet metal and wire
Alexander Calder, 1954

Le Rouge de Saché

Sharon Lockhart - PINE FLAT, 2005, 16mm film
Sharon Lockhart, 2005

PINE FLAT

Joseph Beuys - Der Tisch, 1971, film (super 8) and magnetic tape in film can, label with oil paint (Browncross)
Joseph Beuys, 1971

Der Tisch

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on white Rives Couronne paper
Kara Walker - From set 5 of the series Negress Notes, 1996, watercolor and ink on paper
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Patrick Martinez - Weeping Warrior, 2022, Stucco, neon, mean streak, ceramic, acrylic paint, spray paint, latex house paint, banner tarp, rope, stucco patch, ceramic tile, tile adhesive, engraved mirror and led signs
Patrick Martinez, 2022

Weeping Warrior

Joseph Beuys - 7000 Eichen (7000 Oaks), 1983, four color-offset prints on cardstock
Joseph Beuys, 1983

7000 Eichen (7000 Oaks)

Terry Winters - Factors of Increase, 1988, oil on linen
Terry Winters, 1988

Factors of Increase

Joseph Beuys - Testament (Will), 1974, will form with mounted postcard; envelope; both inscribed
Joseph Beuys, 1974

Testament (Will)

Joseph Beuys - Blumenzucker (Flower Sugar), 1974, postcard mounted on gray cardboard with attached sugar envelope
Joseph Beuys, 1974

Blumenzucker (Flower Sugar)

Timothy Greenfield‐Sanders - Portrait of Terry Winters, 1990, black and white photograph
Timothy Greenfield‐Sanders, 1990

Portrait of Terry Winters

Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980

aus Frammenti Veneviani

Andy Warhol - Dance Diagram [3] ["The Lindy Tuck-In Turn-Man"], 1962, casein on linen
On View
Cy Twombly - By the Ionian Sea, 1988, bronze and oil-based paint
Cy Twombly, 1988

By the Ionian Sea

On View
Andy Warhol - Liz [Early Colored Liz], 1963, synthetic polymer and silkscreen ink on canvas
Andy Warhol, 1963

Liz [Early Colored Liz]

On View
Robbie Conal - Speak, 1987, offset lithographic poster
Robbie Conal, 1987

Speak

Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000

Hillary

Tom Friedman - Care Package (Manipulated), 2008, ink jet photos
Tom Friedman, 2008

Care Package (Manipulated)

Joseph Beuys - Hirsch-Fuß aus der Suite Tränen (Stag's Foot from Suite Tears), 1985, etching on thin paper laid down on gray wove
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Cindy Sherman - Untitled #190, 1989, chromogenic color prints (two panels)
Cindy Sherman, 1989

Untitled #190

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Jasper Johns - Flag, 1967, encaustic and collage on canvas (three panels)
Jasper Johns, 1967

Flag

On View