Browse the Collection

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Jasper Johns - The Seasons, 1987, four Intaglio prints
Jasper Johns, 1987
John Currin - Patch and Pearl, 2006, oil on canvas
John Currin, 2006
Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989
Ed Ruscha - WALL ROCKET, 2013, lithograph
Ed Ruscha, 2013
Robert Graham - Untitled, 1992, bronze
Robert Graham, 1992
Jeff Koons - Wishing Well, 1988, gilded wood and mirror
Jeff Koons, 1988
Joseph Beuys - Dollarnoten (Dollar Bills), 1978, two banknotes, one inscribed by Beuys, the other printed with text by Klaus Staeck
Joseph Beuys, 1978
Neo Rauch - Fundgrube, 2011, oil on canvas
Neo Rauch, 2011
Frank Stella - Salta nel mio sacco! (3.8x), 1985, mixed media on etched magnesium, aluminum and fiberglass
Frank Stella, 1985
Joseph Beuys - Topf, 1984, silkscreen on paper
Joseph Beuys, 1984
Joseph Beuys - Ölflasche (Oil Bottle), 1984, two bottles of olive oil, one with printed white label and one with printed gold label
Joseph Beuys, 1984
Timothy Greenfield‐Sanders - Portrait of Chuck Close, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987
David Salle - Savagery and Misrepresentation, 1981, acrylic on canvas
David Salle, 1981
Glenn Ligon - White #5, 1993, oil stick and gesso on linen
Glenn Ligon, 1993
Glenn Ligon - Warm Broad Glow II, 2011, neon, paint, and powder coated aluminum
Glenn Ligon, 2011
Jenny Saville - Strategy, 1994, oil on canvas
Jenny Saville, 1994
Joseph Beuys - Hasenstein (Hare Stone), 1982, Basalt with gold spray paint
Joseph Beuys, 1982
Gregory Crewdson - Untitled (41), 2009, digital pigment print
Gregory Crewdson, 2009
Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Eric Fischl - Fort Worth, 1985, oil on four canvas panels
Eric Fischl, 1985
Joseph Beuys - Der Morgen II (The Morning II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Ellsworth Kelly - Black Panel with White Curve III, 1989, oil on canvas, two joined panels
Ellsworth Kelly, 1989