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Joan Miró - La Caresse d'un Oiseau, 1967, painted bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1967
La Caresse d'un Oiseau
Joseph Beuys - Buttocklifting, 1974, sign, baked enamel on convex metal sheet
Joseph Beuys, 1974
Buttocklifting
Alex Israel - Untitled (Tiled Flat Triptych), 2014-2015, acrylic and stucco on aluminum, with painted ceramic tiles
Alex Israel, 2014-2015
Untitled (Tiled Flat Triptych)
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Ellsworth Kelly - Blue Yellow Red IV, 1972, oil on canvas, three joined panels
Ellsworth Kelly, 1972
Blue Yellow Red IV
Cindy Sherman - Untitled Film Still #52, 1979, gelatin silver print
Cindy Sherman, 1979
Untitled Film Still #52
Cindy Sherman - Untitled #117, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #117
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building and The World Trade Center), 1986, oil on acrylic on board
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Joseph Beuys - Der Kanzler und die Kunst (The Chancellor and Art), 1982, printed card, with handwritten addition
Damien Hirst - The Kingdom of the Father, 2007, butterflies and household gloss on three canvas panels
Damien Hirst, 2007
The Kingdom of the Father
Frank Stella - Polar Coordinates for Ronnie Peterson, 1980, offset lithograph and screenprint on 320 gram Arches Cover paper
Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Joseph Beuys - Honigpumpe (Honeypump), 1985, cardboard box with publication, silkscreen print, tape cassette, and fifteen photographs
Joseph Beuys, 1985
Honigpumpe (Honeypump)
Jenny Holzer - Thorax, 2008, 12 double-sided, curved LED signs (lower two signs with two elements each): white diodes on front; red & blue diodes
Jenny Holzer, 2008
Thorax
Neo Rauch - Warten auf die Barbaren, 2007, oil on canvas
Neo Rauch, 2007
Warten auf die Barbaren
Cindy Sherman - Untitled #468, 2008, chromogenic color print
Cindy Sherman, 2008
Untitled #468
Imi Knoebel - vivis, 1987, acrylic on plywood and fiberboard in three parts
Imi Knoebel, 1987
vivis
Jeff Wall - The Giant, 1992, transparency in lightbox
Jeff Wall, 1992
The Giant
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Jeff Koons - Cat on a Clothesline (Aqua), 1994-2001, rotationally molded polyethylene
Jeff Koons, 1994-2001
Cat on a Clothesline (Aqua)
Robert Longo - Corporate Wars: Wall of Influence, 1982, cast aluminum and lacquer on wood
Robert Rauschenberg - Golden Grebe (Scale), 1978, solvent transfer on fabric collaged to wooden panels with acrylic paint, colored and clear mirrors, and paintbrush
Robert Rauschenberg, 1978
Golden Grebe (Scale)
Joseph Beuys - Wiedergeborene Höhlenmenschen, 1983, photocopy, with drawing by Harald Naegeli, in clear plastic sleeve
Joseph Beuys, 1983
Wiedergeborene Höhlenmenschen
John Baldessari - Horizontal Men (With One Luxuriating), 1984, six gelatin silver prints mounted on board in artist's frame
Richard Prince - Another Girl, 2008, collage and acrylic on canvas
Richard Prince, 2008
Another Girl
Urs Fischer - Untitled, 2012, cast aluminum, milled aluminum, screws, LED light bulb, glass, wires, electrical unit, wash primer, epoxy filler, component fill primer, waterborne base coat, polyurethane matte clear coat
Urs Fischer, 2012
Untitled
Joseph Beuys - Ostmensch, 1977, offset on yellow paper, stamped
Joseph Beuys, 1977
Ostmensch
Frank Stella - Gobba Zoppa and Collotorto (3.75x), 1986, mixed media on etched magnesium, aluminum and fiberglass
Joseph Beuys - Jungfrau aus der Suite Tränen (Virgin from Suite Tears), 1985, etching on thin paper laid down on gray wove