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Joseph Beuys - Kunst = Kapital (Art = Capital), 1980, silkscreen on blackboard in wooden frame
Joseph Beuys, 1980

Kunst = Kapital (Art = Capital)

Joseph Beuys - DDR-Hase (GDR Hare), 1979, color postcard with handwritten addition
Joseph Beuys, 1979

DDR-Hase (GDR Hare)

Roy Lichtenstein - Reflections: VIP! VIP!, 1989, oil and Magna on canvas
Roy Lichtenstein, 1989

Reflections: VIP! VIP!

Richard Serra - No Problem, 1995, four conical shaped weatherproof steel plates
Richard Serra, 1995

No Problem

Andrew Lord - Jug, Modeling Copper, 1990, low fired clay with copper and lead glaze, epoxy and gold leaf
Andrew Lord, 1990

Jug, Modeling Copper

Mark Bradford - Journal Entry#1-4, 2013, mixed media on canvas
Mark Bradford, 2013

Journal Entry#1-4

Joseph Beuys - Demokratie ist lustig (Democracy Is Merry), 1973, silkscreen on cardstock, with handwritten text
Joseph Beuys - Name ist gleich Adresse (Name Equals Address), 1974, offset on cardstock, stamps reproduced
Pablo Picasso - Femme assise, 1939, oil on board
Pablo Picasso, 1939

Femme assise

David Wojnarowicz - Late Afternoon in the Forest, 1986, acrylic, spraypaint and collage on muslin
David Wojnarowicz, 1986

Late Afternoon in the Forest

Joseph Beuys - Amerikanischer Hasenzucker (American Hare Sugar), 1974, color offset on cardstock, stamped; sugar cubes, stamped, in cardboard box with cotton wool
Joseph Beuys - Kleve 1950-1961 (Cleve 1950-1961), 1981, thirty seven photographs and one original drawing in cloth-covered box, print with stamp in cloth-covered box
Mike Kelley - Emerald Eyehole (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Paul Pfeiffer - Desiderata, 2004, digital video loop, portable DVD player
Paul Pfeiffer, 2004

Desiderata

Joseph Beuys - Backstein für F.I.U. (Brick for F.I.U.), 1983, brick
Joseph Beuys - Nordpol aus der Suite Tränen (North Pole from Suite Tears), 1985, etching on thin paper laid down on gray wove
Ed Ruscha - THE GIRL ALWAYS DID HAVE GOOD TASTE, 1976, pastel on paper
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972

Water Towers

Joseph Beuys - Eurasianstab über den Alpen (Eurasia Staff over the Alps), 1971, offset on cardstock, stamps reproduced
Joseph Beuys - Schamanentopf, 1984, silkscreen on paper
Joseph Beuys, 1984

Schamanentopf

Kiki Smith - Untitled (Red Man), 1991, ink on Gampi paper in four parts
Kiki Smith, 1991

Untitled (Red Man)

Ellsworth Kelly - Blue Curve V, 1972, oil on canvas
Ellsworth Kelly, 1972

Blue Curve V

Patrick Martinez - picture me rollin’, 2016, neon
Patrick Martinez, 2016

picture me rollin’

Charles Ray - Plank Piece I-II, 1973, two black and white photographs mounted on rag board
Charles Ray, 1973

Plank Piece I-II

Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building), 1986, oil on acrylic on board
Andy Warhol - Rorschach, 1984, acrylic on canvas
Andy Warhol, 1984

Rorschach

On View
Lari Pittman - Untitled #2, 2008, acrylic, Cel-vinyl, and aerosol lacquer on gessoed canvas over panel
Lari Pittman, 2008

Untitled #2

Mark Grotjahn - Untitled (Circus No. 2 Face 44.19), 2013, oil on cardboard mounted on linen
Chuck Close - Self Portrait / Scribble / Etching Portfolio, 2000, 25 soft-ground etchings