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Jasper Johns - Watchman, 1964, oil on canvas with objects (two panels)
Jasper Johns, 1964
Watchman
On View
Cindy Sherman - Untitled #201, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #201
Peter Halley - Weekend, 1988, acrylic and Flashe on canvas
Peter Halley, 1988
Weekend
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Damien Hirst - No Arts; No Letters; No Society., 2006, glass, Formica, MDF aluminum, steel, metal supports, surgical equipement, broken mirror, rosary beads, anatomical skulls, duct tape and pharmaceutical packaging
Rudolf Stingel - Untitled, 2010, oil on canvas
Rudolf Stingel, 2010
Untitled
On View
Joseph Beuys - Collezione di grafica: Untitled, 1982, photoetching and etching on wove
Joseph Beuys, 1982
Collezione di grafica: Untitled
Cindy Sherman - Untitled #200, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #200
Joseph Beuys - Fettbriefe (Fat Letters), 1973, five sheets of letter paper treated with fat; with certificate
Joseph Beuys, 1973
Fettbriefe (Fat Letters)
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Cindy Sherman - Untitled #571, 2016, dye sublimation metal print
Cindy Sherman, 2016
Untitled #571
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Jasper Johns - Light Bulb, 1969, lead relief
Jasper Johns, 1969
Light Bulb
Charles Ray - All My Clothes, 1973, 16 Kodachrome photographs mounted on board
Charles Ray, 1973
All My Clothes
Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Joseph Beuys - Fettzeitung (Fat Magazine), 1973, Essen und Trinken magazine in printed transparent cover, stamped in blue (Bluecross); center pages with fat
Joseph Beuys, 1973
Fettzeitung (Fat Magazine)
Joseph Beuys - Enterprise 18.11.72; 18:5:16 Uhr (Enterprise 11/18/72, 18:5:16 hours), 1973, zinc box with lid, photograph, camera, felt
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
Jenny Holzer - Laments: I am a man..., 1987, Electronic LED sign: red & yellow diodes
Jenny Holzer, 1987
Laments: I am a man...
Jenny Saville - Stare, 2004-05, oil on canvas
Jenny Saville, 2004-05
Stare
Andy Warhol - Rorschach, 1984, acrylic on canvas
Andy Warhol, 1984
Rorschach
Mark Bradford - (Untitled) a.k.a. Gwen, 2005 - 2006, mixed media on canvas
Mark Bradford, 2005 - 2006
(Untitled) a.k.a. Gwen
Malcolm Morley - Age of Catastrophe, 1976, oil on canvas
Malcolm Morley, 1976
Age of Catastrophe
John Baldessari - Tomato Soup, 2012, multi-color screenprint
John Baldessari, 2012
Tomato Soup
Joseph Beuys - Nehmt was ihr kriegen könnt! (“Take What You Can Get!”), 1972, paper with printed letterhead and handwritten text, stamped
Terry Winters - Schema (66), 1985-86, oil and graphite on paper
Terry Winters, 1985-86
Schema (66)
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on white Rives Couronne paper
Peter Halley - Initial Sequence, 1987, acrylic, fluorescent acrylic and Roll-A-Tex on canvas
Peter Halley, 1987
Initial Sequence
Julian Schnabel - The Goddess of Reason, 1987, oil, gesso, banner on tarpaulin
Julian Schnabel, 1987
The Goddess of Reason
George Schneeman - Ceramic vase with erotic figures, 1980-81, fired clay
George Schneeman, 1980-81
Ceramic vase with erotic figures