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Jeff Koons - Kiepenkerl, 1987, stainless steel
Jeff Koons, 1987

Kiepenkerl

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose and Turban (B&W); One with Ear (Color) and Hat, 2006, two-layer, 12-color screenprint; mounted to Sintra and framed
Joseph Beuys - L'udito (Hearing ), 1974, offset on wove
Joseph Beuys, 1974

L'udito (Hearing )

Anselm Kiefer - Für René Char, 1988, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1988

Für René Char

Andreas Gursky - Kuwait Stock Exchange II, 2008, chromogenic print
Andreas Gursky, 2008

Kuwait Stock Exchange II

On View
Joseph Beuys - Bonnefanten, 1977, proof sheets and misprintings of postcards. Color offset wth silkscreen and red ink
Joseph Beuys, 1977

Bonnefanten

Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Imi Knoebel - vivitis, 1987, acrylic on plywood and fiberboard in three parts
Imi Knoebel, 1987

vivitis

Joseph Beuys - das Fett dafür, 1985, pages worked over with fat and pencil; exhibition catalogue, Kunst in der Bundesrepublik Deutschland 1945-1985, pages 241-245; in cloth box
Joseph Beuys, 1985

das Fett dafür

Mike Kelley - Emerald Eyehole (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Jasper Johns - Untitled, 1993-94, pastel, charcoal and pencil on paper
Jasper Johns, 1993-94

Untitled

Jasper Johns - Savarin 3 (Red), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79

Savarin 3 (Red)

Leon Golub - Castro 3 (1964), 1977, acrylic on linen
Leon Golub, 1977

Castro 3 (1964)

Joseph Beuys - Silberbesen und Besen ohne Haare (Silver Broom and Broom without Bristles), 1972, broom (wood and horsehair), encased in 1 mm silver sheet; solid copper, felt
Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

Andreas Gursky - Sao Paulo, Sé, 2002, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2002

Sao Paulo, Sé

Terry Winters - Set Diagram 38, 2000, oil on linen
Terry Winters, 2000

Set Diagram 38

Cindy Sherman - Untitled #447, 2005, chromogenic color print
Cindy Sherman, 2005

Untitled #447

Ellsworth Kelly - Blue Red, 1968, oil on canvas, two joined panels
Ellsworth Kelly, 1968

Blue Red

Pat York - Edythe L. Broad, 2007, color photograph
Pat York, 2007

Edythe L. Broad

John Baldessari - Sediment (Part Two): Hand, Ladle, Spaghetti, Pot, Plate and Chair, 2010, varnished archival print on canvas with oil and acrylic paint
John Currin - Hot Pants, 2010, oil on canvas
John Currin, 2010

Hot Pants

Lari Pittman - Like You, Hoping and Wanting But Not Liking, 1995, alkyd and metallic oil on mahogany panel
Terry Winters - Set Diagram 4, 2000, oil on linen
Terry Winters, 2000

Set Diagram 4

Tom Otterness - Drinking Rich, 1994, bronze
Tom Otterness, 1994

Drinking Rich

Jeff Wall - Fieldwork. Excavation of the floor of a dwelling in a former Sto:lo nation village, Greenwood Island, Hope, B.C., August 2003, Anthony Graesch, Dept. of Anthropology, University of California at Los Angeles, working with Riley Lewis of the Sto:lo band, 2003, transparency in lightbox
Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971

Hasenblut (Hare's Blood)

Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Neo Rauch - Nachttankstelle, 2010, oil on canvas
Neo Rauch, 2010

Nachttankstelle

Joseph Beuys - Jungfrau aus der Suite Tränen (Virgin from Suite Tears), 1985, etching on thin paper laid down on gray wove