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Cindy Sherman - Untitled Film Still #47, 1979, gelatin silver print
Cindy Sherman, 1979
Untitled Film Still #47
Robbie Conal - Gag Me with a Long Dong Condom, 1992, offset lithographic poster
Robbie Conal, 1992
Gag Me with a Long Dong Condom
Joseph Beuys - Suite Schwurhand: Hirsch (Suite Oath Hand: Stag), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joan Miró - Oiseau Solaire, 1966, Bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1966
Oiseau Solaire
Ed Ruscha - THOSE OTHER PEOPLE, 2011, acrylic on linen
Ed Ruscha, 2011
THOSE OTHER PEOPLE
On View
Shirin Neshat - Hassan, from Our House Is on Fire series, 2013, Digital C-print and ink
Andy Warhol - 40 Gold Marilyns, 1980, silkscreen ink and synthetic polymer paint on canvas
Andy Warhol, 1980
40 Gold Marilyns
Ray Smith - Guernimex, 1990, oil and wax on nine wood panels
Ray Smith, 1990
Guernimex
Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Joseph Beuys - ohne die Rose tun wir's nicht (We Won't Do It without the Rose), 1972, color offset on cardstock, with handwritten text
Ellen Gallagher - Untitled, 1996, oil, ink and paper mounted on canvas
Ellen Gallagher, 1996
Untitled
Joseph Beuys - Goldhase, 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Goldhase
Ed Ruscha - Norm's, La Cienega, on Fire, 1964, oil and pencil on canvas
Ed Ruscha, 1964
Norm's, La Cienega, on Fire
On View
Malcolm Morley - Vermeer, Portrait of the Artist in his Studio, 1968, acrylic on canvas
Cindy Sherman - Untitled #468, 2008, chromogenic color print
Cindy Sherman, 2008
Untitled #468
Roy Lichtenstein - Untitled Head, 1995, lithograph
Roy Lichtenstein, 1995
Untitled Head
Lari Pittman - Untitled #3, 2010, acrylic, Cel-Vinyl, and aerosol lacquer on gessoed canvas over panel
Lari Pittman, 2010
Untitled #3
Kiki Smith - Untitled (Red Man), 1991, ink on Gampi paper in four parts
Kiki Smith, 1991
Untitled (Red Man)
Ed Ruscha - HOLLYWOOD IS A VERB, 1979, pastel on paper
Ed Ruscha, 1979
HOLLYWOOD IS A VERB
Ellen Gallagher - bling bling, 2001, rubber, paper and enamel on linen
Ellen Gallagher, 2001
bling bling
Jeff Koons - Balloon Dog (Blue), 1994-2000, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1994-2000
Balloon Dog (Blue)
On View
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Charles Ray - Untitled, 1973, black and white photograph mounted on rag board
Charles Ray, 1973
Untitled
Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Joseph Beuys - Exhibition catalogue with essays by Hans and Franz Josef van der Grinten for an exhibition at Stadtisches Museum Haus Koekoek Kleve, October 8 to November 5, 1961. Joseph Beuys included as artist in exhibition, 1961, catalogue
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
Joseph Beuys - A Free Art Market, 1973/77, information sheet
Joseph Beuys, 1973/77
A Free Art Market
Cindy Sherman - Untitled #353, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #353
Thomas Ruff - jpeg bd01, 2007, C-print with Diasec
Thomas Ruff, 2007
jpeg bd01
Joseph Beuys - Auguren (Augurs), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Auguren (Augurs)