Browse the Collection

browse the collection

Alexander Calder - Laocoön, 1947, painted sheet metal, rod, string and wire
Alexander Calder, 1947
Joseph Beuys - Holzpostkarte (Wood Postcard), 1974, silkscreen on pine
Joseph Beuys, 1974
Mark Grotjahn - Untitled (Free Capri 50.41), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018
Cady Noland - SHAM DEATH, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994
On View
Timothy Greenfield‐Sanders - Portrait of Ross Bleckner, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Robert Therrien - No title (bowl / hat), 1985, oil on canvas mounted on wood
Robert Therrien, 1985
Jean‐Michel Basquiat - Gold Griot, 1984, acrylic and oilstick on wood
Jean‐Michel Basquiat, 1984
On View
Neo Rauch - Warten auf die Barbaren, 2007, oil on canvas
Neo Rauch, 2007
Cindy Sherman - Untitled #475, 2008, chromogenic color print
Cindy Sherman, 2008
Joe Ray - Daisy Lee, 2023, acrylic and aerosol on canvas with steel artist-made frame
Joe Ray, 2023
Joseph Beuys - Klaus Staeck gebohnert, 1974, postcard mounted on gray cardboard; shoe polish
Joseph Beuys, 1974
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
Cy Twombly - Untitled [New York City], 1955, oil based house paint and lead pencil on canvas
Cy Twombly, 1955
Doug Aitken - plateau, 2002, Aluminum lightbox, fluorescent lights, chromogenic transparency, acrylic
Doug Aitken, 2002
Imi Knoebel - Figur 26, 1988, acrylic on six wood panels
Imi Knoebel, 1988
Sterling Ruby - Basin Theology/Redox, 2013, ceramic
Sterling Ruby, 2013
Ed Ruscha - Psycho Spaghetti Western #5, 2010, acrylic on canvas
Ed Ruscha, 2010
On View
Joseph Beuys - Holzschnitte: Bein (Woodcuts: Leg), 1961/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1961/1973-74
Sharon Lockhart - Pine Flat Portrait Studio, Dakota, 2005, framed chromogenic print
Sharon Lockhart, 2005