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John Ahearn and Rigoberto Torres - Homage to the People of the Bronx: Double Dutch at Kelly Street - La Freeda, Jevette, Towana, Staice, 1981-82, oil on fiberglass
Joseph Beuys - Schamanentrommel aus der Suite Tränen (Shaman's Drum from Suite Tears), 1985, color etching and aquatint on thin paper laid down on gray wove
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Kara Walker - Burning African Village Play Set with Big House and Lynching, 2006, painted laser cut steel
El Anatsui - Red Block, 2010, found aluminum and copper wire
El Anatsui, 2010

Red Block

On View
David Salle - Pound Notes, 1986, acrylic, fabric, oil and silkscreen on three canvas panels
David Salle, 1986

Pound Notes

Ellen Gallagher - DeLuxe, 2004-2005, a portfolio of 60 printed objects with aquatint, dry-point, photogravure, spitbite, lithography, silkscreen, embossing, tattoo machine engraving, laser-cutting, collage, crystals, cut paper, enamel, glitter, gold leaf, gouache, graphite, oil, Plasticine
Ellen Gallagher, 2004-2005

DeLuxe

Joseph Beuys - Food for Thought, 1977, offset on gray machine-made wove, stamped, with grease spot
Joseph Beuys, 1977

Food for Thought

Jasper Johns - Untitled, 1991, encaustic and sand on canvas
Jasper Johns, 1991

Untitled

On View
Sharon Lockhart - Pine Flat Portrait Studio, Mikey, Sierra, 2005, two framed chromogenic prints
Joseph Beuys - Geruchsplastik (Smell Sculpture), 1978, glass jar, paper, volatile oils and chlorophyll
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, lithograph on white Rives Couronne paper
Richard Artschwager - Triptych V, 1972, Liquitex on Celotex with metal frames
Richard Artschwager, 1972

Triptych V

Andy Warhol - Campbell's Soup Can (Clam Chowder - Manhattan Style) [Ferus Type], 1962, casein and pencil on linen
On View
Joseph Beuys - Iphigenie (Iphigenia), 1973, silkscreen on gold-colored vinyl sheet
Joseph Beuys, 1973

Iphigenie (Iphigenia)

George Condo - Self Portraits Facing Cancer 1, 2015, acrylic, oil, and pigment stick on canvas, in two parts
George Condo, 2015

Self Portraits Facing Cancer 1

Julie Mehretu - Conjured Parts (eye), Ferguson, 2016, ink and acrylic on canvas
Julie Mehretu, 2016

Conjured Parts (eye), Ferguson

Jenny Holzer - Laments: I am a man..., 1987, Electronic LED sign: red & yellow diodes
Jenny Holzer, 1987

Laments: I am a man...

Barbara Kruger - Have Me Feed Me Hug Me Love Me Need Me, 1988, lenticular photograph
Glenn Ligon - White #5, 1993, oil stick and gesso on linen
Glenn Ligon, 1993

White #5

Joseph Beuys - Heidelberg (Tiber), 1970, proof sheet; offset on cardstock, with handwritten inscription, with several stamps
Joseph Beuys, 1970

Heidelberg (Tiber)

Donald Baechler - Untitled [Camouflage Sandwich (Cross Examination)], 2000, silkscreen
Ed Ruscha - THERE WASN'T NO PEARLY GATES, 2011, acrylic on vellum
Joseph Beuys - sich selbst (Oneself), 1977, offset print on cardstock
Joseph Beuys, 1977

sich selbst (Oneself)

Shirin Neshat - Rapture, 1999, two-channel video/audio installation, 16mm film transferred to video
Shirin Neshat, 1999

Rapture

Joseph Beuys - A.E.I.U.O., 1983, color offset on two sheets
Joseph Beuys, 1983

A.E.I.U.O.

Cindy Sherman - Untitled #209, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #209

Frank Stella - The Chapel (C-30, 1X), 1990, mixed media on aluminum
Frank Stella, 1990

The Chapel (C-30, 1X)

Meyer Vaisman - Still Life with Portraits, 1988, process inks and acrylic on canvas in two parts
Meyer Vaisman, 1988

Still Life with Portraits

Frank Stella - Salta nel mio sacco! (3.8x), 1985, mixed media on etched magnesium, aluminum and fiberglass
Frank Stella, 1985

Salta nel mio sacco! (3.8x)