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Cindy Sherman - Untitled #136, 1984, chromogenic color print
Cindy Sherman, 1984
Untitled #136
Christopher Williams - Seychelles, 1990, gelatin silver print
Christopher Williams, 1990
Seychelles
Joseph Beuys - jeder Griff muß sitzen, 1973, offset on cardstock, stamps reproduced
Joseph Beuys, 1973
jeder Griff muß sitzen
Robert Therrien - No title (stacked plates, white), 1993, ceramic epoxy on fiberglass
Robert Therrien, 1993
No title (stacked plates, white)
Andreas Gursky - F1 Boxenstopp III, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007
F1 Boxenstopp III
John Currin - Hot Pants, 2010, oil on canvas
John Currin, 2010
Hot Pants
Joseph Beuys - aus Eurasienstab (from Eurasia Staff), 1973, silkscreen on newsprint
Robert Longo - Lenny Bleeds (Comet in a Bomber), 1986, mixed media
Cindy Sherman - Untitled #124, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #124
Joseph Beuys - So kann die Parteiendiktatur überwunden werden (How the Dictatorship of the Parties Can Be Overcome), 1971, printed polyethylene shopping bag with information sheets and felt object
Cindy Sherman - Untitled #403, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #403
Terry Winters - Viewing Transformations 1, 1993, acrylic on paper
Terry Winters, 1993
Viewing Transformations 1
Robbie Conal - Damage Control, 1991, offset lithographic poster
Robbie Conal, 1991
Damage Control
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Joseph Beuys - Suite Zirkulationszeit: Meerengel Robbe 3 (Suite Circulation Time: Sea Angel Seal 3), 1982, etching and aquatint on white wove
Joseph Beuys - Magnetische Postkarte (Magnetic Postcard), 1975, sheet iron with raised, impressed lettering, magnet, stamped
Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971
Hasenblut (Hare's Blood)
Joseph Beuys - vitex agnus castus, 1973, color offset on cardstock
Joseph Beuys, 1973
vitex agnus castus
Jeff Wall - Dead Troops Talk (a vision after an ambush of a Red Army Patrol, near Moqor, Afghanistan, winter 1986), 1992, transparency in lightbox
Cindy Sherman - Untitled #355, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #355
Philip‐Lorca diCorcia - New York, 1996, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1996
New York
Frank Stella - Gobba Zoppa and Collotorto (3.75x), 1986, mixed media on etched magnesium, aluminum and fiberglass
Paul Pfeiffer - Three Studies for Figures at the Base of a Crucifixion, 2001, metal armatures, miniature video projectors, 3 DVDs with continuous digital video loops, DVD players
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Fat Shine on Iron
Joseph Beuys - Zeichnungen II 1946-1971, 1973, paperbound catalogue with 153 full-page reproductions, offset on newsprint
Joseph Beuys, 1973
Zeichnungen II 1946-1971
Charles Ray - Table, 1990, Plexiglas and steel
Charles Ray, 1990
Table
Robbie Conal - Gag Me with a Long Dong Condom, 1992, offset lithographic poster
Robbie Conal, 1992
Gag Me with a Long Dong Condom
John Currin - Old Couple, 1993, oil on canvas
John Currin, 1993
Old Couple
Joseph Beuys - C'est la fin de la fin des Latins, 1982, metal sign with baked enamel
Cindy Sherman - Untitled #420, 2004, chromogenic color prints
Cindy Sherman, 2004
Untitled #420