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Christopher Williams - Seychelles, 1990, gelatin silver print
Christopher Williams, 1990
Seychelles
Joseph Beuys - ohne Titel, aus dem Fünf Lithographien (Untitled, from the portfolio Five Lithographs), 1977, lithograph on wove
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
Water Towers
Cindy Sherman - Untitled #167, 1986, chromogenic color print
Cindy Sherman, 1986
Untitled #167
Leon Golub - Interrogation III, 1981, acrylic on canvas
Leon Golub, 1981
Interrogation III
Joseph Beuys - 3-Tonnen-Edition, 1973-85, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-85
3-Tonnen-Edition
Robert Therrien - No title (keyhole), 1987, dye on wood
Robert Therrien, 1987
No title (keyhole)
On View
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Fat Shine on Iron
Sam Francis - Why Then Opened II, 1962-63, oil and acrylic on canvas
Sam Francis, 1962-63
Why Then Opened II
Jordan Wolfson - (Female figure), 2014, mixed media
Jordan Wolfson, 2014
(Female figure)
Ed Ruscha - IN THE BEGINNING, 2011, acrylic on vellum
Ed Ruscha, 2011
IN THE BEGINNING
Anselm Kiefer - Kopf im Wald, Kopf in den Wolken, 1971, oil and fabric collage on two canvas panels
Anselm Kiefer, 1971
Kopf im Wald, Kopf in den Wolken
Joseph Beuys - Das halbe Filzkreuz über Köln (The Half Felt Cross over Cologne), 1974, offset on cardstock, stamps reproduced
Andreas Gursky - Los Angeles, 1998, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1998
Los Angeles
Mark Bradford - Corner of Desire and Piety, 2008, 72 collages: mixed media on board
Mark Bradford, 2008
Corner of Desire and Piety
Joseph Beuys - Botanischer Wahnsinn (Botanical Madness), 1976, collotype on cardstock
Damien Hirst - Something Solid Beneath the Surface of All Creatures Great and Small, 2001, glass, stainless steel, nickel, brass, rubber, painted and lacquered MDF and animal skeletons
Ed Ruscha - WILL 100 ARTISTS PLEASE DRAW A 1950 FORD FROM MEMORY?, 1977, pastel on paper
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Robbie Conal - Speak, 1987, offset lithographic poster
Robbie Conal, 1987
Speak
Joseph Beuys - Beuys/Rosebery/Fuller, 1980, color offset on heavy paper
Joseph Beuys, 1980
Beuys/Rosebery/Fuller
Joseph Beuys - Löschblatt (Olivestone) (Blotting Paper (from Olivestone)), 1984, blotting paper, typography, olive oil
Ed Ruscha - Strong, Healthy, 1987, acrylic on canvas
Ed Ruscha, 1987
Strong, Healthy
Joseph Beuys - Das Orwell-Bein - Hose für das 21. Jahrhundert (The Orwell Leg - Trousers for the 21st Century), 1984, blue jeans with circular holes
Joseph Beuys - 9 Postkarten: Mensch (9 Postcards: Man), 1983, offset on cardstock, stamps reproduced
Julie Mehretu - Conjured Parts (eye), Ferguson, 2016, ink and acrylic on canvas
Julie Mehretu, 2016
Conjured Parts (eye), Ferguson
Glenn Ligon - Untitled: Four Etchings, 1992, four softground etching, aquatint, spit bite and sugarlifts on paper
Glenn Ligon, 1992
Untitled: Four Etchings
Chuck Close - Hillary, 2000, digital ink jet print
Chuck Close, 2000
Hillary
Roy Lichtenstein - Mirror #1, 1969, oil and Magna on canvas
Roy Lichtenstein, 1969
Mirror #1
On View
Julie Mehretu - Six Bardos: Luminous Appearance, 2018, 19 color, 2 panel aquatint
Julie Mehretu, 2018
Six Bardos: Luminous Appearance