Browse the Collection

browse the collection

Joseph Beuys - Goldhase, 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Hank Willis Thomas - America, 2021, mixed media including U.S. flags
Hank Willis Thomas, 2021
On View
Cindy Sherman - Untitled #375, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Joseph Beuys - Noiseless Blackboard Eraser, 1974, felt blackboard eraser, stamped
Joseph Beuys, 1974
Janine Antoni - Mom and Dad, 1994, c-print in three parts
Janine Antoni, 1994
Sherrie Levine - Untitled (Mr. Austridge: 1), 1989, casein on wood
Sherrie Levine, 1989
Joseph Beuys - Genova, 1976, postcard, silkscreen overprint in brown with pencil
Joseph Beuys, 1976
Ellsworth Kelly - Green Angle, 1970, oil on canvas
Ellsworth Kelly, 1970
Damien Hirst - Away from the Flock, 1994, glass, painted steel, silicone, acrylic, plastic, lamb and formaldehyde solution
Damien Hirst, 1994
Leon Golub - Four Blacks, 1985, acrylic on canvas
Leon Golub, 1985
Joseph Beuys - Filzpostkarte (Felt Postcard), 1985, silkscreen on felt
Joseph Beuys, 1985
Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Andreas Gursky - Los Angeles, 1998, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1998
Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Leon Golub - Mercenaries III, 1980, acrylic on linen
Leon Golub, 1980
John Baldessari - Black and White Decision, 1984, four black and white photographs; mounted on board
John Baldessari, 1984
Philip‐Lorca diCorcia - New York, 1993, Ektacolor print mounted to four-ply board paper
Philip‐Lorca diCorcia, 1993
Joseph Beuys - Rückwärts (Backwards), 1977, Vorwärts newspaper, pen and pencil
Joseph Beuys, 1977
Chuck Close - Self-Portrait, 1999, four color digital ink jet prints mounted on aluminum panel
Chuck Close, 1999
Gregory Crewdson - The Basement, 2014, digital pigment print
Gregory Crewdson, 2014
Richard Artschwager - Rocker, 1965-75, Formica on plywood and steel counterweight
Richard Artschwager, 1965-75
Christopher Wool - Why?, 1990, enamel on aluminum
Christopher Wool, 1990
Joseph Beuys - Suite Schwurhand: Goldskulptur, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980
Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019