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Joseph Beuys - Schwefelpostkarte (Sulphur Postcard), 1984, galvanized iron plate, one side covered with sulphur, the other printed
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, one lithograph on white wove in portfolio of nine
Gregory Crewdson - Untitled, Winter 2006, digital pigment print
Gregory Crewdson, Winter 2006

Untitled

Joseph Beuys - Aufruf zur Alternative (Appeal for an Alternative), 1979, silkscreen in gray and red on cardstock
Julian Schnabel - Bob and Joe, 1984, oil and modeling paste on velvet
Julian Schnabel, 1984

Bob and Joe

Anselm Kiefer - Für René Char, 1988, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1988

Für René Char

Neo Rauch - Entfaltung, 2008, oil on canvas
Neo Rauch, 2008

Entfaltung

Joseph Beuys - 7000 Querce (7000 Oaks), 1984, color offset printed on both sides of cardstock, in two parts
Joseph Beuys, 1984

7000 Querce (7000 Oaks)

Malcolm Morley - Vermeer, Portrait of the Artist in his Studio, 1968, acrylic on canvas
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Cindy Sherman - Untitled #371, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #371

David Smith - Cubi XXVIII, 1965, stainless steel
David Smith, 1965

Cubi XXVIII

Timothy Greenfield‐Sanders - Portrait of Peter Halley, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986

Portrait of Peter Halley

Jeff Koons - Couple, 2001, oil on canvas
Jeff Koons, 2001

Couple

On View
Cindy Sherman - Untitled #180, 1987, chromogenic color print (two panels)
Cindy Sherman, 1987

Untitled #180

Timothy Greenfield‐Sanders - Portrait of Roy Lichtenstein, 1992, Polaroid
Timothy Greenfield‐Sanders, 1992

Portrait of Roy Lichtenstein

Joseph Beuys - für Fußwaschung (For Footwashing), 1977, enamel basin, inscribed
George Condo - Indigo Improvisation, 1985, oil on canvas
George Condo, 1985

Indigo Improvisation

Robert Moskowitz - Flatiron (For Lily), 1979, oil on canvas
Robert Moskowitz, 1979

Flatiron (For Lily)

Leon Golub - White Squad V, 1984, acrylic on linen
Leon Golub, 1984

White Squad V

Cady Noland - SHAM DEATH, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994

SHAM DEATH

On View
Donald Baechler - Untitled [Red Sundae (Well Fancy That)], 2000, silkscreen
Lari Pittman - Pathos, Ethos, Logos, Kairos #4, 2017, cel vinyl and spray paint over linen mounted on wood panel
Lari Pittman, 2017

Pathos, Ethos, Logos, Kairos #4

On View
Ellsworth Kelly - Blue Curve V, 1972, oil on canvas
Ellsworth Kelly, 1972

Blue Curve V

Timothy Greenfield‐Sanders - Portrait of Ed Ruscha, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987

Portrait of Ed Ruscha

Joseph Beuys - Schlitten (Sled), 1969, wooden sled, felt, belts, flashlight, fat and rope; sled stamped with oil paint (Browncross)
Joseph Beuys, 1969

Schlitten (Sled)

Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Thomas Houseago - Untitled (Black Painting 6), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016

Untitled (Black Painting 6)

Joseph Beuys - Der Morgen I (The Morning I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Der Morgen I (The Morning I)

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose (B&W); One with Ear (B&W), 2006, two-layer, seven-color screenprint; mounted to Sintra and framed