Browse the Collection

browse the collection

Neo Rauch - Heillichtung, 2014, oil on canvas
Neo Rauch, 2014
Cindy Sherman - Untitled #376, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Cindy Sherman - Untitled #118, 1983, chromogenic color print
Cindy Sherman, 1983
Tauba Auerbach - Shadow Weave - Chiral Fret Wave, 2015, woven canvas on wooden stretcher
Tauba Auerbach, 2015
George Condo - Indigo Improvisation, 1985, oil on canvas
George Condo, 1985
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
John Baldessari - Blueberry Soup, 2012, multi-color screenprint
John Baldessari, 2012
Sharon Lockhart - Julia Thomas, 1994, two framed chromogenic prints
Sharon Lockhart, 1994
On View
Ed Ruscha - Blue Collar Tech-Chem, 1992, acrylic on canvas
Ed Ruscha, 1992
Cindy Sherman - Cover Girl (Mademoiselle), 1975/2011, three gelatin silver prints
Cindy Sherman, 1975/2011
Anselm Kiefer - Athanor, 2011, mixed media in inscribed glass and steel vitrine
Anselm Kiefer, 2011
Doug Aitken - new skin, 2002, four-channel, four-projection video installation on an elliptical  "X" screen (aluminum, PVC)
Doug Aitken, 2002
Cindy Sherman - Untitled #334, 1999, gelatin silver print
Cindy Sherman, 1999
Andreas Gursky - F1 Boxenstopp II, 2007, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2007
Cindy Sherman - Untitled #100, 1982, chromogenic color print
Cindy Sherman, 1982
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Christopher Wool - Untitled, 2005, silkscreen ink on linen
Christopher Wool, 2005
Peter Halley - Initial Sequence, 1987, acrylic, fluorescent acrylic and Roll-A-Tex on canvas
Peter Halley, 1987
Ed Ruscha - Rough Fireplace Study, 1977, pastel and graphite on paper
Ed Ruscha, 1977
Ross Bleckner - More Wreath, 1986, oil on linen
Ross Bleckner, 1986
Joseph Beuys - Laßt Blumen sprechen, 1974, offset on cardstock, stamps reproduced
Joseph Beuys, 1974
Joseph Beuys - in interfunktionen 2, 1969, offset; stamped; on page 63 of magazine
Joseph Beuys, 1969