Allegories of Flight
Presented in conjunction with the special exhibition, Shirin Neshat: I Will Greet the Sun Again, Allegories of Flight explores the Iranian American artist's influences, including artists and filmmakers whose works embody “poetic, philosophical, and highly politically charged narratives and visual style.” Neshat has stated that her own work—whether made in Morocco, Mexico, the United States or Iran—offers more questions than answers. Mysticism is important to Neshat’s practice and to Persian culture, where flight plays an important role as a metaphor for the freeing of the spirit. This event will include live music, poetry readings and performance featuring artists mining a plethora of themes found in Neshat’s work and Persian literature—including resistance, healing, metaphor and mysticism—to tell stories across a constellation of cultures and identities.
Renowned poets Natalie Diaz and Naomi Shihab Nye will present their work in Oculus Hall; Saint Abdullah and Davia Spain with Ahya Simone will activate the first floor lobby space with live music; and Black Lives Matter co-founder Patrisse Cullors will perform a newly commissioned performance work in the exhibition galleries.
KNOW BEFORE YOU GO
Event is all ages. Must be 21+ to access cash bar on the outdoor plaza. Cash bar and museum doors open at 8 p.m.
A limited number of tickets will be available at the door. Please note this event is standing room only—there will be no seating. Capacity for the various performance venues within the museum are limited and available on a first-come, first-served basis. A ticket does not guarantee access to all performances.
Tickets include access to Shirin Neshat: I Will Greet the Sun Again and The Broad's third floor galleries during the event. Please note that Yayoi Kusama's Infinity Mirrored Room—The Souls of Millions of Light Years Away will not be open during the event.
Patrisse Cullors is a Los Angeles native, artist, organizer, educator, and public speaker. She is the founder of the Los Angeles-based grassroots organization, Dignity and Power Now, and she co-founded the global Black Lives Matter movement, which is now an international organization with dozens of chapters fighting anti-Black racism. In 2018 Cullors published When They Call You a Terrorist: A Black Lives Matter Memoir, which was a New York Times bestseller. Awards and honors include the Civil Rights Leader for the 21st Century Award from the Los Angeles Times. Her recent performances were part of the 9th annual Echo Park Rising festival and San Diego Art Institute’s exhibition, Forging Territories: Queer Afro and Latinx Contemporary Art. She recently graduated from the Roski School of Art and Design at University of Southern California with an MFA in performance art. A self-described wife of Harriet Tubman, Cullors has always been traveling on the path to freedom.
Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. She is Mojave and an enrolled member of the Gila River Indian Tribe. When My Brother Was an Aztec is her first poetry collection, and her second book, Postcolonial Love Poem, will be published by Graywolf Press in March 2020. She is a 2018 MacArthur Fellow, as well as a Lannan Literary Fellow and a Native Arts Council Foundation Artist Fellow. She was awarded the Princeton Holmes National Poetry Prize and a Hodder Fellowship. She is a member of the Board of Trustees for the United States Artists, where she is an alumni of the Ford Fellowship. Diaz is the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University and 2018 MacArthur Fellow.
Naomi Shihab Nye
Naomi Shihab Nye was raised in St. Louis, Jerusalem, and San Antonio. Her writings draw on her Palestinian-American heritage and experience traveling the globe. She is the author and/or editor of over 30 volumes; Cast Away: Poems for Our Time is due out February 2020. Nye’s numerous prestigious honors and awards include a Guggenheim Fellowship, four Pushcart Prizes, and the Robert Creeley Prize. She is Chancellor Emeritus for the Academy of American Poets, and in 2018 the Texas Institute of Letters awarded her the Lon Tinkle Award for Lifetime Achievement. In 2019 she was named Young People’s Poet Laureate by the Poetry Foundation. Nye is Professor of Creative Writing-Poetry at Texas State University.
Saint Abdullah are motivated by the history of Western misconception and opposition towards Muslims and the Islamic faith, and they began writing music to serve as cultural translators, with the goal of challenging stereotypes, and acting as a conduit between unnecessary enemies. Saint Abdullah is the sound project of Mohammad and Mehdi, New York-based Iranian-Canadian brothers, creating sounds largely inspired by the religious, political, and cultural history of the Middle East. Interviews with Saint Abdullah and reviews of their work can be found on popmatters.com, tinymixtapes.com, and urbanstylemag.gr, among others, and they have performed at venues including The Shed in New York. (Photo courtesy of the artists)
Davia Spain is a musician, filmmaker, and performance artist creating work that explores art as a mode for personal and communal healing. She connects her foundation in chamber music with her fascination for all types of electronic music, making a beautiful concoction that is both old and new, hard and soft, sweet and bitter. The rigor of classical training combined with the experimental spirit of the underground performance art scene gave Spain the tools to create works that are equally visceral and thought-provoking. The ideological currents of her work are rooted in Afro-futurist theories of time and space, prompting her to reimagine the past, make predictions of the future, and pull possible outcomes into the present. Recently, she previewed music from her forthcoming project, “Dawning,” at Berkeley Art Museum, which she will reinterpret for her performance at The Broad, accompanied by Ahya Simone. A Detroit-based, harpist, singer-songwriting femme queen, Simone fuses R&B, soul, jazz, experimental, and electronic elements into a multi-faceted musical landscape. Initially composing music for harp and vocals, and scoring a series of short films, Simone often takes the harp outside its classical contexts. Drawing inspiration from her Motown roots, her style makes the harp a force to be reckoned with outside an orchestra pit.