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Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980

aus Frammenti Veneviani

Jasper Johns - Untitled, 1984, encaustic on canvas
Jasper Johns, 1984

Untitled

Tom Otterness - Soft Money, 2000, bronze
Tom Otterness, 2000

Soft Money

Susan Rothenberg - Untitled #152, 1981, charcoal on paper
Susan Rothenberg, 1981

Untitled #152

Joseph Beuys - Heidelberg (Tiber), 1970, proof sheet; offset on cardstock, with handwritten inscription, with several stamps
Joseph Beuys, 1970

Heidelberg (Tiber)

Christopher Wool - Untitled, 1989, enamel and acrylic on aluminum
Christopher Wool, 1989

Untitled

Joseph Beuys - Hirschgalvanismus (Stag Galvanism), 1985, silkscreen on cardstock
Damien Hirst - The Kingdom of the Father, 2007, butterflies and household gloss on three canvas panels
Damien Hirst, 2007

The Kingdom of the Father

Joseph Beuys - Heidelberg, 1970, offset on cardstock, stamps reproduced
Joseph Beuys, 1970

Heidelberg

Ed Ruscha - Blue Collar Tech-Chem, 1992, acrylic on canvas
Ed Ruscha, 1992

Blue Collar Tech-Chem

On View
Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Gregory Crewdson - The Basement, 2014, digital pigment print
Gregory Crewdson, 2014

The Basement

Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, one lithograph on grayish-green wove in portfolio of nine
Joseph Beuys - Rückwärts (Backwards), 1977, Vorwärts newspaper, pen and pencil
Joseph Beuys, 1977

Rückwärts (Backwards)

Nathaniel Mary Quinn - C'mo' and Walk With Me, 2019, black charcoal, gouache, soft pastel, oil pastel on Coventry vellum paper
Nathaniel Mary Quinn, 2019

C'mo' and Walk With Me

Joseph Beuys - Belfast, 1975, offset on cardstock
Joseph Beuys, 1975

Belfast

Roy Lichtenstein - Perfect Painting, 1986, oil and Magna on canvas
Roy Lichtenstein, 1986

Perfect Painting

Sue Coe - Let Them Eat Cake, 1986, oil on canvas
Sue Coe, 1986

Let Them Eat Cake

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Face with Nose and (Green) Ear, 2006, three-layer, six-color screenprint; mounted to Sintra and framed
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Fat Shine on Iron

Jean‐Michel Basquiat - Untitled, 1981, acrylic, oilstick, paper collage and spray paint on canvas
Jean‐Michel Basquiat, 1981

Untitled

On View
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Joseph Beuys - Levitazione in Italia, 1978, color offset on cardstock
Joseph Beuys, 1978

Levitazione in Italia

Joseph Beuys - Der Morgen I (The Morning I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Der Morgen I (The Morning I)

Louise Lawler - Nipple, 2008, Cibachrome face mounted to Plexi on museum box
Louise Lawler, 2008

Nipple

Julie Mehretu - Conjured Parts (eye), Ferguson, 2016, ink and acrylic on canvas
Julie Mehretu, 2016

Conjured Parts (eye), Ferguson

Cecily Brown - Figures in a Landscape 2, 2002, oil on linen
Cecily Brown, 2002

Figures in a Landscape 2

Tom Otterness - Radical Rich, 1993-94, bronze
Tom Otterness, 1993-94

Radical Rich

Cy Twombly - Untitled, 2002, bronze
Cy Twombly, 2002

Untitled

Joan Miró - Femme assise et enfant, 1967, painted bronze (lost wax casting). Fonderie T. Clementi, Meudon, Paris
Joan Miró, 1967

Femme assise et enfant