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Mark Grotjahn - Untitled (Backcountry Capri 54.39), 2021, oil on cardboard mounted on linen
Urs Fischer - Untitled, 2012, cast aluminum, milled aluminum, screws, LED light bulb, glass, wires, electrical unit, wash primer, epoxy filler, component fill primer, waterborne base coat, polyurethane matte clear coat
Urs Fischer, 2012

Untitled

Joseph Beuys - Piano Duet, 1981, fifty-two silkscreens on playing cards in cloth covered box
Joseph Beuys, 1981

Piano Duet

Cindy Sherman - Untitled #330, 1996, Cibachrome
Cindy Sherman, 1996

Untitled #330

Eric Fischl - Once Where We Looked to Put Down Our Dead, 1996, oil on linen
Joseph Beuys - Honigpumpe am Arbeitsplatz, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977

Honigpumpe am Arbeitsplatz

Joseph Beuys - in interfunktionen 3, 1969, offset; on page 83 of publication; magazine
Joseph Beuys, 1969

in interfunktionen 3

Anselm Kiefer - Zweistromland - The High Priestess, 1985-87, mixed media on two canvas panels with applied wire and metal object
Anselm Kiefer, 1985-87

Zweistromland - The High Priestess

Jasper Johns - Savarin 5 (Corpse and Mirror), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79

Savarin 5 (Corpse and Mirror)

Tom Otterness - Serpent of Knowledge, 1992, bronze
Tom Otterness, 1992

Serpent of Knowledge

Jasper Johns - Untitled, 2010, spit-bite aquatint, soft-ground, drypoint, and photogravure
Jasper Johns, 2010

Untitled

George Condo - Dancing to Miles, 1985-86, oil on canvas
George Condo, 1985-86

Dancing to Miles

Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972

Water Towers

Joseph Beuys - A.E.I.U.O., 1983, color offset on two sheets
Joseph Beuys, 1983

A.E.I.U.O.

Neo Rauch - Falle (Trap), 2001, oil on paper
Neo Rauch, 2001

Falle (Trap)

Cindy Sherman - Untitled #98, 1982, chromogenic color print
Cindy Sherman, 1982

Untitled #98

Joseph Beuys - Das Warhol-Beuys-Ereignis (The Warhol-Beuys Event), 1979, publication reworked on pp. 16-17 with oil paint (Browncross) and pencil
Paul Pfeiffer - Four Horsemen of the Apocalypse #10, 2004, Fuji Digital chromogenic print
Joseph Beuys - Köln (Cologne), 1968-69, offset on cardstock, stamps reproduced
Joseph Beuys, 1968-69

Köln (Cologne)

Cindy Sherman - Untitled #514, 2010/2011, chromogenic color print
Cindy Sherman, 2010/2011

Untitled #514

Joan Miró - Femme assise et enfant, 1967, painted bronze (lost wax casting). Fonderie T. Clementi, Meudon, Paris
Joan Miró, 1967

Femme assise et enfant

Joseph Beuys - A Political Party for Animals!, 1974, proof sheet for sugar envelopes, with handwritten addition, stamped
Joseph Beuys, 1974

A Political Party for Animals!

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Robert Longo - Tongue to the Heart, 1984, acrylic and oil on wood, cast plaster, hammered lead on wood, durotran, acrylic on canvas
Robert Longo, 1984

Tongue to the Heart

Donald Baechler - Untitled [Cone (A Feat of Strength)], 2000, silkscreen
Donald Baechler, 2000

Untitled [Cone (A Feat of Strength)]

Joseph Beuys - Beuys/Rosebery/Fuller, 1980, color offset on heavy paper
Joseph Beuys, 1980

Beuys/Rosebery/Fuller

Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

Jasper Johns - Usuyuki, 1981, silkscreen, 12 screens
Jasper Johns, 1981

Usuyuki

Barbara Kruger - Untitled (I shop therefore I am), 1987-2019, Single-channel video on LED panel, sound
Barbara Kruger, 1987-2019

Untitled (I shop therefore I am)

Nathaniel Mary Quinn - Pure Insecurity, 2019, oil paint, paint stick, gouache, soft pastel on linen canvas
Nathaniel Mary Quinn, 2019

Pure Insecurity