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Glenn Ligon - Remember The Revolution #1, 2004, oil and acrylic on canvas
Glenn Ligon, 2004
Remember The Revolution #1
Glenn Ligon - Double America 2, 2014, neon and paint
Glenn Ligon, 2014
Double America 2
Sterling Ruby - SP272 (1), SP272 (2), 2014, spray paint on synthetic canvas
Sterling Ruby, 2014
SP272 (1), SP272 (2)
John Baldessari - Three Moments (with Pool Table), 1992/99, black lithography all other colors silkscreen
John Baldessari, 1992/99
Three Moments (with Pool Table)
Joseph Beuys - Blutaktion (Blood Action), 1982, color photocopy of photograph by Alfred Kerger
Joseph Beuys, 1982
Blutaktion (Blood Action)
Jasper Johns - Bushbaby, 2004, intaglio
Jasper Johns, 2004
Bushbaby
Mark Grotjahn - Untitled (Free Capri 50.41), 2018, oil on cardboard mounted on linen
Mark Grotjahn, 2018
Untitled (Free Capri 50.41)
Ellen Gallagher - Watery Ecstatic Series, 2004, 12 drawings: watercolor, ink, oil, pencil and cut paper
Ellen Gallagher, 2004
Watery Ecstatic Series
Joseph Beuys - 9 Postkarten: Manifest (9 Postcards: Manifesto), 1985, offset on cardstock, stamps reproduced
Peter Halley - A Perfect World, 1993, acrylic, Day-Glo acrylic and Roll-a-Tex on canvas
Peter Halley, 1993
A Perfect World
Thomas Ruff - jpeg ny05, 2004, C-print with Diasec
Thomas Ruff, 2004
jpeg ny05
Frank Stella - Gobba Zoppa and Collotorto (3.75x), 1986, mixed media on etched magnesium, aluminum and fiberglass
Alex Israel - Self Portrait (Selfie and Studio Floor), 2014, acrylic and bondo on fiberglass
David Salle - False Aire, 1990, oil and acrylic on canvas
David Salle, 1990
False Aire
Paul Pfeiffer - Four Horsemen of the Apocalypse #10, 2004, Fuji Digital chromogenic print
Kenny Scharf - Jungle Juice, 1984, acrylic on canvas
Kenny Scharf, 1984
Jungle Juice
Joseph Beuys - Suite Zirkulationszeit: Hirsch und Hut (Suite Circulation Time: Stag and Hat), 1982, etching and drypoint on white wove
David Wojnarowicz - Late Afternoon in the Forest, 1986, acrylic, spraypaint and collage on muslin
David Wojnarowicz, 1986
Late Afternoon in the Forest
John Baldessari - The Spectator Is Compelled..., 1966 - 1968, photographic emulsion and acrylic on canvas
John Baldessari, 1966 - 1968
The Spectator Is Compelled...
Terry Winters - Source Wave Reference, 1999, oil on linen
Terry Winters, 1999
Source Wave Reference
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Fat Shine on Iron
Sharon Lockhart - Ola, “TODAY IN POLITICS,” Our Review no. 167 (8863), June 16, 1939, National Library of Poland, Warsaw, February 3, 2017, 2017, framed chromogenic print
Joseph Beuys - Gespräch (Conversation), 1974, drawing in watercolor, ink and stamps on page 5 of the book JOSEPH BEUYS - Zeichnungen I, 1947-1959
Joseph Beuys, 1974
Gespräch (Conversation)
Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Robert Rauschenberg - Untitled, ca. 1954, combine: oil, fabric, newspaper, and charcoal collage with light bulb and two Crookes radiometers on wood structure
Robert Rauschenberg, ca. 1954
Untitled
Mike Kelley - Microcosm, 1988, acrylic on paper
Mike Kelley, 1988
Microcosm
Joseph Beuys - Planting a Coconut, 1980, woodcut on wove
Joseph Beuys, 1980
Planting a Coconut
Patrick Martinez - They Tried to Bury Us,They Didn’t Know We Were Seeds (Dinos Christianopoulos), 2022, neon
Andreas Gursky - 99 Cent, 1999, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1999
99 Cent
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)