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Glenn Ligon - Screen, 1996, silkscreen on canvas
Glenn Ligon, 1996
Screen
Neil Jenney - Tools and Task, 1969-70, acrylic and pencil on canvas
Neil Jenney, 1969-70
Tools and Task
Shirin Neshat - Rapture, 1999, two-channel video/audio installation, 16mm film transferred to video
Shirin Neshat, 1999
Rapture
Goshka Macuga - A meeting of the St. Petersburg Union for the Liberation of the Working Class, 2013, collage on hand-printed silver gelatin print
Damien Hirst - Happy Birthday Eli Spin, 2013, household gloss on canvas
Damien Hirst, 2013
Happy Birthday Eli Spin
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Gregory Crewdson - The Disturbance, 2014, digital pigment print
Gregory Crewdson, 2014
The Disturbance
Keith Haring - Untitled, 1984, acrylic on four muslin panels
Keith Haring, 1984
Untitled
Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Cindy Sherman - Untitled #357, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #357
Terry Winters - Set Diagram 33, 2000, oil on linen
Terry Winters, 2000
Set Diagram 33
Frank Stella - Illustrations after El Lissitzky's Had Gadya, 1982-84, 12 hand-colored and collaged with lithographic, linoleum block, silkscreen
Sue Coe - Crystal Night, 1984, mixed media and collage on paper
Sue Coe, 1984
Crystal Night
Patrick Martinez - Weeping Warrior, 2022, Stucco, neon, mean streak, ceramic, acrylic paint, spray paint, latex house paint, banner tarp, rope, stucco patch, ceramic tile, tile adhesive, engraved mirror and led signs
Patrick Martinez, 2022
Weeping Warrior
Jean‐Michel Basquiat - Beef Ribs Longhorn, 1982, acrylic, oilstick, and paper collage on canvas mounted on tied wood supports
Jean‐Michel Basquiat, 1982
Beef Ribs Longhorn
On View
Roy Lichtenstein - Perfect Painting, 1986, oil and Magna on canvas
Roy Lichtenstein, 1986
Perfect Painting
On View
Joseph Beuys - eine Partei für Tiere (A Party for Animals), 1969, offset and handwritten text on paper, stamped with oil paint (Browncross) and round stamp
Joseph Beuys - ehemalige Klasse Beuys (“former” Beuys Class), 1975, folded handout, stamped
Sharon Lockhart - Julia Thomas, 1994, two framed chromogenic prints
Sharon Lockhart, 1994
Julia Thomas
On View
Joseph Beuys - Filzwinkel (Felt Angle), 1985, felt object
Joseph Beuys, 1985
Filzwinkel (Felt Angle)
David Wojnarowicz - The Newspaper as National Voodoo: A Brief History of the U.S.A., 1986, acrylic, spray paint, and collage on wood
Cindy Sherman - Untitled #420, 2004, chromogenic color prints
Cindy Sherman, 2004
Untitled #420
Jean‐Michel Basquiat - Santo 2, 1982, acrylic, oilstick, and paper on canvas with exposed wood supports
Jean‐Michel Basquiat, 1982
Santo 2
On View
Nathaniel Mary Quinn - C'mo' and Walk With Me, 2019, black charcoal, gouache, soft pastel, oil pastel on Coventry vellum paper
Nathaniel Mary Quinn, 2019
C'mo' and Walk With Me
Leon Golub - 1985 - S. Africa, 1985, lithograph
Leon Golub, 1985
1985 - S. Africa
Cindy Sherman - Untitled #512, 2010/2011, chromogenic color print
Cindy Sherman, 2010/2011
Untitled #512
On View
Chuck Close - Self Portrait / Scribble / Etching Portfolio, 2000, 25 soft-ground etchings
Joseph Beuys - Sprachlos (Speechless), 1982, exhibition catalogue, Sprachlos cigarillo package, and matches, all with handwritten addition; in printed transparent plastic envelope
Joseph Beuys, 1982
Sprachlos (Speechless)
Takashi Murakami - End of Line, 2011, acrylic on canvas mounted on board
Takashi Murakami, 2011
End of Line
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper