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Joseph Beuys - Zeichnungen 1949-1969, 1972, paperbound catalogue with 57 full-page reproductions, offset on newsprint
Joseph Beuys, 1972
Zeichnungen 1949-1969
Joseph Beuys - Stimmzettel (Ballot), 1980, ballot paper stamped
Joseph Beuys, 1980
Stimmzettel (Ballot)
Joseph Beuys - Beuys in Norwegen (Beuys in Norway), 1982, envelope with franking
Joseph Beuys - Grünkreuz (Green Cross), 1984, offset on cardstock, stamps reproduced
Joseph Beuys, 1984
Grünkreuz (Green Cross)
Joseph Beuys - Edition Staeck liefert (Edition Staeck Delivers), 1974, offset on cardstock, stamps reproduced
Ellsworth Kelly - Black Panel with White Curve III, 1989, oil on canvas, two joined panels
Ellsworth Kelly, 1989
Black Panel with White Curve III
Robert Rauschenberg - Quattro Mani Marrakech III, 2000, screenprint on paper
Robert Rauschenberg, 2000
Quattro Mani Marrakech III
Imi Knoebel - Figur 26, 1988, acrylic on six wood panels
Imi Knoebel, 1988
Figur 26
Albert Oehlen - Abstand, 2006, acrylic and oil on canvas
Albert Oehlen, 2006
Abstand
Joseph Beuys - Hirschkopf aus der Suite Tränen (Stag's Head from Suite Tears), 1985, etching on thin paper laid down on white wove
Robert Rauschenberg - Golden Grebe (Scale), 1978, solvent transfer on fabric collaged to wooden panels with acrylic paint, colored and clear mirrors, and paintbrush
Robert Rauschenberg, 1978
Golden Grebe (Scale)
Joseph Beuys - 3-Tonnen-Edition, 1973-85, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-85
3-Tonnen-Edition
Susan Rothenberg - Double Masked Heads, 1974, acrylic and tempera on canvas
Susan Rothenberg, 1974
Double Masked Heads
Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Ed Ruscha - THEY COULDN'T DO NO BETTER, 2011, acrylic on vellum
Ed Ruscha, 2011
THEY COULDN'T DO NO BETTER
Joseph Beuys - 3-Tonnen-Edition, 1973-82, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-82
3-Tonnen-Edition
Jasper Johns - Light Bulb, 1969, lead relief
Jasper Johns, 1969
Light Bulb
Joseph Beuys - Chi dice...? (Who Says...? ), 1978, offset on cardstock, stamps reproduced
Joseph Beuys, 1978
Chi dice...? (Who Says...? )
Julian Lethbridge - Penrose 3, 1993, oil on linen
Julian Lethbridge, 1993
Penrose 3
Doug Aitken - twilight, 2014, cast resin, acrylic and responsive / generative LED
Doug Aitken, 2014
twilight
Thomas Struth - Audience 11 (Galleria Dell'Accademia), Florenz, 2004, chromogenic print
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
Joseph Beuys - EIN-STEIN-ZEIT (EIN-STEIN-TIME), 1984, silkscreen on zinc
Joseph Beuys, 1984
EIN-STEIN-ZEIT (EIN-STEIN-TIME)
Joseph Beuys - Iphigenie/Titus Andronicus (Iphigenia/Titus Andronicus), 1985, photopositive and negative on film, stamped with brown paint (Browncross); glass, iron frame
Joseph Beuys - für Fettecke! (For Fat Corner!), 1984, filing folder with silkscreen and handwritten addition, containing butter wrapper
Elliott Hundley - Changeling, 2020, oil, encaustic, photographs and collage on linen
Elliott Hundley, 2020
Changeling
Cy Twombly - Untitled (The Mathematical Dream of Ashurbanipal), 2000 - 2009, bronze
Joseph Beuys - Suite Zirkulationszeit: Hirsch und Hut (Suite Circulation Time: Stag and Hat), 1982, etching and drypoint on white wove
Susan Rothenberg - Blue Body, 1980-81, acrylic and flashe on canvas
Susan Rothenberg, 1980-81
Blue Body
Terry Winters - Factors of Increase, 1988, oil on linen
Terry Winters, 1988
Factors of Increase