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Christopher Wool - Why?, 1990, enamel on aluminum
Christopher Wool, 1990

Why?

Jean‐Michel Basquiat - Pink Devil, 1984, acrylic, oilstick, and xerox collage on canvas
Jean‐Michel Basquiat, 1984

Pink Devil

On View
Joseph Beuys - Nordpol aus der Suite Tränen (North Pole from Suite Tears), 1985, etching on thin paper laid down on gray wove
Cindy Sherman - Untitled #373, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000

Untitled #373

Jonas Wood - Blackwelder Self Portrait, 2017, oil and acrylic on canvas
Jonas Wood, 2017

Blackwelder Self Portrait

Andy Warhol - Rorschach, 1984, acrylic on canvas
Andy Warhol, 1984

Rorschach

Cady Noland - IMPACT ON THE IMAGE, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994

IMPACT ON THE IMAGE

On View
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83

Photo-Editionen (Photo Editions)

Urs Fischer - Problem Painting, 2012, milled aluminum panel, acrylic primer, gesso, acrylic ink, spray enamel, acrylic silkscreen medium, and acrylic paint
Urs Fischer, 2012

Problem Painting

John Currin - Daughter and Mother, 1997, oil on canvas
John Currin, 1997

Daughter and Mother

Joseph Beuys - aus Hommage à Picasso (from Hommage à Picasso), 1973, lithograph on rag paper
Leon Golub - Mercenaries V, 1984, acrylic on linen
Leon Golub, 1984

Mercenaries V

Cindy Sherman - Untitled #354, 2000, chromogenic color print
Cindy Sherman, 2000

Untitled #354

Mike Kelley - Blood and Soil (Potato Print) (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Gregory Crewdson - The Disturbance, 2014, digital pigment print
Gregory Crewdson, 2014

The Disturbance

Joseph Beuys - La zappa (The Hoe), 1978, wrought iron, olive wood with brand
Joseph Beuys, 1978

La zappa (The Hoe)

Joseph Beuys - Der Eurasier, 1972/84, zinc printing plate, sulfur
Joseph Beuys, 1972/84

Der Eurasier

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Andreas Gursky - Los Angeles, 1998, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1998

Los Angeles

John Baldessari - Noses & Ears, Etc.: The Gemini Series: Profile with Ear and Nose (Color), 2006, two-layer, seven-color screenprint; mounted on Sintra and framed
Jasper Johns - Watchman, 1964, oil on canvas with objects (two panels)
Jasper Johns, 1964

Watchman

On View
Joseph Beuys - Der Morgen II (The Morning II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Der Morgen II (The Morning II)

Joseph Beuys - Goldhase, 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Goldhase

Cindy Sherman - Untitled #205, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #205

Cindy Sherman - Untitled #190, 1989, chromogenic color prints (two panels)
Cindy Sherman, 1989

Untitled #190

William Kentridge - Drawing for 'Other Faces', 2011, charcoal and colored pencil on on paper
William Kentridge, 2011

Drawing for 'Other Faces'

Jasper Johns - Savarin 3 (Red), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79

Savarin 3 (Red)

Joseph Beuys - Testament (Will), 1974, will form with mounted postcard; envelope; both inscribed
Joseph Beuys, 1974

Testament (Will)

George Condo - His Green Ear, 1985, oil on canvas
George Condo, 1985

His Green Ear