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David Wojnarowicz - Late Afternoon in the Forest, 1986, acrylic, spraypaint and collage on muslin
David Wojnarowicz, 1986
Late Afternoon in the Forest
Jeff Koons - Kiepenkerl, 1987, stainless steel
Jeff Koons, 1987
Kiepenkerl
Thomas Ruff - jpeg ny05, 2004, C-print with Diasec
Thomas Ruff, 2004
jpeg ny05
Sam Francis - Why Then Opened II, 1962-63, oil and acrylic on canvas
Sam Francis, 1962-63
Why Then Opened II
Sherrie Levine - Double Checks #6, 1988, oil on lead
Sherrie Levine, 1988
Double Checks #6
Patrick Martinez - Migration is Natural, 2021, neon
Patrick Martinez, 2021
Migration is Natural
John Baldessari - Blueberry Soup, 2012, multi-color screenprint
John Baldessari, 2012
Blueberry Soup
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
John Baldessari - Noses & Ears, Etc.: The Gemini Series: Two Profiles, One with Nose and Turban (B&W); One with Ear (Color) and Hat, 2006, two-layer, 12-color screenprint; mounted to Sintra and framed
Terry Winters - Set Diagram 34, 2000, oil on linen
Terry Winters, 2000
Set Diagram 34
Paul Pfeiffer - Three Studies for Figures at the Base of a Crucifixion, 2001, metal armatures, miniature video projectors, 3 DVDs with continuous digital video loops, DVD players
Joseph Beuys - Rundbrief F.I.U (F.I.U. Mailing), 1982, printed letter, stamped, with gold paint
Barbara Kruger - Untitled (Hate like us), 1994, photographic silkscreen on Plexiglas
Barbara Kruger, 1994
Untitled (Hate like us)
John Baldessari - Horizontal Women, 1987, photographs mounted on board
John Baldessari, 1987
Horizontal Women
Joseph Beuys - Joyce mit Schlitten, 1985, offset and silkscreen on cardstock
Joseph Beuys, 1985
Joyce mit Schlitten
Joseph Beuys - Post Card, 1970, offset on cardstock, stamps reproduced
Joseph Beuys, 1970
Post Card
David Salle - Pound Notes, 1986, acrylic, fabric, oil and silkscreen on three canvas panels
David Salle, 1986
Pound Notes
Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971
Hasenblut (Hare's Blood)
Joseph Beuys - Difesa della natura (Clavicembalo) (Defense of Nature (Harpsichord)), 1981, silkscreen on machine-made wove
Joseph Beuys - Suite Zirkulationszeit: Hirsch und Hut (Suite Circulation Time: Stag and Hat), 1982, etching and drypoint on white wove
Joseph Beuys - 9 Postkarten: Mysterien (9 Postcards: Mysteries), 1979, offset on cardstock, stamps reproduced
Sharon Lockhart - Untitled, 1996, framed chromogenic print
Sharon Lockhart, 1996
Untitled
Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Joseph Beuys - L'arte è una zanzara dalle mille ali (Art is a mosquito with a thousand wings), 1981, one of four photoetchings on wove in cloth portfolio
Ed Ruscha - Darlene Phipps, 2002, acrylic on canvas
Ed Ruscha, 2002
Darlene Phipps
Kerry James Marshall - Untitled (Orange Pants), 2014, acrylic on PVC panel
Kerry James Marshall, 2014
Untitled (Orange Pants)
George Schneeman - Ceramic vase with erotic figures, 1980-81, fired clay
George Schneeman, 1980-81
Ceramic vase with erotic figures
Ed Ruscha - Heavy Industry, 1962, oil and pencil on canvas
Ed Ruscha, 1962
Heavy Industry
On View
Sam Francis - White #4, 1950-51, oil on canvas
Sam Francis, 1950-51
White #4
Christopher Wool - Untitled, 1990, enamel and acrylic on nine aluminum panels
Christopher Wool, 1990
Untitled