Browse the Collection

browse the collection

Jenny Holzer - Laments: I am a man..., 1987, Electronic LED sign: red & yellow diodes
Jenny Holzer, 1987
Tony Oursler - Go Boom, 2003, fiberglass sculpture, Sony VPL CS5 projector, DVD, DVD player
Tony Oursler, 2003
Timothy Greenfield‐Sanders - Portrait of Ashley Bickerton, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987
Imi Knoebel - vivis, 1987, acrylic on plywood and fiberboard in three parts
Imi Knoebel, 1987
Sam Francis - Côte d'Azur, 1953, watercolor on paper
Sam Francis, 1953
David Salle - Untitled (Watermelon), 1999, oil and acrylic on two linen panels
David Salle, 1999
Joseph Beuys - Ruined by State, 1974, offset on cardstock, stamps reproduced
Joseph Beuys, 1974
Cindy Sherman - Untitled Film Still #07, 1978, gelatin silver print
Cindy Sherman, 1978
Barbara Kruger - Twelve, 2004, four screen video projection
Barbara Kruger, 2004
Joseph Beuys - Steinhase (Stone Hare), 1982, color photograph
Joseph Beuys, 1982
Ed Ruscha - Desire, 1969, oil on canvas
Ed Ruscha, 1969
Doug Aitken - new skin, 2002, four-channel, four-projection video installation on an elliptical  "X" screen (aluminum, PVC)
Doug Aitken, 2002
Cindy Sherman - Untitled #199, 1989, chromogenic color print
Cindy Sherman, 1989
Cindy Sherman - Untitled #410, 2003, chromogenic color print
Cindy Sherman, 2003
Joseph Beuys - Kunst = Kapital (Art = Capital), 1980, silkscreen on blackboard in wooden frame
Joseph Beuys, 1980
Robbie Conal - Taken Out and Shot, 1991, offset lithographic poster
Robbie Conal, 1991
Andreas Gursky - Tote Hosen, 2000, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 2000
Jeff Koons - Peg Leg Liberty Bell, 2008, oil on canvas
Jeff Koons, 2008
Jenny Saville - Blue Pieta, 2018, oil on canvas
Jenny Saville, 2018
Andreas Gursky - Bangkok II, 2011, inkjet print
Andreas Gursky, 2011
Roy Lichtenstein - Reflections: Art, 1989, color screenprint poster
Roy Lichtenstein, 1989
Ellsworth Kelly - Green Relief with Blue, 2011, oil on canvas, two joined panels
Ellsworth Kelly, 2011