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Glenn Ligon - Warm Broad Glow II, 2011, neon, paint, and powder coated aluminum
Glenn Ligon, 2011

Warm Broad Glow II

Robert Rauschenberg - Quattro Mani Marrakech III, 2000, screenprint on paper
Robert Rauschenberg, 2000

Quattro Mani Marrakech III

Mickalene Thomas - Le Déjeuner sur l'herbe les Trois Femmes Noires d'aprés Picasso, 2022, rhinestones and acrylic paint on canvas mounted on wood panel
On View
Joseph Beuys - 3-Tonnen-Edition, 1973-82, vinyl sheets silkscreened on both sides, totalling 44 motifs most of which were reworked by hand
Joseph Beuys, 1973-82

3-Tonnen-Edition

Alexander Calder - Iguana, 1967, painted metal
Alexander Calder, 1967

Iguana

Joseph Beuys - Lapis/arte, 1981, publication, stamped
Joseph Beuys, 1981

Lapis/arte

Joseph Beuys - Freier Demokratischer Sozialismus (Free Democratic Socialism), 1971, writing paper with printed letterhead and handwritten text
Takashi Murakami - The World of Sphere, 2003, wood, silk, acid dye, foil
Takashi Murakami, 2003

The World of Sphere

Joseph Beuys - Suite Schwurhand: Frau rennt weg mit Gehirn, 1980, etching on white Arches wove
Mark Innerst - Daylight Savings (View from Manhattan minus the Empire State Building), 1986, oil on acrylic on board
Mark Bradford - Yellow Bird, 2012, mixed media on canvas
Mark Bradford, 2012

Yellow Bird

Lari Pittman - Untitled #3, 2007, acrylic, cel vinyl, and spray lacquer over gessoed canvas over wood panel
Lari Pittman, 2007

Untitled #3

Terry Winters - Untitled #2, 1984, charcoal, chalk and crayon on paper
Terry Winters, 1984

Untitled #2

Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Hasengrab II (Hare's Grave II)

Peter Halley - Red Cell, 1988, acrylic, fluorescent acrylic and Roll-a-Tex on canvas
Peter Halley, 1988

Red Cell

Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Tom Otterness - Owl and Rat Lamp, 1992, bronze
Tom Otterness, 1992

Owl and Rat Lamp

Joseph Beuys - das Fett dafür, 1985, pages worked over with fat and pencil; exhibition catalogue, Kunst in der Bundesrepublik Deutschland 1945-1985, pages 241-245; in cloth box
Joseph Beuys, 1985

das Fett dafür

John Ahearn and Rigoberto Torres - Maggie and Connie, 1985, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1985

Maggie and Connie

Joseph Beuys - New York Subway Poster, 1983, lithograph and silkscreen on machine-made wove
Joseph Beuys, 1983

New York Subway Poster

Mike Kelley - Flower of Architecture, 1986, acrylic on paper mounted on canvas
Mike Kelley, 1986

Flower of Architecture

Joseph Beuys - doppelt doppelt, 1973, offset on paper, with handwritten supplement, stamped
Joseph Beuys, 1973

doppelt doppelt

Cindy Sherman - Untitled #201, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #201

Terry Winters - The Psychological Corporation, 1990, oil on linen
Terry Winters, 1990

The Psychological Corporation

Joseph Beuys - Nur noch 2425 Tage .... (Only 2425 Days More....), 1980, offset on cardstock
Julie Mehretu - Invisible Sun (algorithm 8, fable form), 2015, ink and acrylic on canvas
On View
Joseph Beuys - Holzpostkarte (Wood Postcard), 1974, silkscreen on pine
Joseph Beuys, 1974

Holzpostkarte (Wood Postcard)

Jonas Wood - Matisse Pot 7, 2016, acrylic, colored pencil and ink on paper
Jonas Wood, 2016

Matisse Pot 7

Sam Francis - Why Then Opened II, 1962-63, oil and acrylic on canvas
Sam Francis, 1962-63

Why Then Opened II

Joseph Beuys - Collezione di grafica: For Terremoto, 1982, etching and pencil drawing on wove