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William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Jeff Koons - String of Puppies, 1988, polychromed wood
Jeff Koons, 1988
String of Puppies
John Baldessari - Pictures & Scripts: Honey - what words come to mind?, 2015, Diptych: varnished inkjet print on canvas with acrylic paint
Joseph Beuys - aus Revolutions Per Minute (from Revolutions Per Minute), 1982, offset on cardstock
Andy Warhol - Camouflage, 1986, acrylic and silkscreen ink on canvas
Andy Warhol, 1986
Camouflage
Joseph Beuys - von Gloeden Postkarten: Peppino, 1978, offset on cardstock with pencil
Joseph Beuys, 1978
von Gloeden Postkarten: Peppino
Timothy Greenfield‐Sanders - Portrait of Ross Bleckner, 1987, black and white photograph
Timothy Greenfield‐Sanders, 1987
Portrait of Ross Bleckner
Ed Ruscha - Honk (Cracker Jack), 1962, oil, black ink, and pencil on paper mounted on board
Ed Ruscha, 1962
Honk (Cracker Jack)
Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Cady Noland - SHAM DEATH, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994
SHAM DEATH
On View
David Wojnarowicz - The Newspaper as National Voodoo: A Brief History of the U.S.A., 1986, acrylic, spray paint, and collage on wood
Julie Mehretu - Six Bardos: Last Breath, 2018, 4 color aquatint
Julie Mehretu, 2018
Six Bardos: Last Breath
Joseph Beuys - Suite Schwurhand: Goldskulptur, 1980, aquatint and lithograph on paper laid down on gray Rives wove
Joseph Beuys, 1980
Suite Schwurhand: Goldskulptur
Joseph Beuys - Dillinger, 1974, videotape (VHS) in cloth-covered box
Joseph Beuys, 1974
Dillinger
Timothy Greenfield‐Sanders - Portrait of Peter Halley, 1986, black and white photograph
Timothy Greenfield‐Sanders, 1986
Portrait of Peter Halley
Peter Halley - Initial Sequence, 1987, acrylic, fluorescent acrylic and Roll-A-Tex on canvas
Peter Halley, 1987
Initial Sequence
Jean‐Michel Basquiat - Untitled, 1981, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1981
Untitled
On View
Jasper Johns - Untitled, 1991, encaustic and sand on canvas
Jasper Johns, 1991
Untitled
On View
Richard Artschwager - Rocker, 1965-75, Formica on plywood and steel counterweight
Richard Artschwager, 1965-75
Rocker
Cindy Sherman - Untitled #403, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #403
Joseph Beuys - Hasengrab I (Hare's Grave I), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Hasengrab I (Hare's Grave I)
Frank Stella - The Chapel (C-30, 1X), 1990, mixed media on aluminum
Frank Stella, 1990
The Chapel (C-30, 1X)
Gregory Crewdson - Untitled, 1999, digital chromogenic print
Gregory Crewdson, 1999
Untitled
Cindy Sherman - Untitled #198, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #198
Cindy Sherman - Untitled #180, 1987, chromogenic color print (two panels)
Cindy Sherman, 1987
Untitled #180
Günther Förg - Untitled, 1990, acrylic on lead on wood
Günther Förg, 1990
Untitled
Terry Winters - Schema (25), 1985-86, watercolor and graphite on paper
Terry Winters, 1985-86
Schema (25)
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Fat Shine on Iron
William Kentridge - Drawing from Il Ritorno d'Ulisse (The Return of Ulysses), 1998, charcoal and colored chalks on on paper
Paul Pfeiffer - Four Horsemen of the Apocalypse #14, 2004, Fuji Digital chromogenic print