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Neo Rauch - Warten auf die Barbaren, 2007, oil on canvas
Neo Rauch, 2007
Warten auf die Barbaren
Cindy Sherman - Untitled #215, 1989, chromogenic color print
Cindy Sherman, 1989
Untitled #215
Takashi Murakami - My arms and legs rot off and though my blood rushes forth, the tranquility of my heart shall be prized above all. (Red blood, black blood, blood that is not blood), 2007, acrylic and platinum leaf on canvas mounted on board, signage in platinum and gold leaf
Urs Fischer - Untitled, 2012, cast aluminum, milled aluminum, screws, LED light bulb, glass, wires, electrical unit, wash primer, epoxy filler, component fill primer, waterborne base coat, polyurethane matte clear coat
Urs Fischer, 2012
Untitled
Jack Goldstein - Untitled, 1988, acrylic on canvas
Jack Goldstein, 1988
Untitled
Gregory Crewdson - The Disturbance, 2014, digital pigment print
Gregory Crewdson, 2014
The Disturbance
Joseph Beuys - 9 Postkarten: auf der Suche (9 Postcards: On a Search), 1979, offset on cardstock, stamps reproduced
Glenn Ligon - White #9, 1993, oil stick and gesso on linen
Glenn Ligon, 1993
White #9
Jonas Wood - Matisse Pot 7, 2016, acrylic, colored pencil and ink on paper
Jonas Wood, 2016
Matisse Pot 7
Joseph Beuys - Collezione di grafica: Capital, 1982/83, photoetching, etching and pencil on wove
Joseph Beuys, 1982/83
Collezione di grafica: Capital
Bruce Nauman - Untitled (Hand Circle), 1996, phosphorus-patinated bronze with wire
Bruce Nauman, 1996
Untitled (Hand Circle)
Cindy Sherman - Untitled #334, 1999, gelatin silver print
Cindy Sherman, 1999
Untitled #334
Joseph Beuys - aus Eurasienstab (from Eurasia Staff), 1973, silkscreen on newsprint
Joseph Beuys - ich kenne kein Weekend (I Know No Weekend), 1971-72, sauce bottle and book by Kant, Kritik der reinen Vernunft (Critique of Pure Reason), mounted in briefcase
Robert Therrien - No title (black keystone), 1982, enamel and wax on wood
Robert Therrien, 1982
No title (black keystone)
Joseph Beuys - Freitagsobjekt "1a gebratene Fischgräte (Hering)" (Friday Object “1st-Class Fried Fish Bones (Herring)”), 1970, fishbone and greaseproof paper, inscribed and stamped, in glass-fronted wooden box
Cindy Sherman - Untitled #574, 2016, dye sublimation metal print
Cindy Sherman, 2016
Untitled #574
Joseph Beuys - A.E.I.U.O., 1983, color offset on two sheets
Joseph Beuys, 1983
A.E.I.U.O.
Jenny Saville - In the realm of the Mothers II, 2014, charcoal on canvas
Jenny Saville, 2014
In the realm of the Mothers II
Damien Hirst - Fear, 2002, flies and resin on canvas
Damien Hirst, 2002
Fear
Sherrie Levine - Fountain (Buddha), 1996, cast bronze
Sherrie Levine, 1996
Fountain (Buddha)
Cindy Sherman - Untitled #94, 1981, chromogenic color print
Cindy Sherman, 1981
Untitled #94
Joseph Beuys - Collezione di grafica: Untitled, 1982, etching on wove, stamped
Joseph Beuys, 1982
Collezione di grafica: Untitled
Jean‐Michel Basquiat - Beef Ribs Longhorn, 1982, acrylic, oilstick, and paper collage on canvas mounted on tied wood supports
Jean‐Michel Basquiat, 1982
Beef Ribs Longhorn
On View
Robbie Conal - Gag Me with a Coat Hanger, 1992, offset lithographic poster
Robbie Conal, 1992
Gag Me with a Coat Hanger
Joseph Beuys - Minneapolis-Fragmente (Minneapolis Fragments), 1977, lithograph on wove and pencil, stamped
Kenny Scharf - Jungle Juice, 1984, acrylic on canvas
Kenny Scharf, 1984
Jungle Juice
Jasper Johns - Flags I, 1973, silkscreen, 31 screens
Jasper Johns, 1973
Flags I
Joseph Beuys - Doppelpferd (Double Horse), 1985, offset and silkscreen on heavy paper
Joseph Beuys, 1985
Doppelpferd (Double Horse)
Robbie Conal - Pete Wilson, 1993, offset lithographic poster
Robbie Conal, 1993
Pete Wilson