Browse the Collection

browse the collection

Roy Lichtenstein - Entablature, 1976, oil and Magna on canvas
Roy Lichtenstein, 1976
On View
Cindy Sherman - Untitled #131, 1983, chromogenic color print
Cindy Sherman, 1983
Robert Mapplethorpe - Tulips, 1988/printed in 1990, gelatin silver print
Robert Mapplethorpe, 1988/printed in 1990
Jasper Johns - Light Bulb, 1969, lead relief
Jasper Johns, 1969
Robert Therrien - No title (linear form), 1984, oil-based enamel and mixed media on wood
Robert Therrien, 1984
On View
Julian Schnabel - The Goddess of Reason, 1987, oil, gesso, banner on tarpaulin
Julian Schnabel, 1987
Christopher Wool - Untitled, 1988, enamel and flashe on aluminum and steel
Christopher Wool, 1988
Andreas Gursky - Pyongyang IV, 2007, cibachrome print
Andreas Gursky, 2007
Robert Therrien - No title (hat / bowl panel), 1985, oil on canvas mounted on wood
Robert Therrien, 1985
On View
Jean‐Michel Basquiat - Beef Ribs Longhorn, 1982, acrylic, oilstick, and paper collage on canvas mounted on tied wood supports
Jean‐Michel Basquiat, 1982
On View
Joseph Beuys - SoHo News, 1980, SoHo News magazine
Joseph Beuys, 1980
George Condo - The Bum, 1985, oil on canvas
George Condo, 1985
Toba Khedoori - Untitled (Black fireplace), 2006, encaustic, wax, oil paint on paper
Toba Khedoori, 2006
Joseph Beuys - Noiseless Blackboard Eraser, 1974, felt blackboard eraser, stamped
Joseph Beuys, 1974
Bernd and Hilla Becher - Water Towers, 1972, nine black and white photographs
Bernd and Hilla Becher, 1972
Robert Irwin - Untitled, 1967-68, acrylic lacquer on plastic
Robert Irwin, 1967-68
Joseph Beuys - Heidelberg, 1970, proof sheet; offset on cardstock, with several stamps
Joseph Beuys, 1970
Gregory Crewdson - Untitled, 2001-2002, digital chromogenic print
Gregory Crewdson, 2001-2002
Sam Francis - Why Then Opened II, 1962-63, oil and acrylic on canvas
Sam Francis, 1962-63
Susan Rothenberg - Green Studio, 2002-2003, oil on canvas
Susan Rothenberg, 2002-2003
Charles Ray - All My Clothes, 1973, 16 Kodachrome photographs mounted on board
Charles Ray, 1973