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Joseph Beuys - Petticoat aus der Suite Tränen (Petticoat from Suite Tears), 1985, color etching on white wove
Robert Rauschenberg - Untitled, 1963, oil and silkscreen inks on canvas
Robert Rauschenberg, 1963

Untitled

On View
Joseph Beuys - Holzschnitte: Hirschkuh (Woodcuts:Hind), 1948/1973-74, woodcut, hand-printed in brown on wove, in portfolio
Joseph Beuys, 1948/1973-74

Holzschnitte: Hirschkuh (Woodcuts:Hind)

Ed Ruscha - WILL 100 ARTISTS PLEASE DRAW A 1950 FORD FROM MEMORY?, 1977, pastel on paper
Jeff Koons - Rabbit, 1986, stainless steel
Jeff Koons, 1986

Rabbit

On View
Joseph Beuys - ohne Titel, aus dem Portfolio Spur II (Untitled, from the Portfolio Trace II (nine lithographs)), 1977, lithograph on white Rives wove paper
Cindy Sherman - Untitled Film Still #06, 1977, gelatin silver print
Cindy Sherman, 1977

Untitled Film Still #06

Joseph Beuys - Fettzeitung (Fat Magazine), 1973, Essen und Trinken magazine in printed transparent cover, stamped in blue (Bluecross); center pages with fat
Joseph Beuys, 1973

Fettzeitung (Fat Magazine)

Jeff Koons - Ballerinas, 2010-2014, mirror-polished stainless steel with transparent color coating
Jeff Koons, 2010-2014

Ballerinas

Joseph Beuys - Jack Burnham, 1974, offset on cardstock, stamps reproduced
Joseph Beuys, 1974

Jack Burnham

Malcolm Morley - At a First Aid Center in Vietnam, 1971, oil on canvas
Malcolm Morley, 1971

At a First Aid Center in Vietnam

Robert Longo - Untitled (Ferguson Police, August 13, 2014), 2014, Charcoal on mounted paper
Joseph Beuys - Freier Demokratischer Sozialismus (Free Democratic Socialism), 1971, writing paper with printed letterhead and handwritten text
Donald Baechler - Untitled [Cone (A Feat of Strength)], 2000, silkscreen
Donald Baechler, 2000

Untitled [Cone (A Feat of Strength)]

Neo Rauch - Nachttankstelle, 2010, oil on canvas
Neo Rauch, 2010

Nachttankstelle

Gregory Crewdson - The Basement, 2014, digital pigment print
Gregory Crewdson, 2014

The Basement

Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978

Sandzeichnungen (Sand Drawings)

Frank Stella - The Chapel (C-30, 1X), 1990, mixed media on aluminum
Frank Stella, 1990

The Chapel (C-30, 1X)

Jeff Koons - Tulips, 1995-2004, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1995-2004

Tulips

On View
Ed Ruscha - Never Odd or Even, 2001, acrylic on canvas
Ed Ruscha, 2001

Never Odd or Even

Joseph Beuys - Suite Zirkulationszeit: tote Hirsche (Suite Circulation Time: Dead Stags), 1982, etching on white wove
Joseph Beuys - Suite Schwurhand: Blitz und Bienenkönigin (Suite Oath Hand: Lightning and Queen Bee), 1980, aquatint and lithograph on paper laid down on gray Rives wove
Andy Warhol - Most Wanted Men No. 6, Thomas Francis C., 1964, silkscreen ink on linen
On View
Thomas Houseago - Face Panel II (Landscape), 2012, bronze
Thomas Houseago, 2012

Face Panel II (Landscape)

Meyer Vaisman - Untitled Turkey XIV, 1992, icelandic lambswool, chickenwire, stuffed turkey and mixed media on wood base
Meyer Vaisman, 1992

Untitled Turkey XIV

Joseph Beuys - Der Morgen II (The Morning II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Der Morgen II (The Morning II)

Alexander Calder - Untitled, unknown, print
Alexander Calder, unknown

Untitled

Ed Ruscha - HOLLYWOOD IS A VERB, 1979, pastel on paper
Ed Ruscha, 1979

HOLLYWOOD IS A VERB

Joan Miró - La Caresse d'un Oiseau, 1967, painted bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1967

La Caresse d'un Oiseau

Jean‐Michel Basquiat - Untitled, 1981, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1981

Untitled

On View