Browse the Collection

browse the collection

Bryan Hunt - Untitled, 1975, gold leaf on silk paper, balsa and spruce wood
Bryan Hunt, 1975
Saint Clair Cemin - Jewel, 1990, silver and lapis lazuli
Saint Clair Cemin, 1990
Jean‐Michel Basquiat - Pink Devil, 1984, acrylic, oilstick, and xerox collage on canvas
Jean‐Michel Basquiat, 1984
On View
Anselm Kiefer - Euphrat und Tigris, 1986-89, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1986-89
Joseph Beuys - Lapis/arte, 1981, publication, stamped
Joseph Beuys, 1981
Joseph Beuys - Food for Thought, 1977, offset on gray machine-made wove, stamped, with grease spot
Joseph Beuys, 1977
Roy Lichtenstein - Purist Still Life, 1975, oil and Magna on canvas
Roy Lichtenstein, 1975
On View
Joan Miró - Oiseau Lunaire, 1966, Bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1966
Peter Halley - Weekend, 1988, acrylic and Flashe on canvas
Peter Halley, 1988
Eric Fischl - The Evacuation of Saigon, 1987, oil on three linen panels
Eric Fischl, 1987
Joseph Beuys - Raum 3 (Room 3), 1981, video cassette, computer printout
Joseph Beuys, 1981
Robert Rauschenberg - Untitled, ca. 1954, combine: oil, fabric, newspaper, and charcoal collage with light bulb and two Crookes radiometers on wood structure
Robert Rauschenberg, ca. 1954
Joseph Beuys - Honigpumpe (Honeypump), 1985, cardboard box with publication, silkscreen print, tape cassette, and fifteen photographs
Joseph Beuys, 1985
Julian Lethbridge - Untitled, 2012, oil and pigment stick on linen
Julian Lethbridge, 2012
Joseph Beuys - Solidarnosc incarnat, 1981, color offset on art paper
Joseph Beuys, 1981
Joseph Beuys - 5 Jahre zurück (5 Years Back), 1983, printer's proof sheet, with handwritten addition, stamped
Joseph Beuys, 1983
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, test tube containing coral sand, in cardboard box, stamped
Joseph Beuys, 1978
Andreas Gursky - Los Angeles, 1998, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1998
Joseph Beuys - Schwelle (Threshold), 1984, blind etching with plate tone varying from impression to impression on wove
Joseph Beuys, 1984