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Joseph Beuys - Il pensiero della F.I.U. (The Thinking of the F.I.U.), 1978, silkscreen on cardstock
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, one lithograph on grayish-green wove in portfolio of nine
Cindy Sherman - Untitled #131, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #131
Imi Knoebel - o.T., 1987, fiberglass, aluminum, plastic, cardboard and wood
Imi Knoebel, 1987
o.T.
Joseph Beuys - Exhibition catalogue with essays by Hans and Franz Josef van der Grinten for an exhibition at Stadtisches Museum Haus Koekoek Kleve, October 8 to November 5, 1961. Joseph Beuys included as artist in exhibition, 1961, catalogue
Joseph Beuys - ohne Titel, aus dem Portfolio Spur I (Untitled, from the Portfolio Trace I (nine lithographs)), 1974, one lithograph on white wove in portfolio of nine
Christopher Wool - Untitled, 1988, enamel and flashe on aluminum and steel
Christopher Wool, 1988
Untitled
Jean‐Michel Basquiat - Wicker, 1984, acrylic, oilstick and xerox collage on canvas
Jean‐Michel Basquiat, 1984
Wicker
On View
Cindy Sherman - Untitled #126, 1983, chromogenic color print
Cindy Sherman, 1983
Untitled #126
Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974
Iphigenie-Set
Cindy Sherman - Untitled #356, 2000, chromogenic color print
Cindy Sherman, 2000
Untitled #356
Jasper Johns - Untitled, 1994, lithograph, eight plates
Jasper Johns, 1994
Untitled
Joseph Beuys - Suite Schwurhand: Wandernde Kiste 5, 1980, lithograph on paper laid down on gray Rives wove
Ed Ruscha - HOLLYWOOD IS A VERB, 1979, pastel on paper
Ed Ruscha, 1979
HOLLYWOOD IS A VERB
Sharon Lockhart - Pine Flat Portrait Studio, Matthew, Matthew, 2005, two framed chromogenic prints
Joseph Beuys - Suite Zirkulationszeit: Bär (Suite Circulation Time: Bear), 1982, lithograph on white wove
Patrick Martinez - Migration is Natural, 2021, neon
Patrick Martinez, 2021
Migration is Natural
Mike Kelley - Master Dik (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Cindy Sherman - Untitled #447, 2005, chromogenic color print
Cindy Sherman, 2005
Untitled #447
Joseph Beuys - Sonne statt Reagan (Sun instead of Reagan), 1982, phonograph record, in sleeve with red oil paint
John Ahearn and Rigoberto Torres - Thomas, 1986, oil on reinforced polyadam
John Ahearn and Rigoberto Torres, 1986
Thomas
On View
Philip Taaffe - The Sorcerer's Apron, 1998 - 1999, mixed media on canvas
Philip Taaffe, 1998 - 1999
The Sorcerer's Apron
Mark Grotjahn - Untitled (Pink Cosco VI Mask M40.g), 2016, painted bronze
Thomas Houseago - Untitled (Black Painting 12), 2015-2016, charcoal, chalk and oil paint on canvas mounted on board
Thomas Houseago, 2015-2016
Untitled (Black Painting 12)
Anselm Kiefer - Für René Char, 1988, original photograph on treated lead in a glazed steel frame
Anselm Kiefer, 1988
Für René Char
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)
Cady Noland - IMPACT ON THE IMAGE, 1993-1994, silkscreen ink on honeycomb aluminum
Cady Noland, 1993-1994
IMPACT ON THE IMAGE
On View
Joseph Beuys - Hasenblut (Hare's Blood), 1971, plastic envelope containing approx. four cc hare's blood, mounted with adhesive bandage on heavy paper
Joseph Beuys, 1971
Hasenblut (Hare's Blood)
Richard Diebenkorn - Ocean Park #90, 1976, oil on canvas
Richard Diebenkorn, 1976
Ocean Park #90