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Nathaniel Mary Quinn - C'mo' and Walk With Me, 2019, black charcoal, gouache, soft pastel, oil pastel on Coventry vellum paper
Nathaniel Mary Quinn, 2019

C'mo' and Walk With Me

Joseph Beuys - hier Ende der Implosion (Here Implosion Ends), 1974, wooden wedge with pencil drawing
Joseph Beuys - Rose für Direkte Demokratie (Rose for Direct Democracy), 1973, graduated glass cylinder, with inscription; certificate on printed letter paper
Cindy Sherman - Untitled #190, 1989, chromogenic color prints (two panels)
Cindy Sherman, 1989

Untitled #190

Joseph Beuys - Hirsch auf Urschlitten (Stag on Primeval Sled), 1985, silkscreen on cardstock
Lari Pittman - Pathos, Ethos, Logos, Kairos #4, 2017, cel vinyl and spray paint over linen mounted on wood panel
Lari Pittman, 2017

Pathos, Ethos, Logos, Kairos #4

On View
Timothy Greenfield‐Sanders - Portrait of Christopher Wool, 1991, black and white photograph
Timothy Greenfield‐Sanders, 1991

Portrait of Christopher Wool

Julie Mehretu - Conjured Parts (eye), Ferguson, 2016, ink and acrylic on canvas
Julie Mehretu, 2016

Conjured Parts (eye), Ferguson

Cindy Sherman - Untitled #168, 1987, chromogenic color print
Cindy Sherman, 1987

Untitled #168

Julian Lethbridge - Penrose 1, 1992, oil on linen
Julian Lethbridge, 1992

Penrose 1

Thomas Struth - Semi Submersible Rig, DSME Shipyard, Geoje Island, 2007, chromogenic print
On View
Joseph Beuys - Zeichen aus dem Braunraum, 1984, one of eight silkscreen on paper, in portfolio
Joseph Beuys, 1984

Zeichen aus dem Braunraum

Jean‐Michel Basquiat - With Strings Two, 1983, acrylic, and oilstick on canvas
Jean‐Michel Basquiat, 1983

With Strings Two

Christopher Wool - Untitled, 1990, enamel on rice paper
Christopher Wool, 1990

Untitled

Louise Lawler - Egg and Gun, 2008, Cibachrome face mounted to Plexi on museum box
Louise Lawler, 2008

Egg and Gun

Damien Hirst - No Arts; No Letters; No Society., 2006, glass, Formica, MDF aluminum, steel, metal supports, surgical equipement, broken mirror, rosary beads, anatomical skulls, duct tape and pharmaceutical packaging
David McDermott and Peter McGough - Rub-a-Dub-Dub...Three Boys and One Tub 1937, 1986, oil on linen and wood
David McDermott and Peter McGough, 1986

Rub-a-Dub-Dub...Three Boys and One Tub 1937

Jeff Koons - Jim Beam - J.B. Turner Train, 1986, stainless steel, bourbon
Jeff Koons, 1986

Jim Beam - J.B. Turner Train

On View
Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980

aus Frammenti Veneviani

Keith Haring - Red Room, 1988, acrylic on canvas
Keith Haring, 1988

Red Room

Ellsworth Kelly - Blue Curve V, 1972, oil on canvas
Ellsworth Kelly, 1972

Blue Curve V

Joseph Beuys - Iphigenie-Set, 1974, one of eight offset prints mounted on cardstock
Joseph Beuys, 1974

Iphigenie-Set

John Baldessari - Seashells/Tridents/Frames, 1988, five black and white photographs with oil tint and vinyl paint
John Baldessari, 1988

Seashells/Tridents/Frames

Joseph Beuys - in Ilverich roch es damals noch nach Gras, 1981, offset on cardstock
Jeff Koons - Balloon Dog (Blue), 1994-2000, mirror-polished stainless steel with transparent color coating
Jeff Koons, 1994-2000

Balloon Dog (Blue)

On View
Albert Oehlen - Fn 23, 1990, oil on canvas
Albert Oehlen, 1990

Fn 23

Sharon Lockhart - Agnieszka, “MANIFESTO OF THE MILKY NIGHT,” Little Review no. 131 (4568), May 10, 1935, National Library of Poland, Warsaw, February 2, 2017, 2017, framed chromogenic print (panel A)
Joseph Beuys - gib mir Honig (Give Me Honey), 1979, tin bucket for honey, inscribed, stamped
Joseph Beuys, 1979

gib mir Honig (Give Me Honey)

Glenn Ligon - White #5, 1993, oil stick and gesso on linen
Glenn Ligon, 1993

White #5

Kara Walker - African't, 1996, cut paper on wall
Kara Walker, 1996

African't

On View