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Takashi Murakami - My arms and legs rot off and though my blood rushes forth, the tranquility of my heart shall be prized above all. (Red blood, black blood, blood that is not blood), 2007, acrylic and platinum leaf on canvas mounted on board, signage in platinum and gold leaf
John Baldessari - The Spectator Is Compelled..., 1966 - 1968, photographic emulsion and acrylic on canvas
John Baldessari, 1966 - 1968
The Spectator Is Compelled...
John Baldessari - The Intersection Series: Children Eating Watermelon/High Rise Building, 2001, digital photographic prints with acrylic on Sintra board
Amani Lewis - When all is lost, who do you run to?, 2022
On View
Joseph Beuys - Silberbesen und Besen ohne Haare (Silver Broom and Broom without Bristles), 1972, broom (wood and horsehair), encased in 1 mm silver sheet; solid copper, felt
Timothy Greenfield‐Sanders - Portrait of Richard Artschwager, 1992, black and white photograph
Timothy Greenfield‐Sanders, 1992
Portrait of Richard Artschwager
Damien Hirst - Half Skull at Rest, 2008, oil on newspaper
Damien Hirst, 2008
Half Skull at Rest
Julie Mehretu - Congress, 2003, ink and acrylic on canvas
Julie Mehretu, 2003
Congress
Jasper Johns - Flags, 1968, color lithograph with stamps
Jasper Johns, 1968
Flags
Joseph Beuys - Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee (Yes Yes Yes Yes Yes, No No No No No ), 1969, felt, tape recording
Eric Fischl - Untitled, 1982, oil on canvas
Eric Fischl, 1982
Untitled
Sterling Ruby - SP272 (1), SP272 (2), 2014, spray paint on synthetic canvas
Sterling Ruby, 2014
SP272 (1), SP272 (2)
Joseph Beuys - Photo-Editionen (Photo Editions), 1982-83, one of eight photographs by Zoa
Joseph Beuys, 1982-83
Photo-Editionen (Photo Editions)
Joseph Beuys - Filzanzug (Felt Suit), 1970, felt, sewn; stamped
Joseph Beuys, 1970
Filzanzug (Felt Suit)
Joseph Beuys - Suite Zirkulationszeit: tote Hirsche (Suite Circulation Time: Dead Stags), 1982, etching on white wove
Kara Walker - Testimony: Narrative of a Negress Burdened by Good Intentions, 2004, black and white video, no audio and framed cut paper sillhouette
Joseph Beuys - Robbe (Seal), 1981, color lithograph on white wove
Joseph Beuys, 1981
Robbe (Seal)
Joseph Beuys - EIN-STEIN-ZEIT (EIN-STEIN-TIME), 1984, silkscreen on zinc
Joseph Beuys, 1984
EIN-STEIN-ZEIT (EIN-STEIN-TIME)
Jasper Johns - Savarin 2 (Wash and Line), 1978-79, lithograph on Richard de Bas paper
Jasper Johns, 1978-79
Savarin 2 (Wash and Line)
Sean Scully - Angelo, 1994, oil on linen
Sean Scully, 1994
Angelo
Anselm Kiefer - Das Balder-Lied, 1977-88, original photograph and mistletoe on treated lead in a glazed steel frame
Anselm Kiefer, 1977-88
Das Balder-Lied
Joan Miró - Oiseau Solaire, 1966, Bronze (sand casting). Susse Fondeur, Arcueil, Paris
Joan Miró, 1966
Oiseau Solaire
Joseph Beuys - 5 Jahre zurück (5 Years Back), 1983, printer's proof sheet, with handwritten addition, stamped
Joseph Beuys, 1983
5 Jahre zurück (5 Years Back)
Joseph Beuys - Sonnenscheibe, 1973, record matric (nickel-plated copper) with die-cut hole; two felt pads stamped with brown paint (Browncross); in box
Joseph Beuys, 1973
Sonnenscheibe
Meyer Vaisman - Untitled Turkey XIV, 1992, icelandic lambswool, chickenwire, stuffed turkey and mixed media on wood base
Meyer Vaisman, 1992
Untitled Turkey XIV
Joseph Beuys - La rivoluzione siamo Noi (We Are the Revolution), 1972, offset on cardstock, stamps reproduced
Joseph Beuys - Botanischer Wahnsinn (Botanical Madness), 1976, collotype on cardstock
Leon Golub - Mercenaries III, 1980, acrylic on linen
Leon Golub, 1980
Mercenaries III
Alexander Calder - Iguana, 1967, painted metal
Alexander Calder, 1967
Iguana
Joseph Beuys - Sandzeichnungen (Sand Drawings), 1978, duotone offset print on offset paper
Joseph Beuys, 1978
Sandzeichnungen (Sand Drawings)