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Paul Pfeiffer - Three Studies for Figures at the Base of a Crucifixion, 2001, metal armatures, miniature video projectors, 3 DVDs with continuous digital video loops, DVD players
Joseph Beuys - Auguren (Augurs), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982

Auguren (Augurs)

Christopher Wool - Untitled, 1990, enamel and acrylic on nine aluminum panels
Christopher Wool, 1990

Untitled

Joseph Beuys - Stempelplastik (Stamp Sculpture), 1982, vinyl postcards and Hauptstrom stamp
Rudolf Stingel - Untitled, 2010, oil on canvas
Rudolf Stingel, 2010

Untitled

On View
Sam Francis - White #4, 1950-51, oil on canvas
Sam Francis, 1950-51

White #4

Joseph Beuys - Gespräch, 1974, drawing in watercolor, ink and stamps on page 5 of the book JOSEPH BEUYS - Zeichnungen I, 1947-1959
Joseph Beuys, 1974

Gespräch

Joseph Beuys - Ja Ja Ja Ja Ja, Nee Nee Nee Nee Nee (Yes Yes Yes Yes Yes, No No No No No ), 1970, album with long-playing record, stamped
Ed Ruscha - WENT TO SLEEP..., 2011, acrylic on vellum
Ed Ruscha, 2011

WENT TO SLEEP...

Timothy Greenfield‐Sanders - Portrait of Keith Haring, 1985, black and white photograph
Timothy Greenfield‐Sanders, 1985

Portrait of Keith Haring

Christopher Wool - Untitled, 1987, enamel and flashe on aluminum and steel
Christopher Wool, 1987

Untitled

Robert Moskowitz - Flatiron (For Lily), 1979, oil on canvas
Robert Moskowitz, 1979

Flatiron (For Lily)

Joseph Beuys - Zeichnungen zu Codices Madrid von Leonardo da Vinci, 1975, granolithograph
Robbie Conal - Freedom From Choice, 1992, offset lithographic poster
Robbie Conal, 1992

Freedom From Choice

Eric Fischl - The Travel of Romance: Scene IV, 1994, oil on linen
Cindy Sherman - Untitled #196, 1989, chromogenic color print
Cindy Sherman, 1989

Untitled #196

Joseph Beuys - in interfunktionen 7, 1971, offset with handwritten text, stamped in blue (Bluecross) on page 29 of the publication; magazine
Joseph Beuys, 1971

in interfunktionen 7

Joseph Beuys - Order, 1973, order form, stamped
Joseph Beuys, 1973

Order

Joseph Beuys - Köln (Cologne), 1968-69, offset on cardstock, stamps reproduced
Joseph Beuys, 1968-69

Köln (Cologne)

Mark Grotjahn - Untitled (Butterfly Flat M36f05), 2014, bronze
Mark Grotjahn, 2014

Untitled (Butterfly Flat M36f05)

Roy Lichtenstein - La Nouvelle Chute De L'Amérique by Allen Ginsberg, Paris, Édition du Solstice, 1992, ten acquatints; one printed in black, nine printed in color
Tom Otterness - Big Big Penny, 1993, bronze
Tom Otterness, 1993

Big Big Penny

Richard Artschwager - Destruction V, 1972, acrylic on Celotex, with metal frames, two panels
Richard Artschwager, 1972

Destruction V

Terry Winters - Kink Instability, 1995, graphite on paper
Terry Winters, 1995

Kink Instability

Joseph Beuys - Fettzeitung (Fat Magazine), 1973, Essen und Trinken magazine in printed transparent cover, stamped in blue (Bluecross); center pages with fat
Joseph Beuys, 1973

Fettzeitung (Fat Magazine)

Terry Winters - Set Diagram 34, 2000, oil on linen
Terry Winters, 2000

Set Diagram 34

Timothy Greenfield‐Sanders - Portrait of Julian Schnabel, 1979, black and white photograph
Timothy Greenfield‐Sanders, 1979

Portrait of Julian Schnabel

Sean Scully - Conversation, 1986, oil on four canvas panels
Sean Scully, 1986

Conversation

Joseph Beuys - Cuprum 0.3% unguentum metallicum praeparatum, 1978-86, cast beeswax with finely distributed copper
Ed Ruscha - Psycho Spaghetti Western #3, 2010, acrylic on canvas
Ed Ruscha, 2010

Psycho Spaghetti Western #3

On View