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Joseph Beuys - Wirtschaftswert APOLLO (Economic Value APOLLO), 1977, margarine container and postcard
Robbie Conal - Pete Wilson, 1993, offset lithographic poster
Robbie Conal, 1993
Pete Wilson
Timothy Greenfield‐Sanders - Portrait of Philip Taaffe, 1985, black and white photograph
Timothy Greenfield‐Sanders, 1985
Portrait of Philip Taaffe
Alex Israel - Lens (Orange), 2015, UV protective plastic lens
Alex Israel, 2015
Lens (Orange)
Joseph Beuys - Gletscher Schwamm Totenbett, 1979, photoetching on wove with pencil
Joseph Beuys, 1979
Gletscher Schwamm Totenbett
Joseph Beuys - Fat Shine on Iron, 1977, offset on cardstock, stamps reproduced
Joseph Beuys, 1977
Fat Shine on Iron
Joseph Beuys - aus Frammenti Veneviani, 1980, silkscreen, graphite on black wove
Joseph Beuys, 1980
aus Frammenti Veneviani
Joseph Beuys - Das Wirtschaftswert-PRINZIP, 1981, three boxes with picture postcards, a bag of dried peas with handwritten addition; in cardboard box
Joseph Beuys, 1981
Das Wirtschaftswert-PRINZIP
Jeff Koons - Party Hat, 1995-97, oil on canvas
Jeff Koons, 1995-97
Party Hat
On View
Ellsworth Kelly - Blue Curve V, 1972, oil on canvas
Ellsworth Kelly, 1972
Blue Curve V
Roy Lichtenstein - Mirror #1, 1969, oil and Magna on canvas
Roy Lichtenstein, 1969
Mirror #1
On View
Joseph Beuys - Hasengrab II (Hare's Grave II), 1982, offset on cardstock, stamps reproduced
Joseph Beuys, 1982
Hasengrab II (Hare's Grave II)
Anselm Kiefer - Entrance to Paradise, 2010, oil, emulsion, acrylic, shellac, thorn bushes, photographs, and lead on canvas in glass and steel frames
Anselm Kiefer, 2010
Entrance to Paradise
Malcolm Morley - Vermeer, Portrait of the Artist in his Studio, 1968, acrylic on canvas
Andreas Gursky - 99 Cent, 1999, chromogenic print mounted on Plexiglas in artist's frame
Andreas Gursky, 1999
99 Cent
Joseph Beuys - Klavierduette, 1981, admission ticket
Joseph Beuys, 1981
Klavierduette
Chuck Close - Self-Portrait (Yellow Raincoat), 2013, archival watercolor pigment print (90?) on Hahnemühle rag paper
Damien Hirst - The Unbearable Lightness of Being, 2003, butterfly wings on household gloss on canvas
Jean‐Michel Basquiat - Gold Griot, 1984, acrylic and oilstick on wood
Jean‐Michel Basquiat, 1984
Gold Griot
On View
Kenny Scharf - Inside Out, 1984, acrylic and spray paint on canvas
Kenny Scharf, 1984
Inside Out
Gregory Crewdson - Untitled, Winter 2006, digital pigment print
Gregory Crewdson, Winter 2006
Untitled
Sharon Lockhart - Pine Flat Portrait Studio, Mikey, Sierra, 2005, two framed chromogenic prints
Andy Warhol - Male Seated at Automat Counter, 1958, ink and watercolor on paper
Andy Warhol, 1958
Male Seated at Automat Counter
On View
Joseph Beuys - Köln (Cologne), 1968-69, offset on cardstock, stamps reproduced
Joseph Beuys, 1968-69
Köln (Cologne)
Mike Kelley - Satan's Nostrils (from series "Pansy Metal/Clovered Hoof"), 1989, screenprint on silk
Cindy Sherman - Untitled #377, 1976/2000, gelatin silver print
Cindy Sherman, 1976/2000
Untitled #377
Philip Taaffe - California King Snake (Ringed Phase), 1997, mixed media on canvas
Joseph Beuys - C'est la fin de la fin des Latins, 1982, metal sign with baked enamel
Joseph Beuys - Beuys/Rosebery/Fuller, 1980, color offset on heavy paper
Joseph Beuys, 1980
Beuys/Rosebery/Fuller
Jean‐Michel Basquiat - Untitled, 1981, acrylic and oilstick on canvas
Jean‐Michel Basquiat, 1981
Untitled
On View