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THE UN-PRIVATE COLLECTION SERIES

In anticipation of the museum opening, The Broad is holding talks around Los Angeles featuring cultural leaders and artists whose work in the Broad collections explores contemporary and controversial themes like politics, society, race and identity.

Find information, video and audio from past programs in The Un-Private Collection series.

The Un-Private Collection: John Currin and James Cuno

09/14/2014 | 3:00 p.m.
SOLD OUT
The Getty Center
1200 Getty Center Drive
Los Angeles, CA
This talk is co-presented with the Getty Museum's 'Getty Perspectives' series.

Image credits: John Currin, Hot Pants, 2010, The Broad Art Foundation, Santa Monica, © John Currin, courtesy Gagosian Gallery, photography by Robert McKeever; Jean-Étienne Liotard, Portrait of John, Lord Mountstuart, later 4th Earl and 1st Marquess of Bute (detail), 1763, The J. Paul Getty Museum, Los Angeles

“…When I was trying to change myself into a figurative painter, I was more drawn to the rococo and the other damned souls of art history.” – John Currin

Artist John Currin joins James Cuno, president and CEO of the J. Paul Getty Trust, to discuss how traditional portraiture has influenced Currin's modern interpretation of the form. Co-presented with The Broad's The Un-Private Collection art talk series and the Getty Museum's Getty Perspectives series, their conversation will consider Currin's works in the Broad collections and classic European paintings and drawings in the Getty collection.

Currin emerged in the 1990s as one of the freshest voices in American art and was among a wave of contemporary artists who established a renewed interest in portraiture. Drawing from sources as diverse as Northern Renaissance paintings and pinup magazines, he is known for his distortions of the human figure and his critiques of societal ideals of beauty. Currin is also known for his contemporary renditions of old master poses and formats that often conflate opposing sensibilities—vaulted taste with vulgarity, sentimentality with irony, and conventional beauty with banality.  Often rife with art historical references and suggestions, Currin’s work overlays with the Getty’s mission as an institution dedicated to critical thinking in the presentation, conservation, and interpretation of the world's artistic legacy.

This event is now sold out. A standby line will be available the night of the event at the Getty Center. The talk will also be livestreamed on our website. Check back here on September 14 at 3 p.m. PST to watch it live online. 

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View works by John Currin in the collections

 

The Un-Private Collection: Kara Walker and Ava DuVernay

10/11/2014 | 2:00 p.m.
The Writers Guild Theater
135 South Doheny Drive
Beverly Hills

Kara Walker photo by Sari Goodfriend

“[African-American] people are making things and it’s a great time, but we always have. It just happens to be that the gaze of a certain sector is now on it. At the moment we catch someone else’s eye, does that make it more valuable or valid?” –Ava DuVernay

Kara Walker, a provocative artist whose work depicts the utter depravity of the antebellum South with unflinching clarity, will be in conversation with Ava DuVernay, filmmaker and winner of the 2012 Sundance Best Director Award. 

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View works by Kara Walker in the collections